Tape Echo; Lofi Comp (Lofi Compress); Pitch Shifter - Roland Aerophone Pro Parameter Manual

MFX/IFX Parameters

44 Tape Echo

A virtual tape echo that produces a realistic tape delay sound. This
simulates the tape echo section of a Roland RE-201 Space Echo.
Direct Level
L in
Tape Echo
R in
Direct Level
Parameter Value
S, M, L, S+M, S+L,
Mode
M+L, S+M+L
Repeat Rate 0–127
Intensity 0–127
Bass
-15–+15 (dB)
Treble -15–+15 (dB)
Head S Pan
L64–63R
Head M Pan L64–63R
Head L Pan
L64–63R
Tape Distortion
0–5
W/F Rate 0–127
W/F Depth 0–127
Echo Level 0–127
Direct Level
0–127
Level 0–127
60
L out
Echo Level
Echo Level
R out
Explanation
Combination of playback heads to use
Select from three different heads with
different delay times.
S:
Short
M: Middle
L: Long
Tape speed
Increasing this value will shorten the
spacing of the delayed sounds.
Amount of delay repeats
Boost/cut for the lower range of the echo
sound
Boost/cut for the upper range of the echo
sound
Independent panning for the short,
middle, and long playback heads
Amount of tape-dependent distortion to
be added
This simulates the slight tonal changes
that can be detected by signal-analysis
equipment. Increasing this value will
increase the distortion.
Speed of wow/flutter (complex variation
in pitch caused by tape wear and
rotational irregularity)
Depth of wow/flutter
Volume of the echo sound
Volume of the original sound
Output Level
45 LOFI Comp
(LOFI Compress)
Degrades the sound quality.
L in
Compressor Lo-Fi
R in
Compressor Lo-Fi
Parameter Value
Pre Filter Type 1, 2, 3, 4, 5, 6
LoFi Type 1, 2, 3, 4, 5, 6, 7, 8, 9
Post Filter Type OFF, LPF, HPF
200, 250, 315, 400,
500, 630, 800, 1000,
1250, 1600, 2000,
Post Filter Cutoff
2500, 3150, 4000,
5000, 6300, 8000
(Hz)
Low Gain -15–+15 (dB)
High Gain
-15–+15 (dB)
Balance D100:0W–D0:100W
Level 0–127

47 Pitch Shifter

A stereo pitch shifter.
L in
Pitch
Shifter
Pitch
Shifter
R in
Parameter Value
Coarse
-24–+12 (semi)
Fine -100–+100 (cent)
Delay Time
OFF, ON
(sync sw)
Delay Time (msec) 1–1300 (msec)
Note
Delay Time (note)
&
"Note" (p. 64)
Feedback -98–+98 (%)
Low Gain
-15–+15 (dB)
High Gain -15–+15 (dB)
Balance D100:0W–D0:100W
Level 0–127
L out
2-Band EQ
R out
2-Band EQ
Explanation
Selects the type of filter applied to the
sound before it passes through the Lo-Fi
effect.
1:
Compressor off
2–6: Compressor on
Degrades the sound quality. The sound
quality grows poorer as this value is
increased.
Selects the type of filter applied to the
sound after it passes through the Lo-Fi
effect.
OFF:
No filter is used.
LPF: Cuts the frequency range above the
Cutoff Freq
HPF:
Cuts the frequency range below the
Cutoff Freq
Basic frequency of the Post Filter
Gain of the low range
Gain of the high range
Volume balance between the direct
sound (D) and the effect sound (W)
Output Level
L out
2-Band EQ
R out
2-Band EQ
Explanation
Adjusts the pitch of the pitch shifted
sound in semitone steps.
Adjusts the pitch of the pitch shifted
sound in 2-cent steps.
If this is ON, the rate synchronizes with
the tempo of the rhythm.
&
"Scene Tempo" (p. 22)
Adjusts the delay time from the direct
sound until the pitch shifted sound is
heard.
Adjusts the proportion of the pitch
shifted sound that is fed back into the
effect.
Negative (-) settings will invert the phase.
Gain of the low range
Gain of the high range
Volume balance between the direct sound
(D) and the pitch shifted sound (W)
Output Level