Lexicon LXP-15-II Owner's Manual page 66

Preset
# Name
52 6VoiceChorus ChorDly
53 Vocal Chorus ChorDly
54 ChorusSlaps ChorDly
55 Cave &Chorus Chor/Dly
56 GuitarDetune Pch/Dly
57 Flange Room Dly/Rvb
58 Slowrollin' Dly/Rvb
59 Image Shift Pch/Dly
60 Step Flange Pch/Dly
61 LFO Guitar ChorDly
62 1/16thMAT Slap Pch/Dly
63 Chorus MAT ChorDly
64 Thru a Ringer ChorDly
Alg Patch
none
none
none
InLevel
LFO
LFO, InLvl
LFO
LFO
LFO
LFO,InLvl
MIDI Tempo
MIDI Tempo
none
Description
Bright medium rate chorus. Just enough diffusion to take the
edge off a source. Baseline effect for any source.
Longer, more diffuse reflections and a deeper chorus. Stack
on "stacked" vocals.
Deeper still... Really wanks on the sound! Almost like a
chorused VFW Hall.
Very deep recirculating echo effect with heavy chorusing. For
slower paced tunes only.
Swept pitch shift. The LFO glides the relative amount of fine
pitch shift. An alternative to standard chorusing.
The input level determines the LFO rate driving the gliding
delay causing the flange. Any source which has a dirty
characteristic will accentuate this effect.
Gentle chorus added to a moderatly large hall reverb. Back-
ground vocals work great.
Causes the stereo image to wander from left to right, back and
forth. A slight amount of predelay separates the source from
the effect. Subtle but haunting. Use on background or even
lead vocals.
A staircase flange. Use on a ripping guitar solo for added edge.
LFO changes the amount of chorusing, and the input level
changes the LFO rate.Bass tracks seem to like this one.
MIDI Clock tied to predelay. Each quarter-note beat yields a
sixteenth-note delay. For most applications this means a
straight ahead slap echo in sync with your sequencer. No
tempo clock no delay...
Feed in MIDI Clock and the echoes sync automatically to
quarter notes.
Spacey sound effect. Voice or percussion works great!
The Presets
5-5