Edit [Performance]; Common; Ctrlsrc (Control Source) - Yamaha FS1R Owner's Manual

Format shaping/fm synthesis tone generator
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EDIT [PERFORMANCE]

COMMON

The COMMON group provides access to a range of parameters which mostly affect all parts of performance setup.
They are thus "common" to all parts.
Parameter Sub-Group
• CtrlSrc
• CtrlDst
• Fseq
• Others

CtrlSrc (Control Source)

One of the most powerful features of the FS1R controller system is the ability to create "voice control sets" for
realtime performance control. Up to 8 voice control sets - "VC1" through "VC8" - can be created for each
performance setup. Each set allows any or all of the "source" controllers to be assigned to one of the available
"destination" parameters (specified in the "CtrlDst" function, below), and control of each performance part can be
turned on or off as required.
A voice controller set can, for example, assign a single controller such as Knob 1 or a Foot Controller to a single
parameter such as, say, LFO speed. Or it could assign a number of controllers to the same parameter: Knob 1, a
Foot Controller, and a Modulation wheel, for example could all be assigned to control LFO speed. On the other
hand, the same controller can be assigned to control different parameters in different control sets, so you end up
with a single controller controlling up to 8 different parameters at the same time!
The available source controllers are:
Display Abbreviation
Source Controller
Knob 1 through Knob 4. MIDI control change numbers can be assigned to each knob via the UTILITY mode SYSTEM/Control
KN1 ... KN4
parameters (page 74).
MIDI Control 1 through MIDI Control 4.
MC1 ... MC4
These are assignable MIDI control change messages, the MIDI control change numbers of which can be specified via the UTILITY
mode SYSTEM/Control parameters (page 74).
Foot Controller. MIDI control change numbers can be assigned to foot control via the UTILITY mode SYSTEM/Control parameters
FC
(page 74).
Breath Controller. MIDI control change numbers can be assigned to breath control via the UTILITY mode SYSTEM/Control
BC
parameters (page 74).
MW
Modulation Wheel
CAT
Channel Aftertouch
PAT
Polyphonic Aftertouch (handled the same way as Channel Aftertouch on the FS1R)
PB
Pitch Bend Wheel
Parameter
• VC1 by KN1 ... VC8 by PB
• VC1 Part 1 ... VC8 Part 4
• Part
• Fseq Assign
• Play Mode
• Key On Trigger
• Play Speed Ratio
• Speed Velocity Sensitivity
• Level Velocity Sensitivity
• Pitch Mode
• Start Delay
• Start Offset
• Loop Mode
• Loop Start
• Loop End
• Individual Output
• Performance Category
• Performance Name
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