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Memory numbers 80.-99.
:
Creates the image of robot or synthesized voices. Decreasing REV. T (delay time)
80.
MechaVoice
increases the pitch and vice versa.
Bt
C
Simulates the sound of a comparatively small cave. The consistence of walls (rock,
,
ae
earth) and size of the cave can be adjusted with REV. T, E. RFL. T and RT HIGH.
%
Creates an echo as heard deep in the mountains. The shape and appearance of
=
82
Mountain Echo
mountains and valleys can be influenced with REV. T. Increase the value for rocky
cat
'
ute
surroundings and decrease it for an impression of wooded areas. The feel of the
3
echo itself should be adjusted with the number of repeats and the feedback level.
Q
72)
This echo is designed for normal sing-along (karaoke) vocals in slow tempo. Higher
|
tempos can be matched by decreasing REV. T and FBL. Female vocals can often be
enhanced by boosting the LOW setting of the equalizer.
Plate reverb for sing-along use. Suitable for popular numbers. Adjusting EQ as in 83. |
84.
Karaoke (2)
can further improve results.
American Large Hall | Five different patterns gained by analyzing renowned concert halls all over the world
85. |o
are stored in these presets, for BGM or audio use.
|
:
When applied to BGM, these effects create a soothing, unobtrusive sound which is
86
American Large Hall | suitable also for conferences, etc. If the volume is lowered, increasing EFFECT
:
(2)
restores a natural balance. For audio applications, tapes, records or CDs can be
Fircpean icra
Wall
enhanced with a rich feeling of presence. As some records and CDs are already pre-
87.
re P
g
processed, the MU-R201 should be used in moderation.
)
85.: Sparkling, bright ambience such as found in the Boston Symphony Halll.
European Large Hall | 86.: Ambience with long reverberation times for low frequencies, such asin
88.
(2)
Carnegie Hall.
87.: Well-balanced, high-quality ambience as in the Musikverein-Saal of Vienna.
89
European Recital
88.: Hall with a delicate high end and rich mid and low frequency reverberation.
Hall
89.: Concert hail suited for solo instrument recitals.
2
i 90.
Orchestra (1)
Suitable for reproduction of orchestra recordings of symphonies, etc. Preset 90.
°
simulates a front row seat on the ground floor and preset 91. a front row seat in the
')
91.
jose (2)
balcony.
=
92.
Chamber Music (1)
These presets are designed for small and medium size chamber music ensembles.
Preset 92. simulates a front row seat in a medium hall and preset 93. a first row seat
93.
Chamber Music (2)
in a small hall.
94.
Opera (1)
These presets simulate a large opera house. Preset 94. simulates a front row seat in
the balcony of a medium size hall and preset 95. a front row seat on the ground
95.
Opera (2)
floor.
96.
Jazz (1)
These presets simulate a live jazz or fusion music performance. Preset 96.emulates
97.
Jazz (2)
an outdoor concert and preset 97. an indoor concert with PA equipment.
98.
Rock (1)
These presets are designed for rock recordings. To recreate the feeling of a live
performance, the time factors of the reflected sound and the tone balance were
99.
Rock (2)
modified.
Note
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