Yamaha 007POTO-G0 Owner's Manual page 238

Yamaha digital mixing console owner's manual
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Effects Parameters
■ DYNA. PHASER
Two input, two output dynamically controlled phaser.
Parameter
Range
SOURCE
INPUT, MIDI
SENSE
0–100
DIR.
UP, DOWN
*1
DECAY
OFFSET
0–100
FB.GAIN
–99 to +99%
2, 4, 6, 8, 10, 12,
STAGE
14, 16
LSH F
21.2 Hz–8.00 kHz
LSH G
–12.0 to +12.0 dB
HSH F
50.0 Hz–16.0 kHz
HSH G
–12.0 to +12.0 dB
*1. 6.0 ms–46.0 s (fs=44.1 kHz), 5.0 ms–42.3 s (fs=48 kHz)
■ REV+CHORUS
One input, two output reverb and chorus effects in parallel.
Parameter
Range
REV TIME
0.3–99.0 s
INI. DLY
0.0–500.0 ms
HI. RATIO
0.1–1.0
DIFF.
0–10
DENSITY
0–100%
REV/CHO
0–100%
THRU, 21.2 Hz–
HPF
8.00 kHz
50.0 Hz–16.0 kHz,
LPF
THRU
FREQ.
0.05–40.00 Hz
AM DEPTH 0–100%
PM DEPTH 0–100%
MOD. DLY
0.0–500.0 ms
WAVE
Sine, Tri
SYNC
OFF/ON
*1
NOTE
*1.
238
LS9-16/32 Owner's Manual
Description
Control source: input signal or
MIDI Note On velocity
Sensitivity
Upward or downward frequency
change
Decay speed
Lowest phase-shifted frequency
offset
Feedback gain (plus values for
normal-phase feedback, minus
values for reverse-phase feedback)
Number of phase shift stages
Low shelving filter frequency
Low shelving filter gain
High shelving filter frequency
High shelving filter gain
Description
Reverb time
Initial delay before reverb begins
High-frequency reverb time ratio
Spread
Reverb density
Reverb and chorus balance (0% =
all reverb, 100% = all chorus)
High-pass filter cutoff frequency
Low-pass filter cutoff frequency
Modulation speed
Amplitude modulation depth
Pitch modulation depth
Modulation delay time
Modulation waveform
Tempo parameter sync on/off
Used in conjunction with TEMPO
to determine FREQ.
■ REV→CHORUS
One input, two output reverb and chorus effects in series.
Parameter
Range
REV TIME
0.3–99.0 s
Reverb time
INI. DLY
0.0–500.0 ms
Initial delay before reverb begins
HI. RATIO
0.1–1.0
High-frequency reverb time ratio
DIFF.
0–10
Spread
DENSITY
0–100%
Reverb density
Reverb and chorused reverb bal-
REV.BAL
0–100%
ance (0% = all chorused reverb,
100% = all reverb)
THRU, 21.2 Hz–
HPF
High-pass filter cutoff frequency
8.00 kHz
50.0 Hz–16.0 kHz,
LPF
Low-pass filter cutoff frequency
THRU
FREQ.
0.05–40.00 Hz
Modulation speed
AM DEPTH 0–100%
Amplitude modulation depth
PM DEPTH 0–100%
Pitch modulation depth
MOD. DLY
0.0–500.0 ms
Modulation delay time
WAVE
Sine, Tri
Modulation waveform
SYNC
OFF/ON
Tempo parameter sync on/off
Used in conjunction with TEMPO
*1
NOTE
to determine FREQ.
*1.
■ REV+FLANGE
One input, two output reverb and flanger effects in parallel.
Parameter
Range
REV TIME
0.3–99.0 s
Reverb time
INI. DLY
0.0–500.0 ms
Initial delay before reverb begins
HI. RATIO
0.1–1.0
High-frequency reverb time ratio
DIFF.
0–10
Spread
DENSITY
0–100%
Reverb density
Reverb and flange balance (0% =
REV/FLG
0–100%
all reverb, 100% = all flange)
THRU, 21.2 Hz–
HPF
High-pass filter cutoff frequency
8.00 kHz
50.0 Hz–16.0 kHz,
LPF
Low-pass filter cutoff frequency
THRU
FREQ.
0.05–40.00 Hz
Modulation speed
DEPTH
0–100%
Modulation depth
MOD. DLY
0.0–500.0 ms
Modulation delay time
Feedback gain (plus values for
FB. GAIN
–99 to +99%
normal-phase feedback, minus
values for reverse-phase feedback)
WAVE
Sine, Tri
Modulation waveform
SYNC
OFF/ON
Tempo parameter sync on/off
Used in conjunction with TEMPO
*1
NOTE
to determine FREQ.
*1.
Description
Description

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