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D&R CinemIX Owner's Manual

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CinemiX

OWNERS MANUAL

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Summary of Contents for D&R CinemIX

  • Page 1: Owners Manual

    Cinemixman.lwp CinemiX OWNERS MANUAL Cinemix manual page: 1...
  • Page 2 2.23 Aux section 2.24 Studio 1/2 section 2.25 Metering 2.26 Master in/outputs 2.27 Recall/automation 2.28 Tape switch 3.0 "Dual-Path" mono module - description 3.1 Channel section 3.2 Equalizer section Chan path 3.3 Aux 1-4 section 3.4 Pan pot Cinemix manual page: 2...
  • Page 3 6.5 MIDI or Virtual session 6.6 Surround mixing 7.0 Installation - electrical 7.1 Local Electrical Voltage 7.2 Electrical Wiring 8.0 Installation - audio 8.1 Interface with Power Amps 8.2 The Initial Hook-up 8.3 Shields & Grounds of Equipment Cinemix manual page: 3...
  • Page 4 10.2 Patchbay connectors 11.0 Specifications 12.0 Signal flow master section 13.0 Signal flow input module 14.0 System signal flow Cinemix 15.0 Interfacingwith external equipment 16.0 Interfacing with DS4E / SDU4 17.0 Interfacing with SEU4 / SDU4 18.0 Interfacing with JS-3000 19.0 Installation and alignment of the Control Room Monitor Matrix...
  • Page 5 In D&R's quest to "raise the standard", Cinemix is designed and manufactured to the highest degree. We are confident that Cinemix will play the central roll in producing "state of the art" recordings for many years and wish you much success.
  • Page 6 An essential part of Cinemix is his ARM (Advanced Routing Multiplex). With ARM you can digitally route any input in Cinemix to a number of places and be able to recall all stored setups by a couple of key strokes. This feature alone saves valuable time between sessions.
  • Page 7 Cinemix's CHASSIS SYSTEM 1.0 Cinemix's Chassis The Cinemix is available in two frame sizes; 32 and 48. The basic frame has one blank module located on the extreme left of the frame. The three blanks positioned right from the master section can be replaced by an optional Film Stems module.
  • Page 8 (If the encoder is active of course and the decoder switch is ON). When no Decoding device is connected to the Cinemix, there will be no signal when the DECODER ACTIVE switch is on...
  • Page 9 Mono switch allows the user to check for any out-of-phase signals or simply monitoring your mix in mono. The dim switch temporarily dims Cinemix's CRM level by a pre programmable amount of attenuation. This dimming circuitry is also driven by the oscillator circuitry as well as the Talkback circuitry.
  • Page 10 Studio 1/2 outputs, as well as the direct output (in the patchbay). Each of the oscillator assignment switches have a LED indicator. The CRM will dim when the oscillator is active. (there is no dimming when the pink noise generator is active. Cinemix manual page: 10...
  • Page 11 2.7 TALKBACK SECTION A one way communication system is built into Cinemix. The built-in talkback mic can feed the LCRS/Sub Bass Groups, Auxes/Joystick busses, and/orStudio 1/2 outputs. The momentary TB talkback switch activates the internal electret microphone while dimming the main CRM monitor speakers.
  • Page 12 2.11 METERING Master metering The Cinemix has a total of six VU meters above the master section in the meterbridge. Analog VU meters will indicate the average level in the signal paths. A separate Phase meter indicates any phase shift between the left and right signals.
  • Page 13 Midi in, thru, and out din type connectors. A Speakon type connector is used for powering up the Cinemix and a separate chassis ground is provided. A detailed connection diagram will be shown in the installation section of the manual.
  • Page 14 The << and >> switches as well as the DATA ENTRY (encoder) knob will allow you to select another module. A faster method is to hit the ARM switch in the module that needs routing changes. Cinemix manual page: 14...
  • Page 15 Step 2: As soon as you hit ENTER all data will be copied to the selected module (or all) and the data from these modules will be stored in Cinemix's memory (on board microprocessor). S4 will also store the copying process.
  • Page 16 ARM/SET FOR AUTOMATED JOYSTICKS. A unique feature in Cinemix are the two automated joysticks with its Virtual Vision concept of showing you the position of the audio signal when controlled from D&R's PowerVCA automation.
  • Page 17 Features like read and write on the automation screen and Solo and Mute. 2.14 TAPE SWITCH The tape switch will globally switch all mono dual input channels' mix sections to follow either the group output or the multitrack tape output. Cinemix manual page: 17...
