Dimension D) - Roland Aerophone Pro Parameter Manual

MFX/IFX Parameters
Parameter Value
SMALL 1
SMALL 2
MIDDLE
JC-120
BUILT-IN1
BUILT-IN2
BUILT-IN3
Speaker Type
BUILT-IN4
BUILT-IN5
BG STACK1
BG STACK2
MS STACK1
MS STACK2
METAL STACK
2-STACK
3-STACK
Delay Switch OFF, ON
Delay Time 1–1300 (msec)
Delay Feedback -98–+98 (%)
200, 250, 315, 400,
500, 630, 800, 1000,
1250, 1600, 2000,
Delay HF Damp
2500, 3150, 4000,
5000, 6300, 8000,
BYPASS (Hz)
Delay Balance D100:0W–D0:100W
Level 0–127
72 CE-1
This models the classic BOSS CE-1 chorus effect unit.
It provides a chorus sound with a distinctively analog warmth.
L in
2-Band EQ
CE-1
R in
2-Band EQ
Parameter Value
Intensity 0–127
Low Gain
-15–+15 (dB)
High Gain -15–+15 (dB)
Level 0–127
62
Explanation
Diameter (in
inches) and
Cabinet Microphone
number of the
speaker
Small open-
10 Dynamic
back enclosure
Small open-
10 Dynamic
back enclosure
Open back
12 x 1 Dynamic
enclosure
Open back
12 x 2 Dynamic
enclosure
Open back
12 x 2 Dynamic
enclosure
Open back
12 x 2 Condenser
enclosure
Open back
12 x 2 Condenser
enclosure
Open back
12 x 2 Condenser
enclosure
Open back
12 x 2 Condenser
enclosure
Sealed
12 x 2 Condenser
enclosure
Large sealed
12 x 2 Condenser
enclosure
Large sealed
12 x 4 Condenser
enclosure
Large sealed
12 x 4 Condenser
enclosure
Large double
12 x 4 Condenser
stack
Large double
12 x 4 Condenser
stack
Large triple
12 x 4 Condenser
stack
Delay on/off
Delay time from when the original sound
is heard to when the delay sound is heard
Adjusts the proportion of the delay sound
that is fed back into the effect. Negative
(-) settings will invert the phase.
Frequency at which the high-frequency
portion of the delay sound will be cut
(BYPASS: no cut)
Adjusts the volume balance between the
sound that is sent through the delay (W)
and the sound that is not sent through
the delay (D).
Output Level
L out
R out
Explanation
Chorus depth
Gain of the low range
Gain of the high range
Output Level
73 SBF-325
This effect reproduces Roland's SBF-325 analog flanger.
It provides three types of flanging effect (which adds a metallic
resonance to the original sound) and a chorus-type effect.
L in
SBF-325
R in
Parameter Value
Types of flanging effect
FL1
FL2
Mode
FL3
CHO
Rate (sync sw) OFF, ON
Rate (Hz) 0.02–5.00 (Hz)
Note
Rate (note)
&
"Note" (p. 64)
Depth 0–127
Manual 0–127
Feedback
0–127
CH-R Mod Phase
NORM, INV
CH-L Phase
CH-R Phase
Level 0–127
74 SDD-320

(DIMENSION D)

This models Roland's DIMENSION D (SDD-320).
It provides a clear chorus sound.
L in
2-Band EQ
SDD-320
R in
2-Band EQ
Parameter Value
1, 2, 3, 4, 1+4, 2+4,
Mode
3+4
Low Gain
-15–+15 (dB)
High Gain -15–+15 (dB)
Level 0–127
L out
R out
Explanation
A typical mono flanger
A stereo flanger that preserves the stereo
positioning of the original sound
A cross-mix flanger that produces a more
intense effect
A chorus effect
If this is ON, the rate synchronizes with
the tempo of the rhythm.
&
"Scene Tempo" (p. 22)
Modulation frequency of the flanger
effect
Modulation depth of the flanger effect
Center frequency at which the flanger
effect is applied
Amount by which the flanging effect is
boosted
If Mode is CHO, this setting is ignored.
Phase of the right channel modulation:
Normally, you will leave this at Normal
(NORM).
If you specify Inverted (INV), the modulation
(upward/downward movement) of the right
channel is inverted.
Phase when mixing the flanging sound
with the original sound
NORM:
normal phase
INV:
inverse phase
Output Level
L out
R out
Explanation
Switches the mode.
Gain of the low range
Gain of the high range
Output Level