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MP26
CLUB MIXER
100-240 V
50/60 Hz 12 WATTS
There's no "Quick Start" here, we recommend you read this rela-
tively short manual to get all this mixer is capable of.
Connecting the Mixer
Leave the power unplugged until everything else is connected
Inputs
Phono/Line Inputs (P1-P4)
The MP26 has four stereo Phono/Line inputs (
Any of these analog inputs may be set for Phono Input or Line
Input (for CD players) using the push switches located on the
rear panel. Unused inputs are best set to
table's ground wires to the
Phono Ground
four program strips has access to one of the Phono/Line Inputs
using the program strip's
Source
Auxiliary Inputs (A1-A4)
The MP26 has four stereo Auxiliary analog inputs (
). Each of the four program strips has access to all of the Aux-
A4
iliary Inputs using the program strip's
Mic Inputs (MIC 1 and MIC 2)
The Mic Inputs accept XLR 3-pin plugs, balanced ¼" TRS
(tip-ring sleeve) plugs or unbalanced TS (tip-sleeve) plugs.
has two input jacks, one on the front panel and one on the rear.
Only use one
input jack at a time.
Mic 1
line-level option.
8
XLR WIRING
PIN 2 = POSITIVE
PIN 3 = NEGATIVE
PIN 1 = GROUND
R
DIGITAL INPUTS
D1-D4
USB
P1
,
P2
,
P3
,
P4
).
Line
. Attach your turn-
connectors. Each of the
selector.
,
,
,
A1
A2
A3
Source
selector.
Mic 1
has a switchable
Mic 2
L
MAIN OUTS
RECORD OUTS
S/PDIF
ANALOG
Outputs
Main/Zone/Booth
All analog outputs come from the same "Main Mix" signal.
Main
,
Booth
and
Zone
Outputs each have their own
trol.
The
output is from unbalanced RCA and balanced
Main
XLR jacks with pin 2 "hot" per AES standards (XLR preferred*).
If the Main output feeds a mono PA system, engage the
switch on the rear of the MP26. If the Main output is able to
clip the input to the PA system when the front panel
control is at maximum, reduce the maximum output level using
the rear panel
Max Out
control.
The
and
outputs are from balanced ¼˝ TRS (tip-
Booth
Zone
ring-sleeve) jacks. Booth and Zone outputs include auto-mono on
both left and right connections. Plug in only one side to receive a
mono signal. Plug into both jacks to receive a stereo signal.
*Rane recommends balanced wiring for the strongest signal
and rejection of hum and noise. If your cable to the amp rack
is less than 10 feet (3 meters), you can usually get away with an
unbalanced cable with RCA or ¼˝ TS (tip-sleeve) plugs. If it's
longer than that, use balanced XLR and/or TRS cables. See the
RaneNote "Sound System Interconnection" included with this
manual or at rane.com for details on cable wiring. See "Sound
System Interconnection" on page 19.
Record Outputs
Record outputs are a direct feed from the main mix. There are
no level controls between the mix and these outputs. The main
mix is available in three different formats for recording: unbal-
anced analog RCA, 24-bit 48 kHz S/PDIF, and USB (on record
channel six).
MONO
STEREO
MAX OUT dB
0
-24
SEND
RETURN
L
R
A4
FLEXFX
Level
con-
Mono
Main Level
A3
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