Pshifter (2 Voice Pitch Shifter); Gt (Guitar Amp Simulator) -> Delay - Roland Aerophone Pro Parameter Manual

48 2V Pshifter
(2 Voice Pitch Shifter)
Shifts the pitch of the original sound. This 2-voice pitch shifter has
two pitch shifters, and can add two pitch shifted sounds to the
original sound.
L in
Level 1
Pan 1 R
2 Voice
Pitch Shifter
Pan 2 L
Level 2
R in
Parameter Value
Pitch1 Coarse -24–+12 (semi)
Pitch1 Fine -100–+100 (cent)
Pitch1 Delay
OFF, ON
(sync sw)
Pitch1 Delay
1–1300 (msec)
(msec)
Pitch1 Delay Note
&
(note)
"Note"
(p. 64)
Pitch1 Feedback -98–+98 (%)
Pitch1 Pan
L64–63R
Pitch1 Level 0–127
Pitch2 Coarse -24–+12 (semi)
Pitch2 Fine -100–+100 (cent)
Pitch2 Delay
OFF, ON
(sync sw)
Pitch2 Delay
1–1300 (msec)
(msec)
Pitch2 Delay Note
&
(note)
"Note" (p. 64)
Pitch2 Feedback -98–+98 (%)
Pitch2 Pan L64–63R
Pitch2 Level 0–127
Low Gain -15–+15 (dB)
High Gain
-15–+15 (dB)
Balance D100:0W–D0:100W
Level 0–127
Balance D
2-Band EQ
Pan 1 L
Balance W
Balance W
Pan 2 R
2-Band EQ
Balance D
Explanation
Adjusts the pitch of Pitch Shift 1 in
semitone steps.
Adjusts the pitch of Pitch Shift Pitch 1 in
2-cent steps.
If this is ON, the rate synchronizes with
the tempo of the rhythm.
&
"Scene Tempo"
(p. 22)
Adjusts the delay time from the direct
sound until the Pitch Shift 1 sound is
heard.
Adjusts the proportion of the pitch
shifted sound that is fed back into the
effect.
Negative (-) settings will invert the phase.
Stereo location of the Pitch Shift 1 sound
Volume of the Pitch Shift 1 sound
Settings of the Pitch Shift 2 sound.
The parameters are the same as for the
Pitch Shift 1 sound.
Gain of the low range
Gain of the high range
Volume balance between the direct sound
(D) and the pitch shifted sound (W)
Output Level
60 Gt (Guitar Amp Simulator) -> Delay
L in
Pre Amp
L out
R in
Parameter
Pre Amp Switch
R out
Pre Amp Type
Pre Amp Volume
Pre Amp Master
Pre Amp Gain
Pre Amp Bass
Pre Amp Middle
Pre Amp Treble
Speaker Switch
MFX/IFX Parameters
Balance D
Speaker Delay
Feedback
Balance D
Value Explanation
OFF, ON Turns the amp switch on/off.
Type of guitar amp
This models the sound of the Roland
JC-120
JC-120.
CLEAN TWIN This models a Fender Twin Reverb.
This models the sound input to left input
on a Matchless D/C-30.
MATCH DRIVE
A simulation of the latest tube amp
widely used in styles from blues and rock.
This models the lead sound of the MESA/
Boogie combo amp.
BG LEAD
The sound of a tube amp typical of the
late '70s to '80s.
This models the sound input to Input I on
a Marshall 1959.
MS1959I
This is a trebly sound suited to hard rock.
This models the sound input to Input II on
MS1959II
a Marshall 1959.
This models the sound of connecting
inputs I and II on a Marshall 1959 in
MS1959I+II
parallel. It creates a sound with a stronger
low end than I.
This models a Soldano SLO-100. This is
SLDN LEAD
the typical sound of the eighties.
This models the lead channel of a Peavey
METAL 5150
EVH5150.
This is distortion sound that is ideal for
METAL LEAD
performances of heavy riffs.
This models the sound of the BOSS OD-1.
OD-1
This produces sweet, mild distortion.
This is the high-gain overdrive sound of
OD-2 TURBO
the BOSS OD-2.
This gives a basic, traditional distortion
DISTORTION
sound.
FUZZ A fuzz sound with rich harmonic content.
Volume and amount of distortion of the
0–127
amp
0–127 Volume of the entire pre-amp
LOW, MIDDLE, HIGH Amount of pre-amp distortion
0–127
Tone of the bass/mid/treble frequency
0–127
range
0–127
Determines whether the signal passes
OFF, ON
through the speaker (ON), or not (OFF).
L out
Balance W
Balance W
R out
61