Effects Editing Parameters - Roland MC-808 Sound List

Effects editing parameters

Compressor
Parameter Range
Comp Reverb 0–127
Send Level
Comp Output DRY, MFX1,
Assign MFX2
Attack Time 0.05–50 ms
Release Time 0.05–2000 ms
Threshold 0–127
Ratio 1:1–inf:1
Output Gain 0– +24 dB
Low Freq 200, 400 Hz
Low Gain -15– +15
High Freq 2k, 4k, 8kHz
High Gain -15– +15
Level 0–127
Multi-effects
Parameter Range
MFX Type 0–47
MFX1 (2) Re- 0–127
verb Send
Level
MFX1 Output DRY, MFX2
Assign
28
Explanation
Depth of reverb applied to the
sound processed through the
compressor
Set this to 0 if you don't
want to apply reverb.
Output destination of the
sound processed through the
compressor
DRY: MIX OUTPUT jacks
MFX1 (2): Multi-effects 1
(or 2)
Time from when the volume
goes up the threshold level
until the compressor effect ap-
plies
Time from when the volume
falls below the threshold level
until the compressor effect no
longer applies
Volume level at which com-
pression begins
Compression ratio (inf: infini-
ty)
Level of the output sound
Reference frequency of the
low range
Amount of low-range boost/
cut
Reference frequency of the
high range
Amount of high-range boost/
cut
Output volume of the com-
pressor
Explanation
Effect used by multi-effect 1/2
* For details on each effect,
refer to "Multi-Effects Pa-
rameters (p. 29)".
Depth of reverb applied to the
sound processed through
multi-effect 1 (2)
Set this to 0 if you don't
want to apply reverb.
Output destination of the
sound processed through
multi-effects 1
DRY: MIX OUTPUT jacks
MFX2: Multi-effects 2
(multi-effects 1 and 2 will be
connected in series)
* This parameter exists only
for MFX 1.
Reverb
Parameter Range
Reverb Type OFF, 1–4
1 (REVERB)
Type ROOM1,
ROOM2,
STAGE1,
STAGE2,
HALL1,
HALL2,
DELAY,
PAN-DE-
LAY
Time 0–127
HF Damp 200–8000
Hz, BY-
PASS
Delay Feed- 0–127
back
Level 0–127
2 (SRV ROOM) / 3 (SRV HALL) / 4 (SRV PLATE)
Pre Delay 0.0–100.0
ms
Time 0–127
Size 1–8
High Cut 160–12500
Hz, BY-
PASS
Density 0–127
Diffusion 0–127
LF Damp 50–4000 Hz
Freq
LF Damp -36–0 dB
Gain
HF Damp 4000–12500
Freq Hz
HF Damp -36–0 dB
Gain
Level 0–127
Explanation
Type of reverb
OFF: Reverb not used
1 (REVERB): Basic reverb
2 (SRV ROOM): A more detailed
simulation of room reverberation
3 (SRV HALL): A more detailed
simulation of hall reverberation
4 (SRV PLATE): A simulation of a
plate echo (a reverb device using a
metal plate)
Type of reverb/delay
ROOM1: Short, high-density re-
verberation
ROOM2: Short, low-density rever-
beration
STAGE1: A greater amount of late
reverberation
STAGE2: Emphasis on early re-
flections
HALL1: Clear reverberation
HALL2: Rich reverberation
DELAY: A conventional delay
PAN-DELAY: A delay in which
the reflected sound moves be-
tween left and right
Length of reverberation (Type:
ROOM1–HALL2)
Delay time
(Type: DELAY, PAN-DELAY)
Frequency at which the high-fre-
quency portion of the reverbera-
tion will be cut (BYPASS: no cut)
Number of delay repetitions (valid
only if Type is DELAY or PAN-
DELAY)
Volume of the reverb sound/de-
lay sound
Delay time from original sound
until reverb is heard
Length of reverb
Size of room/hall
Frequency at which the high-fre-
quency portion of the final output
sound will be cut (BYPASS: no cut)
Density of reverb
Change in reverb density over
time
Higher settings will cause den-
sity to increase as time passes.
(This is more noticeable with
longer Time settings.)
Frequency at which the low-fre-
quency portion of the reverb will
be cut
Amount of attenuation for LF
Damp (0: no attenuation)
Frequency at which the high-fre-
quency portion of the reverb will
be cut
Amount of attenuation for HF
Damp (0: no attenuation)
Volume of the reverb sound