Yamaha QX5 Owner's Manual page 33

7. EXTRACT
8. CLOCK MOVE
Extract specified data from track 1 and put it in another track (2-8). If DELETE is
selected instead of track 2-8, the extracted data will be discarded. The extracted
data is removed from track 1. Use the «> key to specify Channel, Note, Pressure,
Pitch Bend, Control Change, Mode Message, Program Change, Data, Macro, Tempo
or Measure.
T>EXTRACT 191
P. BEND TR8 (02)
Executing the example above would remove Pitch Bend data from track 1 and put
it in track 8. (Track 8 now contains only Pitch Bend data.)
You can Extract the following data. Use <j to select the type of data you want
to Extract.
CH Messages of a certain MIDI channel (see Note 1).
NOTE Notes in a certain range (see Note 1).
A.T. Aftertouch data (!ndividual and Common).
P.BEND Pitch Bend data.
CNTL Control Changes in a certain range (see Note 1).
MODE Mode messages.
PROG Program Changes
EXCL System Exclusive messages
MACRO Macro numbers
TEMPO Relative Tempo changes
MEASURE Copy measure marks to other track (see Note 2).
NOTE 1
When Extracting Channel, Note or Control, the cursor has two "additional"
spaces to move as explained in Measure Edit (p. 26).
CH 01 - 16 Channels to be extracted
NOTE C.-2- D#.7 Note range to be extracted
CNTL 000 - 121 Controls to be extracted
(see control number table on p. 22)
NOTE 2
When Extracting Measure, track 1 Measure Marks are not erased. The selected
track will contain an empty framework of Measure Marks from track 1. This
is useful when you have built up a complex rhythmic part in track 1 with
changing time signatures, and wish to copy only the measure framework. (For
more about changing time signatures, see Measure (p. 24) and Beat/Measure
(p.38).
Move the timing of one track (1-8) forward or backward by up to 999 clocks.
8>CLOCK MOV 191
+048 TR3 (07)
If you executed the above example, the entire track 3 would move forward an eighth
note (48 clocks).
If you moved the track backwards (-048), the data within the first 48 clocks would
be deleted. 32