Advertisement
Quick Links
Advertisement
Subscribe to Our Youtube Channel
Related Manuals for Source Audio Soundblox Pro
Summary of Contents for Source Audio Soundblox Pro
- Page 1 BASS ENVELOPE FILTER USER’S GUIDE SA143...
- Page 2 WELCOME Thank you for purchasing the Soundblox Pro Bass Enve- lope Filter. The Pro is a highly flexible envelope filter effect unit specially optimized for the bass guitar. With individual filter types, the Pro contains a wide range of sounds, from traditional filter effects to advanced & unique filter sounds.
- Page 3 OVERVIEW DIVERSE SOUND PALETTE Featuring types of envelope filter and phaser effects. FLEXIBLE ENVELOPE CONTROL A highly bass-optimized envelope follower with multiple sweep and speed control options. MODERN DESIGN A thoughtfully designed box which features rugged construction and sleek looks. STATE-OF-THE-ART DSP Our proprietary -bit Digital Signal Processor, the...
-
Page 4: Quick Start
QUICK START 1. POWER To power the unit, connect the included adapter power supply to jack on the back panel. Note: Using a different supply 9V DC could damage the unit and void the warranty. 2. GUITAR/AUDIO CONNECTIONS Next, plug your bass (or other instrument) into the jack labeled GUITAR via a standard ¼"... - Page 5 Controls the attack and decay speed of the envelope fol- SpEED: lower, the speed, or the motion-sensitivity of the Hot Hand. adjusts the ratio of clean to wet signals. Mix: select preset bank (presets , and ) or pRESEt BANK ButtON: (presets , and selects between...
- Page 6 FEATURES The Soundblox Pro Bass Envelope Filter is a very flexible envelope filter effect. The unit features multiple filter types ranging from simple to complex, which can all be controlled by an Envelope Follower, an (Low-Frequency Oscillator), the Hot Hand Motion Sensor or an Expres- sion Pedal.
- Page 7 SENSOR IN (optional) Connect an optional Hot Hand sensor here, either wired or wireless. SENSOR OUT (optional) Use a Source Audio daisy-chain cable to connect this jack to the sensor input of another pedal. MIDI IN (optional) program and continuous control input. Connect to a...
- Page 8 CONTROLS: KNOBS EFFECT (not labeled) The effect knob selects which filter type will be used. There are effect positions ( through ) around the knob as well as a setting for EQ ONLY In the mode, the envelope filter effect is bypassed but the EQ ONLY equalizer still applies.
- Page 9 FREQUENCY The Frequency knob sets the center frequency of the filter sweep in all modulation modes. Turning the knob counterclockwise will result in the filter moving over lower frequencies for a darker sound. Turning the knob clockwise will result in the filter sweep moving over higher frequencies for a brighter sound.
- Page 10 CONTROLS: EQUALIZER One of the key features of the Pro is the 7-band graphic equalizer. Each band can be adjusted up or down in 1 dB steps from -12 dB to +12 dB. The display shows 1 dB steps by lighting adjacent with varying LEDs brightness.
- Page 11 CONTROLS: OTHER BUTTONS PRESET BANK There are six available user presets in two banks. Switch between banks by pressing the button. When preset bank is selected, PRESET BANK pressing the corresponding footswitches will select presets , or When preset bank is selected, the footswitches select presets , and .
- Page 12 CONTROLS: FOOTSWITCHES There are three footswitches on the . From left to right, the BEF Pro footswitches correspond to presets , and for preset bank for bank . Pressing any of the buttons will engage a given preset. Pressing the footswitch for the currently engaged effect will put the unit into bypass mode.
-
Page 13: Effect Types
EFFECT TYPES The following are brief technical descriptions of the filter effects included in the . Some of the filter types are intended to approximate, but BEF Pro not exactly copy, some common and well-known bass envelope filter ef- fects. These are marked below. 4 POLE LOW PASS SINGLE PEAK TRIPLE PEAK... - Page 14 Peak, Notch, Resonant low pass. A resonant peak, followed by a notch, followed by a resonant low pass. Resonant low pass, Peak, Peak. As the response of the low pass filter falls, the fall is interrupted by two peaks. The low pass reso- nant peak moves in the opposite direction from the additional higher frequency peaks.
