Yamaha 9000 Pro Owner's Manual page 71

Chord Types Recognized in the Fingered Mode
G Example for "C" chords
(9)
C C
Csus Caug
4
CmM (9)
CmM
7 7
(9) ( #11)
C
C
7 7
Chord Name [Abbreviation]
Major [M]
Add ninth [(9)]
Sixth [6]
Sixth ninth [6(9)]
Major seventh [M7]
Major seventh ninth [M7(9)]
Major seventh add sharp eleventh [M7(#11)]
Flatted fifth [(b5)]
Major seventh flatted fifth [M7b5]
Suspended fourth [sus4]
Augmented [aug]
Major seventh augmented [M7aug]
Minor [m]
Minor add ninth [m(9)]
Minor sixth [m6]
Minor seventh [m7]
Minor seventh ninth [m7(9)]
Minor seventh eleventh [m7(11)]
Minor major seventh [mM7]
Minor major seventh ninth [mM7(9)]
Minor seventh flatted fifth [m7b5]
Minor major seventh flatted fifth [mM7b5]
Diminished [dim]
Diminished seventh [dim7]
Seventh [7]
Seventh flatted ninth [7(b9)]
Seventh add flatted thirteenth [7(b13)]
Seventh ninth [7(9)]
Seventh add sharp eleventh [7(#11)]
Seventh add thirteenth [7(13)]
Seventh sharp ninth [7(#9)]
Seventh flatted fifth [7b5]
Seventh augmented [7aug]
Seventh suspended fourth [7sus4]
One plus two plus five [1+2+5]
(9)
C C CM
6 6
CM aug Cm Cm
7
b5 b5
Cm CmM Cdim
7 7
(13) (#9)
C C
C
7
7
Normal Voicing
1 - 3 - 5
1 - 2 - 3 - 5
1 - (3) - 5 - 6
1 - 2 - 3 - (5) - 6
1 - 3 - (5) - 7
1 - 2 - 3 - (5) - 7
1 - (2) - 3 - #4 - 5 - 7 or
1 - 2 - 3 - #4 - (5) - 7
1 - 3 - b5
1 - 3 - b5 - 7
1 - 4 - 5
1 - 3 - #5
1 - (3) - #5 - 7
1 - b3 - 5
1 - 2 - b3 - 5
1 - b3 - 5 - 6
1 - b3 - (5) - b7
1 - 2 - b3 - (5) - b7
1 - (2) - b3 - 4 - 5 - (b7)
1 - b3 - (5) - 7
1 - 2 - b3 - (5) - 7
1 - b3 - b5 - b7
1 - b3 - b5 - 7
1 - b3 - b5
1 - b3 - b5 - 6
1 - 3 - (5) - b7 or
1 - (3) - 5 - b7
1 - b2 - 3 - (5) - b7
1 - 3 - 5 - b6 - b7
1 - 2 - 3 - (5) - b7
1 - (2) - 3 - #4 - 5 - b7 or
1 - 2 - 3 - #4 - (5) - b7
1 - 3 - (5) - 6 - b7
1 - #2 - 3 - (5) - b7
1 - 3 - b5 - b7
1 - 3 - #5 - b7
1 - 4 - 5 - b7
1 - 2 - 5
7 (9)
CM CM
7
(9)
Cm Cm
6
Cdim C
7 7
b5
C aug C sus
7
7 7
Display for root "C"
C
C(9)
C6
C6(9)
CM7
CM7(9)
CM7#11
C(b5)
CM7b5
Csus4
Caug
CM7aug
Cm
Cm(9)
Cm6
Cm7
Cm7(9)
Cm7_11
CmM7
CmM7_9
Cm7b5
CmM7b5
Cdim
Cdim7
C7
C7(b9)
C7b13
C7(9)
C7#11
C7(13)
C7(#9)
C7b5
C7aug
C7sus4
C1+2+5
Auto Accompaniment
Auto Accompaniment
(#11) (b5)
C CM
7 7
(9) 7 ( 11)
Cm Cm
7 7
(b9) (b13)
C C
7 7
C
4
1+2+5
• Notes in parentheses can be
omitted.
• If you play any three adjacent
keys (including black keys), the
chord sound will be canceled
and only the rhythm instru-
ments will continue playing
(Chord Cancel function).
• Playing a single key or two
same root keys in the adjacent
octaves produces accompani-
ment based only on the root.
• A perfect fifth (1 + 5) produces
accompaniment based only on
the root and fifth which can be
used with both major and
minor chords.
• The chord fingerings listed are
all in "root" position, but other
inversions can be used — with
the following exceptions:
m7, m7 b 5, 6, m6, sus4, aug,
dim7, 7 b 5, 6(9), m7_11,
1+2+5.
• Inversion of the 7sus4 chord is
not recognized if the 5th is
omitted.
• The auto accompaniment will
sometimes not change when
related chords are played in
sequence (e.g. some minor
chords followed by the minor
seventh).
• Two-note fingerings will pro-
duce a chord based on the pre-
viously played chord.
Reference
b5
71