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G SOURCE ROOT/CHORD
These settings determine the original key of the source pattern (i.e., the key used when recording the pattern). The default
setting of CM7 (with a Source Root of "C" and a Source Type of "M7"), is automatically selected whenever the preset
data is deleted prior to recording a new style, regardless of the Source Root and Chord included in the preset data. When
you change Source Root / Chord from the default CM7 to another chord, the chord notes and recommended notes will also
change, depending on the newly selected chord type.
When the Source Root C:
CM
CM
6
C R C
C R
C R C
C
C
Cm
Cm
7
6
C
C
C
C R
R
C C
C
R
C
Cdim
C
7
7
C
C R
C
C R
R
C
R
C
C
C
(#9)
C
CM aug
7
7
C
R
C
C
C
C
C
C R C
R
R
G NTR (Note Transposition Rule)
This determines the relative position of the root note in the chord, when converted from the Source Pattern in response to
chord changes.
ROOT TRANS
(Root Transpose)
ROOT FIXED (Root Fixed)
G NTT (Note Transposition Table)
This sets the note transposition table for the source pattern.
BYPASS
MELODY
CHORD
MELODIC MINOR
MELODIC MINOR 5th Var.
HARMONIC MINOR
HARMONIC MINOR 5th Var.
NATURAL MINOR
NATURAL MINOR 5th Var.
DORIAN
DORIAN 5th Var.
G NTT BASS ON/OFF
The part (channel) for which this parameter is set to on recognizes on-bass chords allowed in the FINGERED ON BASS
fingering mode, regardless of the NTT setting.
CM
CM
(#11)
7
7
C
R
C R C
C
R
C
C R C
C
R
C
b5
Cm
Cm
(9)
7
R
C
C
R
C
C
C
R
C C
R C
b5
C sus
C
7
4
7
C
C
C
C
C
C
C R C
C aug
C
1+8
7
R C C
C
C R C
C
When the root note is transposed, the pitch relationship between notes is
maintained. For example, the notes C3, E3 and G3 in the key of C be-
come F3, A3 and C4 when they are transposed to F. Use this setting for
channels that contain melody lines.
The note is kept as close as possible to the previous note range. For
example, the notes C3, E3 and G3 in the key of C become C3, F3 and A3
when they are transposed to F. Use this setting for channels that contain
chord parts.
No transposition. The part (channel) of which the NTT is set to this is played back without note conversion even
if you change the chord during style playback.
Suitable for melody line transposition. Use this for melody channels such as Phrase 1 and Phrase 2.
Suitable for chord transposition. Use this for the Chord 1 and Chord 2 channels, especially when they contain
piano or guitar-like chordal parts.
When the played chord changes from a major to a minor chord, this table lowers the third interval in the scale
by a semitone. When the chord changes from a minor to a major chord, the minor third interval is raised by a
semitone. Other notes are not changed. Use this for melody channels of Sections which respond only to major/
minor chords, such as Intros and Endings.
In addition to the Melodic Minor transposition above, augmented and diminished chords affect the 5th note of
the Source Pattern.
When the played chord changes from a major to a minor chord, this table lowers the third and sixth intervals
in the scale by a semitone. When the chord changes from a minor to a major chord, the minor third and flatted
sixth intervals are raised by a semitone. Other notes are not changed. Use this for chord channels of Sections
which respond only to major/minor chords, such as Intros and Endings.
In addition to the Harmonic Minor transposition above, augmented and diminished chords affect the 5th note
of the Source pattern.
When the played chord changes from a major to a minor chord, this table lowers the third, sixth and seventh
intervals in the scale by a semitone. When the chord changes from a minor to a major chord, the minor third,
flatted sixth and flatted seventh intervals are raised by a semitone. Other notes are not changed. Use this for
chord channels of Sections which respond only to a Major/minor chord such as Intros and Endings.
In addition to the Natural Minor transposition above, augmented and diminished chords affect the 5th note of
the Source pattern.
When the played chord changes from a major to a minor chord, this table lowers the third and seventh intervals
in the scale by a semitone. When the chord changes from a minor to a major chord, the minor third and flatted
seventh intervals are raised by a semitone. Other notes are not changed. Use this for chord channels of
Sections which respond only to a Major/minor chord such as Intros and Endings.
In addition to the Dorian transposition above, augmented and diminished chords.
CM
C
(9)
C
(9)
add9
7
6
C C C
C R
C C C
C
R
C
C C C
Cm
(9)
Cm
(11)
CmM
7
7
C
C
C
C
C C
R C
C R
C
C
C R
( #11 )
C
(9)
C
C
7
7
7
C
C
C
C C C
C
C R C
C R
C R C
C
Csus
C
1+5
4
1+2+5
C
C
C R
C
C
C C R
Reference
Style Creator (Digital Recording)
Caug
Cm
R C R
C
C
C
R
C R C
C R
CmM
(9)
Cdim
7
7
C
C
C
R
C
C
C C
R C
C
C
(13)
(b9)
( b13 )
C
C
7
7
C
C
C
R
C C
C
C
C
C
C
C = Chord notes
C, R = Recommended notes
C R
When playing
When playing
a C major
an F major
chord.
chord.
When playing
When playing
a C major
an F major
chord.
chord.
TYROS Owner's Manual
R
C
C R
R
C C
R
C
121
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