I
DYNANIC (19)
Here you can store 16 different dynamics value for each Patch of the
MASTER KEYBOARD. N.B. The values that go from 1 to 8 transmitt the full
dynamic range provided under MIDI specification ( i.e.
o ...
127).
The values that go from c1·to c8 instead, transmitt the dynamic range
from Oto 102.
All the value are entered in the usual fashion: select Patch number;
enter VALUE
by
pressing the white button and using numeric
All the values are entered in the usual faschion: select Patch ~umber;
in KBD MAP mode select parameter DYNAMIC (19) in the ADDRESS field;
enter VALUE by pressing the white button and using numeric pad+:-
keys.
Sound too complicated?
A
few examples ought to clear that up: if you set this parameter (19)
to a value of
11
1
11,
key veloci:y variations are practically eliminated
from the data transmitted to your slaves. The beginners among you
should stick to the lower values, where any irregularities in playing
technique are smoothed out, and thus not so obvious. Values around
"c3" or "c4
11
are best suited for the aforementioned Yamaha (TM) ranges,
and will avoid excessively blaring trumpets dor example! All the
expert's fine nuances of style - from feather-light touch to ultra-ffff
- will be heard to full advantage at the high values,
I
AFTER TOUCH (20)
You
have
the
option
of
disabling the
After
Touch
Ca.k.a
After
Pressure}
feature entirely (by programming a "o• value).
With
After
Touch
active
1
six steps of sensitivity are available here
1
not
to
change
the
'feel'
of
the keyboard
itself,
but
allowing
yo~
to
determine how
sensitive the keyboard should be to
pressure applied
after you first hit the key - After Touch.
Activating After Touch
for single SpJit Zones or programming
After
Touch
ON/OFF
for
single
MIDI channels is dealt
with
later
under
parameter (27); and converting After Touch infor~ation into other data
suitable for non-Touch sensitive synthesizers under para~eter
(31),
20
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