Download
Share
Print this page
  1. Manuals
  2. Brands
  3. Make Noise Manuals
  4. Music Equipment
  5. Soundhack Erbe-Verb
  6. User manual

Make Noise Soundhack Erbe-Verb User Manual

Hide thumbs

Advertisement

Quick Links

Download this manual
Erbe-Verb
v. 2.0

Advertisement

loading

Related Manuals for Make Noise Soundhack Erbe-Verb

Summary of Contents for Make Noise Soundhack Erbe-Verb

  • Page 1 Erbe-Verb v. 2.0...
  • Page 2 (1) this device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. Changes / modi cations not approved by the Make Noise Co. could void the user’s authority to operate the equipment.

  • Page 3: Limited Warranty

    Limited WARRANTY: Make Noise warrants this product to be free of defects in materials or construction for a period of one year from the date of purchase (proof of purchase/invoice required). Malfunction resulting from wrong power supply voltages, backwards or reversed eurorack bus board cable connection, abuse of the product or any other causes determined by Make Noise to be the fault of the user are not covered by this warranty, and normal service rates will apply.

  • Page 4: Electrocution Hazard

    Eurorack style bus board, minding the polarity so that the RED stripe on the cable is oriented to the NEGATIVE 12 Volt line on both the module and the bus board. On the Make Noise 6U or 3U Busboard, the negative 12 Volt line is indicated by the white stripe.
  • Page 5 Erbe-Verb Panel Controls 1a. Signal IN: AC coupled, expects standard signal level of 10Vpp signal. 1b. Level Control for Signal IN: unity at 3 o' Clock 2a. MIX CV IN: unipolar control input. Range 0V to +5V. 2b. MIX Panel Control: blends between DRY (un-processed) signal & WET (processed) Signal. Operates as Combo Knob, with nothing patched to MIX CV IN, works as standard panel control.
  • Page 6 Erbe-Verb Panel Controls (cont’d) 6a. DEPTH Panel Control: bi-polar control for Depth and Type of Internal Modulation. Minimum modulation at NOON. Cyclic modulation CCW from NOON. Ergodic modulation CW from NOON. Shimmer at Full CW. 6b. DEPTH CV Attenuator: bi-polar attenuator for Depth CV IN. 6c.
  • Page 7 Erbe-Verb Panel Controls (cont’d) 10a. DECAY Panel Control: uni-polar control for Decay. 0 - 120% re ection gain. In nity at Full CW. 10b. DECAY CV Attenuator: bi-polar attenuator for Decay CV IN. 10c. DECAY CV IN: control signal input for Decay. Range +/- 5V. 11a.

  • Page 8: Getting Started

    Getting Started: Patch the signal to be processed into the SIGNAL IN (1a). The associated Level Control (1b) accommodates modular synthesizer signals of 10Vpp with unity gain at around 3 o' Clock. Beyond 3 o' Clock on the Level Control, there will be some gain and possibly clipping followed by digital overloading. Take your output from the LEFT OUT (3a) and patch to your nal mixer/ monitoring system.
  • Page 9 Predelay (cont’d) In addition to being wide ranging and completely independent of the Size parameter, the Erbe-Verb Pre-Delay is also able to be synchronized to the rest of the modular system. Using the TEMPO IN (12a), it may be synced to a division (CW from NOON) or multiple (CCW from NOON) of the clock patched to TEMPO IN (12a).
  • Page 10 Internal Modulation (Speed and Depth) Decay is also greatly in uenced by the SPEED (5a, 5c) and DEPTH (6a, 6b, 6c) settings since the Internal Modulation has the potential to take energy away from the reverb process, which results in decreasing settle times. For example setting Depth and Speed to about 4 o' Clock will smooth out resonances in the space and cause the reverb to settle more quickly.
  • Page 11 Absorb (cont’d) Di usion: Di usion controls the degree to which initial reverb density increases over time. High amounts of Di usion result in fast initial buildup of echo density; low amounts cause slow initial buildup. Di usion is also a ected by Size — smaller spaces will sound denser because the sound travels shorter distances before re ecting and returning to the listener.
  • Page 12 Emulating Typical Reverb Rooms : Note: For all algorithms, Size, PreDelay and Decay settings are given. Small variances in these three controls will alter the room. Set Speed and Depth to 12:00, and Absorb full CCW, unless otherwise noted, then set Tilt to taste to t the sound into the mix.

  • Page 13: Patch Ideas

    Patch Ideas: Gated Reverb: Set all controls to taste, using one of the above "typical" settings if desired. Mult audio source to Erbe-Verb signal IN, and to Ch1 or Ch4 signal INput of MATHS, or to the signal INput on Function. Set Rise to 12:00, Fall full CCW, response to Linear.