Yamaha MOTIF RACK ES Owner's Manual page 66

Voice mode Voice Edit (for Normal Voice)
Output
Volume Volume
Pan Pan
RevSend Reverb Send
ChoSend Chorus Send
EG/FLT (Envelope Generator/Filter)
AEG Attack/Decay/ AEG Attack Time/Decay Time/
Sustain Level/Release Time
Sustain/Release
FEG Attack/Decay/ FEG Attack Time/Decay
Time/Release Time/Depth
Release/Depth
Cutoff/Resonance Cutoff/Resonance
CtrlSet (Controller Set)
Set1-6ElmSw Controller Set Element Switch Selects whether the controller will affect each individual Element. You can step through the Elements with
Set1-6Source Controller Set Source
Set1-6Dest Controller Set Destination
Set1-6Depth Controller Set Depth
LFO (Low Frequency Oscillator)
Wave LFO Wave
Speed Speed
TempoSync Tempo Synchronization
TempoSpeed Tempo Speed
RndSpdDpt Random Speed
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Owner's Manual
Determines the output level of the Voice.
Settings: 0 ~ 127
Determines the stereo pan position of the Voice.
Settings: L63 (far left) ~ C (center) ~ R63 (far right)
n When a stereo Voice is selected, this parameter setting may not be effective. Voices with Elements set to opposite Pan
settings (in the Element Edit AMP display) – i.e., one at L63 and another at R63 – are considered stereo Voices.
Determines the Send level of the signal sent from Insertion Effect 1/2 (or the bypassed signal) to the Reverb
Effect.
Settings: 0 ~ 127
Determines the Send level of the signal sent from Insertion Effect 1/2 (or the bypassed signal) to the Chorus
Effect.
Settings: 0 ~ 127
This display contains the basic EG settings, both volume and filter, for the Voice, as well as the filter's cutoff
frequency and resonance settings. The settings made here are applied as offsets to the AEG and FEG
settings in the Element Edit mode.
Settings: -64 ~ 0 ~ +63
the BANK [E][F] buttons.
Settings: Elements 1 to 4 enabled ("1" to "4") or disabled ("-")
n This parameter is disabled when the Dest (Destination) described below is set to a parameter unrelated to the Voice
Elements.
Determines which controller is to be assigned and used for the selected Set. This controller then is used to
control the parameter set in Destination below.
Settings: PB (Pitch Bend wheel), MW (Modulation wheel), AT (Aftertouch), FC1/FC2 (Foot controller 1/2), FS (Foot Switch), BC
(Breath controller), AS1/AS2 (Assign 1/2)
n Keep in mind that unlike the other controllers, Assign A and B can each be assigned to one common function for the
entire system of this synthesizer, and not to different functions for each individual Voice. Also see the Utility section
(page 90).
Determines the parameter that is controlled by the Source controller (above).
Settings: Refer to the Controls List in the separate Data List.
Determines the degree to which the Source controller affects the Destination parameter. For negative
values, the controller operation is reversed; maximum controller settings produce minimum parameter
changes.
Settings: -64 ~ 0 ~ +63
This display gives you a comprehensive set of controls over the LFO for each individual Element. The LFO
can be used to create vibrato, wah, tremolo and other special effects, by applying it to the pitch, filter and
amplitude parameters.
Determines the LFO waveform used to vary the sound.
Settings: tri, tri+, sawup, sawdwn, squ1/4, squ1/3, squ, squ2/3, squ3/4, trpzp, S/H 1, S/H 2, user
Sets the speed of the LFO waveform. A larger setting means a faster speed.
Settings: 0 ~ 63
Determines whether or not the LFO is synchronized to the tempo of the Arpeggio.
Settings: off (not synchronized), on (synchronized)
This parameter is available only when TempoSync above has been set to "on." It allows you to make detailed
note value settings that determine how the LFO pulses in sync with the Arpeggio.
Settings: 16th, 8th/3 (eighth-note triplets), 16th. (dotted sixteenth notes), 8th, 4th/3 (quarter-note triplets), 8th. (dotted eighth
notes), 4th (quarter notes), 2nd/3 (half-note triplets), 4th. (dotted quarter notes), 2nd (half notes), whole/3 (whole-note
triplets), 2nd. (dotted half notes), 4th x 4 (quarter-note quadruplets; four quarter notes to the beat), 4th x 5 (quarter-
note quintuplets; five quarter notes to the beat), 4th x 6 (quarter-note sextuplets; six quarter notes to the beat), 4th x 7
(quarter-note septuplets; seven quarter notes to the beat), 4th x 8 (quarter-note octuplets; eight quarter notes to the
beat)
n The actual length of the note depends on the internal or external MIDI tempo setting.
Determines the degree to which the LFO speed changes at random. A setting of "0" results in the original
speed. Higher values result in a larger degree of speed change.
Settings: 0-127