Sub Inst (Page 4) - Roland V-Drums TD-50 Data List

KIT CUSTOMIZE

SUB INST (page 4)

Parameter
[F4] button
SUB INST tab
SUB INST
Layer Type
Fade Point
Sub Volume
V-EDIT tab
Reference
For details on the parameters that can be edited, refer to "INSTRUMENT (page 1)" (p. 6).
OTHER tab
Mic Position
Mic Overhead
Mic Room
Mic Width
Transient Sw
Transient Time
Transient Attack
Transient Release
Transient Gain
10
Value
OFF, SUB ON
001– (preset)
U001–U500 (user sample)
These parameters specify how the sub instrument will be sounded.
MIX
FADE1
FADE2, FADE3
SWITCH
1–127+32
-INF–+6.0 dB
OUTSIDE4–STANDARD–INSIDE4
-INF–+6.0 dB
-INF–+6.0 dB
-5–+5
OFF, TRANSIENT ON
1–10
-100–+100
-100–+100
-12.0–+6.0 dB
Explanation
Turns the sub-instrument on/off.
Sub-instrument number
Reference
For more about instruments, refer to "Instrument List" (p. 42).
Volume
The main instrument (A) and sub instrument (B) always sound together as
a layer.
Playing
Dynamics
Volume
The sub instrument (B) is added as a layer only if the strike is stronger than
"Fade Point. "
Playing
Dynamics
If the strike is stronger than "Fade Point, " the sub instrument (B) is added as
a layer according to the strength of that strike.
Volume
FADE2:
At 127 or higher, the main instrument (A) and sub instrument (B) are the
same volume.
Playing
FADE3:
Dynamics
At 127+32, the main instrument (A) and sub instrument (B) are the same
volume (for pads that support digital connection).
Volume
Strikes weaker than "Fade Point" sound the main instrument (A), and strikes
stronger than "Fade Point" switch to sound the sub instrument (B).
Playing
Dynamics
Specifies the force of the strike at which the sub instrument begins to be sounded.
If this is "1, " the sub instrument is sounded by a strike of any force.
If this is "127" ("127+32" for a pad that supports digital connection), the sub instrument is sounded
only by the strongest strike.
* This is not available if Layer Type is "MIX. "
Volume of the sub-instrument
* For some instruments, these settings are not available.
Tonal change caused by mic position
Volume of the overhead mics
Volume of the room mics
Spread of the overhead mics and the room mics
Transient on/off
Time over which the attack changes
Adjustment of the attack
Adjustment of the release
Volume following transient adjustment