Zoom Handy Recorder H4 Operation Manual page 92

Effect Types and Parameters
TREMOLO
(1) DEPTH
Adjusts the modulation depth.
(3) WAVE
Allows selection of the modulation waveform.
Available settings are UP (rising sawtooth), DOWN
(falling sawtooth), and TRI (triangle). Higher setting
values result in more clipping of wave peaks, which
reinforces the effect.
RING MOD
(1) POSITION
Selects the insertion position of the EFX module:
"Before" the PREAMP module or "After" the
PREAMP module.
(3) BALANCE
Adjusts the balance between original sound and effect
sound.
SLOW ATK
(1) POSITION
Selects the insertion position of the EFX module:
"Before" the PREAMP module or "After" the
PREAMP module.
(3) CURVE
Adjusts the attack volume change curve.
CHORUS
ENSEMBLE
The above 2 effect types have the same parameters.
(1) DEPTH
Adjusts the modulation depth.
(3) TONE
Adjusts the tone.
FLANGER
(1) DEPTH
Adjusts the modulation depth.
92
This effect periodically varies the volume.
0 – 100
UP 0 – 9, DOWN 0 – 9,
TRI 0 – 9
This effect produces a metallic ringing sound. Adjusting the FREQUENCY
parameter results in a drastic change of sound character.
Before, After
0 – 100
This effect softens the attack rate of each note, resulting in a violin playing
style sound.
Before, After
0 – 10
This effect mixes a variable pitch-shifted component to the original signal,
resulting in full-bodied resonating sound.
This is a chorus ensemble with three-dimensional movement.
0 – 100
0 – 10
This effect produces a resonating and strongly undulating sound.
0 – 100
(2) RATE
Adjusts the modulation rate.
(4) LEVEL
Adjusts the level of the signal after passing the EFX
module.
(2) FREQUENCY
Adjusts the modulation frequency.
(4) LEVEL
Adjusts the level of the signal after passing the EFX
module.
(2) TIME
Adjusts the rise time.
(4) LEVEL
Adjusts the level of the signal after passing the EFX
module.
(2) RATE
Adjusts the modulation rate.
(4) MIX
Adjusts the level of effect sound mixed to the original
sound.
(2) RATE
Adjusts the modulation rate.
0 – 50,
(See Table on page 93)
2 – 100
1 – 50
2 – 100
1 – 50
2 – 100
1 – 50
0– 100
0 – 50,
(See Table on page 93)
ZOOM H4