~
'
: . . ~i~~~-!· ·~ : · . . ~-}~~-~-
\g,-1~-·-i
"IDI CHANNEL TRB
MIDI CHANNELS TRS
17
OUT 1
ON/OFF
18
OUT 2
ON/OFF
I
HIDI OUT I (17) • NIDl DUT 2 (18)
The
light-show generated
by this paraaeter is
not
just
a
pretty
effect:
the
blinking LEDs in the •atrix show at a glance which. MIDI
channels are active in the current patch. lin case you hadn't guessed,
the
blinking ones are
•oN•
and the dark ones "OFF").
When the NASTER
KEYBOARD leaves the factory,
all HIDI channels are active and
routed
to
both HIDI OUTs,
so that at parameterl (17) L (18) all LEDs in the
~atrix should blink.
If they don't,
it's a si~ple aatter to activate
them yourself,
and 1ight also explain any trouble you had Mith
'deaf
and du~b' HlDl units!
Activating
'silent' MIDI channels works
on
the exact
sa•e
lines we've
used so far: access KBD MAP aode (using •SCROLL• buttons>; then select
ADDRESS
•17"
(press
the left~ost white
button,
enter
•t7"
using
numeric
pad
or+/-
keysl.
Check the Ratrix
LEDs
for inactive channels;
select the appropriate MIDI CHANNEL (by pressing NIDI CH Nhite button,
then entering channel nuRber using nu~eric pad or+/-
keys); the VALUE
display will sho" the current value for this channel ("O•
=
OFF1 "t•
=
ONI.
This
can now be changed (again using either numeric pad or
+/-
keys). The matrix LED will i~~ediately change to shoK the new status.
Paraaeters
•17• and
•1aN "ork in exactly the saae way,
so those
with
NIDI
units
hooked up to both HIDJ OUT 1 and MIDI OUT 2 should
check
out both para~eters!
NOTE:
when
controlling a large MIDI set-up,
it •akes good sense
to
send
data
out
over
both HIDI OUT connections.
HIDI
THRU
circuitry
~ight
be
incredibly fast,
but you can save up to
501.
trans•ission
ti~e in this way.
HlDI
IN
MIDI IN
10
RECEIVE CHANNEL
1 +16
-
11
OMNI
Gl/OFF
-
12
PITCH BEND
ON/OFF
-
13
WHEEL MOD.
ON/OFF
-
14
RELEASE
ON/OFF
-
15
PROGRAM CHANGE
ON/OFF
-
16
AFTER TOUCH
ON/OFF
17
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