- Page 15 TRIPLE PEAKS Three peaks moving together. 14, 15 Three peaks moving in opposing directions. 16, 17 PEAKS AND NOTCHES Peak, Notch, Peak. Notch, Peak, Notch. PHASERS Notch, Notch. A pair of frequency response notches creates a standard two notch phaser. There is a little feedback to boost the non-notched frequencies.
- Page 16 PRESET SAVING An edited preset can be saved by pressing and holding a footswitch as described in the Controls: Footswitches section. But keep in mind that an edited preset can be saved to any one of the preset locations. For example if preset has been selected and edited, it can be saved to preset location by pressing and holding the...
- Page 17 SYNCHRONIZING THE LFO: will start from zero in its pattern every time the pedal is switched on or a new tempo has been set using tap tempo. This facili- tates the synchronization of the to other musicians or recorded tracks. Resynchronization will also happen when switching from one preset to another.
- Page 18 The Hot Hand motion sensors are sold separately and come in either wired or wireless versions. Both will work with the BEF Pro. Addition- ally, the jack will be compatible with any future Source Audio SENSOR IN sensors. The Hot Hand ring contains an accelerometer that responds to acceleration and is not based on any type of proximity to the guitar.
- Page 19 Select either the X or Y axes by turning the knob to the right or the left, respectively. Once an axis is selected, turn the knob toward either ex- treme labeled to smooth out fast changes from the sensor signal. SLOW Turning the knob towards provides the most amount of smoothing...
-
Page 20: Midi Control
MIDI CONTROL Pro can optionally be controlled by an external controller, MIDI such as the Hot Hand controller, through the input. All of MIDI-EXP MIDI the knob parameters as well as several other Backpage parameters are controllable via Continuous Controller messages. Individual presets MIDI can also be selected by Program Change messages. - Page 21 BACKPAGE PARAMETERS Pro has some additional editable parameters accessible via the special Backpage mode. Pressing the MOD SOURCE TAP TEMPO buttons simultaneously enables the Backpage mode, as indi- ENABLE cated on the main control panel. All Modulation Source s and the Tap Tempo Enable will be lit to indicate that the unit is in Backpage mode.
- Page 22 Below is the list of editable Backpage parameters. Expression Pedal Depth (XD) The ‘ ’ parameter can be used to modify the range or depth of an expression pedal connected to the Pro. Many of the available param- eters assignable to the expression pedal input will sound best when the depth is not set to its maximum range.
- Page 23 For example, in the case of the Sweep Range knob, this means that rocking the expression pedal forward while the knob is set to its full counter-clockwise position may pass the signal from maximum negative sweep through zero modulation to maximum positive sweep. For split function knobs such as Sweep Range, it is advisable to set the destination knob to o’clock and set the ‘...
- Page 24 Octave Extension (OE) This Backpage parameter offers a choice between a seven or eight band equalizer. The illumination of the bottom most signifies the selection of the factory default 7-band . The illumination of the second from the bottom signifies the selection of an 8-band .
- Page 25 EQ Location (EL) There are two possible locations within the pedal’s signal chain. The lowest in the Location column signifies the factory default set- ting, which places the after the mix control, thereby affecting both the wet and dry signal. Selecting the other position applies the only to the wet signal, leaving the dry signal unaffected.
- Page 26 MIDI Channel (Effect Knob) The label numbers around the effect knob correspond to Channels MIDI 1 through 16. Channel 1 is the default. This is a global setting and not saved for individual presets. Don’t forget to save the preset after editing the Backpage parameters. All of the Backpage parameters except the Channel are saved per MIDI...
-
Page 27: Specifications
SPECIFICATIONS Dimensions power L: 7 inches (18.1cm) 110mA @ 9 VDC (max 145mA w/ Hot Hand • • W: 6 inches (18.1cm) Wireless Adapter) • H: 2 inches (including knobs) tip power jack • • NEGATIVE Audio performance Total including knobs: H: 2.125 inches (5.5cm) 115dB DNR audio ADC •... -
Page 28: Limited Warranty
THE FOREGOING LIMITED WARRANTY IS THE ONLY WARRANTY ranted for the remainder of the original warranty period. GIVEN BY SOURCE AUDIO AND IS IN LIEU OF ALL OTHER WAR- RANTIES. ALL IMPLIED WARRANTIES, INCLUDING WARRANTIES This Limited Warranty is extended to the original retail OF MERCHANTABILITY AND FITNESS FOR ANY PARTICULAR purchaser.
Need help?
Do you have a question about the Soundblox Pro and is the answer not in the manual?
Questions and answers