Scream; Guitar Amp Simulator - Roland VERSELAB MV-1 Parameter Manual

31 T-Scream
This models a classic analog overdrive. It is distinctive in adding an
appropriate amount of overtones without muddying the sound.
L in
Distortion Distortion
R in
Distortion Distortion
Parameter Value
Distortion 0–127
Tone 0–127
Level 0–127
L out
Tone Tone
R out
Tone Tone
Explanation
Degree of distortion
Also changes the volume.
Tonal character of the overdrive
Output Level

32 Guitar Amp Simulator

This is an effect that simulates the sound of a guitar amplifier.
L in
Pre Amp Pre Amp
R in
Parameter Value
Pre Amp Sw OFF, ON
JC-120
CLEAN TWIN
MATCH DRIVE
BG LEAD
MS1959I
MS1959II
Pre Amp Type
MS1959I+II
SLDN LEAD
METAL 5150
METAL LEAD
OD-1
OD-2 TURBO
DISTORTION
FUZZ
Pre Amp Volume 0–127
Pre Amp Master 0–127
Pre Amp Gain LOW, MIDDLE, HIGH
Pre Amp Bass
Pre Amp Middle 0–127
Pre Amp Treble
Pre Amp Presence 0–127
Pre Amp Bright OFF, ON
MFX Parameters
L out
Pan L
Speaker Speaker
Pan R
R out
Explanation
Turns the amp switch on/off.
Type of guitar amp
This models the sound of the Roland JC-120.
This models a Fender Twin Reverb.
This models the sound input to left input on
a Matchless D/C-30.
A simulation of the latest tube amp widely
used in styles from blues and rock.
This models the lead sound of the MESA/
Boogie combo amp.
The sound of a tube amp typical of the late
'70s to '80s.
This models the sound input to Input I on a
Marshall 1959.
This is a trebly sound suited to hard rock.
This models the sound input to Input II on a
Marshall 1959.
This models the sound of connecting inputs I
and II on a Marshall 1959 in parallel. lt creates
a sound with a stronger low end than I.
This models a Soldano SLO-100. This is the
typical sound of the eighties.
This models the lead channel of a Peavey
EVH5150.
This is distortion sound that is ideal for
performances of heavy riffs.
This models the sound of the BOSS OD-1.
This produces sweet, mild distortion.
This is the high-gain overdrive sound of the
BOSS OD-2.
This gives a basic, traditional distortion
sound.
A fuzz sound with rich harmonic content.
Volume and amount of distortion of the amp
Volume of the entire pre-amp
Amount of pre-amp distortion
Tone of the bass/mid/treble frequency range
Tone for the ultra-high frequency range
Turning this "On" produces a sharper and
brighter sound.
* This parameter applies to the "JC-120", "CLEAN
TWIN", "MATCH DRIVE", and "BG LEAD" Pre Amp
Types.
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