No. Assign. To Controllers - bit MIDI MASTER KEYBOARD Owner's Manual

I
CTRL FOOT SNITCH (24)
,;
Here you can decide whether to activate the RELEASE PEDAL of the
NASTER
KEYBOARD, and "here the data should go (•1•
=
ON,
•o•
=
DFF;
HlDI CH/ZONE for data destination).
I
CTRL PEDAL
C25>
To use
data
from
the volu•e pedal
you
connected,
you'll
need
to set
this parameter to
•1•.
A
•o•
value lets elephants dance on the pedal
without affecting
your
sound -
though it •ight affect the pedal!
I
CTRL
MHEEL (26)
As for
Pitch
Bend
at parameter
(23)
1
here
you can
activate the
~odulation wheel on the BIT HASTER KEYBOARD and decide where to send
the information.
t•t•
=
ON, "O• • OFF; MIDI CH/ZONE for data
destination).
I
AFTER TOUCH (27)
Providing that you haven't inactivated AFTER TOUCH for the "hole
keyboard
(by
setting parameter
(201
to
•o•);
you can
now
use parameter
(271 to activate this feature for a particular MIDI channel or Split
Zone. ·
ND, ASSIBN TD CONTROLLERS
No. ASSIGN. TO CONTROLLERS
2 8
CTRL FOOT SWITCH
64 +121
-
29
CTRL PEDAL
0+63
-
30
CTRL WHEEL
0+63
-
31
AFTER TOUCH
AF/PB/W
This
section of the
KEYBOARD MAP
lets you
assign
a specific
destination,
or
'label',
to the
control data
5ent
out by the BIT
"ASTER KEYBOARD, When the HIDI specifications were first set up, no
binding definition "as
established
governing Controller
Nu~bers
(like
the
Modulation
Wheel,
Portamento feature etc.).
This
left
synthesizer
manufacturers free
to
assign their own Controller Nu•bers - which has
resulted
in some
confusion!
ln the meanti~e, sone general consensus
has e~erged,
and in
the
following sections we mention so~e of the more
co~monly used
Controller
Nu~bers, You
should, however,
check
the MIDI
i•ple•entation chart for your instruments to find out just which
Controller Numbers
they
accept, and how they interpret
them.
This
feature
is also especially useful
with After
Touch
data, for
by
re-routing this information you may find a way of 'translating'
it
for
a
slave
that doesn't 'speak' After
Touch! '
23