Band Step Flanger - Roland Fantom XR Owner's Manual

Parameter Range
Low Depth 0–127
Low Phase 0–180 deg
Low -98– +98%
Feedback #
High Pre Delay 0.0–100.0 ms
High Rate # 0.05–10.00 Hz, note
High Depth 0–127
High Phase 0–180 deg
High -98– +98%
Feedback #
Balance # D100:0W–D0:100W
Level 0–127
34: 2BAND STEP FLNGR

(2BAND STEP FLANGER)

A step flanger that lets you apply an effect independently to the low-
frequency and high-frequency ranges.
fig.MFX-34
L in
High Band Step Flanger
Split
High Band Feedback
Low Band Step Flanger
Low Band Feedback
High Band Feedback
High Band Step Flanger
Low Band Feedback
Split
Low Band Step Flanger
R in
Parameter Range
Split Freq 200–8000 Hz
Low Pre Delay 0.0–100.0 ms
Low Rate # 0.05–10.00 Hz, note
Low Depth 0–127
Low Phase 0–180 deg
Low -98– +98%
Feedback #
Low Step 0.10–20.00 Hz, note
Rate #
High Pre Delay 0.0–100.0 ms
High Rate # 0.05–10.00 Hz, note
Explanation
Modulation depth for the low-
range flanger sound
Spaciousness of the low-range
flanger sound
Proportion of the low-range
flanger sound that is to be re-
turned to the input (negative
values invert the phase)
Delay time from when the origi-
nal sound is heard to when the
high-range flanger sound is
heard
Rate at which the high-range
flanger sound is modulated
Modulation depth for the high-
range flanger sound
Spaciousness of the high-range
flanger sound
Proportion of the high-range
flanger sound that is to be re-
turned to the input (negative
values invert the phase)
Volume balance of the original
sound (D) and flanger sound
(W)
Output volume
L out
R out
Explanation
Frequency at which the low and
high ranges will be divided
Delay time from when the origi-
nal sound is heard to when the
low-range flanger sound is
heard
Rate at which the low-range
flanger sound is modulated
Modulation depth for the low-
range flanger sound
Spaciousness of the low-range
flanger sound
Proportion of the low-range
flanger sound that is to be re-
turned to the input (negative
values invert the phase)
Rate at which the steps will cy-
cle for the low-range flanger
sound
Delay time from when the origi-
nal sound is heard to when the
high-range flanger sound is
heard
Rate at which the high-range
flanger sound is modulated
Parameter Range
High Depth 0–127
High Phase 0–180 deg
High -98– +98%
Feedback #
High Step 0.10–20.00 Hz, note
Rate #
Balance # D100:0W–D0:100W
Level 0–127
35: OVERDRIVE
Creates a soft distortion similar to that produced by vacuum tube
amplifiers.
fig.MFX-35
L in
Over Amp
drive Simulator
R in
Parameter Value
Drive # 0–127
Amp Type SMALL, BUILT-IN,
2-STACK, 3-STACK
Low Gain -15– +15 dB
High Gain -15– +15 dB
Pan # L64–63R
Level 0–127
36: DISTORTION
Produces a more intense distortion than Overdrive. The parameters
are the same as for "35: OVERDRIVE."
fig.MFX-36
L in
Amp
Distortion
Simulator
R in
37: VS OVERDRIVE
This is an overdrive that provides heavy distortion.
fig.MFX-37
L in
Amp
Overdrive
Simulator
R in
Parameter Value
Drive # 0–127
Tone # 0–127
Amp Sw OFF, ON
Effects List
Explanation
Modulation depth for the high-
range flanger sound
Spaciousness of the high-range
flanger sound
Proportion of the high-range
flanger sound that is to be re-
turned to the input (negative
values invert the phase)
Rate at which the steps will cy-
cle for the high-range flanger
sound
Volume balance of the original
sound (D) and flanger sound
(W)
Output volume
L out
Pan L
2-Band
EQ
Pan R
R out
Description
Degree of distortion
Also changes the volume.
Type of guitar amp
SMALL: small amp
BUILT-IN: single-unit type
amp
2-STACK: large double stack
amp
3-STACK: large triple stack
amp
Gain of the low range
Gain of the high range
Stereo location of the output
sound
Output Level
L out
Pan L
2-Band
EQ
Pan R
R out
L out
Pan L
2-Band
EQ
Pan R
R out
Description
Degree of distortion
Also changes the volume.
Sound quality of the Overdrive ef-
fect
Turns the Amp Simulator on/off.
203