  • Page 18 When this switch is in its up position a normal or eventually encoded stereo signal will be heard (If the encoder is active of course and the decoder switch is ON). When no Decoding device is connected to the Cinemix, there will be no signal when the DECODER ACTIVE switch is on.
  • Page 19 Mono switch allows the user to check for any out-of-phase signals or simply monitoring your mix in mono. The dim switch temporarily dims Cinemix's CRM level by any amount which is programmable in the setup menu. This dimming circuitry is also driven by the oscillator circuitry as well as the Talkback circuitry.
  • Page 20 (there is no attenuation when the Pink Noise generator is active. 2.22 TALKBACK SECTION A one way communication system is built into Cinemix. The built-in talkback mic can feed the LCRS/Sub Bass Groups, Auxes/Joystick busses, and/orStudio Cinemix manual page: 20...
  • Page 21 Aux 1-2 and /or Aux 7-8. The 2 TRACKS switch needs a little more explanation. With Cinemix, you can listen to stereo machines in the studio while listening to the stereo mix outputs in the control room by pressing one of the 2 track source switches and the 2 Tracks switch.
  • Page 22 2.26 METERING Master metering The Cinemix has a total of six VU meters above the master section in the meterbridge. Analog VU meters will indicate the average level in the signal paths. A separate Phase meter indicates any phase shift between the left and right signals.
  • Page 23 Midi in, thru, and out din type connectors. A Speakon type connector is used for powering up the Cinemix and a separate chassis ground is provided. A detailed connection diagram will be shown in the installation section of the manual.
  • Page 24 (or all) with the DATA ENTRY control knob. Step 2: As soon as you hit ENTER all data will be copied to the selected module (or all) and the data from these modules will be stored in Cinemix's memory (on board microprocessor). CLEAR The clear switch restes all data on a module or on all modules.
  • Page 25 The Pan-pot is not active on the buss routing Multi; The buss is in multi format mode meaning that 1,7,13,19 is Left 2,8,14,20 is Center 3,9,15,21 is Right None The buss is stereo 1=Left, 2=Right, 3=Left, 4=Right etc. Cinemix manual page: 25...
  • Page 26 When S4 is pressed the Lib menu appears for dynamics settings you want to save. The menu looks like this > There is a maximum capacity for saving of 24 parameter settings. These can be assigned to individual modules or to all the modules. Cinemix manual page: 26...
  • Page 27 The other possibility in the macro Setup menu is the fader calibration with S4 for the upper (channels) part of the Cinemix input modules. Every module that is selected in the fader cal mode will be set at unity gain ideal for STEMS (pre-mix) returns.
  • Page 28 SETUP FOR AUTOMATED JOYSTICKS. A unique feature in Cinemix are the two automated joysticks with its Virtual Vision concept of showing you the position of the audio signal when controlled from D&R's PowerVCA automation.
  • Page 29 All movements will be memorized in PowerVCA together with mutes. A host of possibilities are there to explore, It will take some time to manipulate all the possibilities Cinemix gives you in this area. Features like read and write on the automation screen and Solo and Mute.
  • Page 30 DESCRIPTION 3.0 DUAL PATH MONO MODULE - DESCRIPTION Cinemix's Dual Path mono input module is a basic input / output design whereby all signal flow takes place from the microphone to the multitrack. Each dual path mono module is shipped with PowerVCA Automation and a 13 segment LED bargraph meter.
  • Page 31 The PCB allows for a PRE-CHAN setting when desired. Aux 3/4 are sourced always from the CHAN part of the module. 3.4 PANPOT Cinemix's panpot is built to achieve minimum crosstalk between two selected busses. A center detent with -3 dB attenuation is standard.
  • Page 32 These three function indicators are associated with the input section Pressing the ARM switch shows you in the Cinemix's master section what digital buss is connected to the CHANnel (or MIX) path. If you would like to buss the CHANnel and MIX sections from the same module - to the same busses - at the same time, there is no problem.
  • Page 33 3.12 MIX PATH The MIX section is the second signal path in the Cinemix dual path mono module. It has a full 4 band eq, up to 6 aux sends, insertable LCRS panpot, and Mute & Solo switches. In record mode (non activated input flip), the MIX section is fed by either the tape return or group output (a master tape switch selects either one of the above).
  • Page 34 An equalizer in - out switch with LED indicator is fitted to allow easy comparisons. 3.13 LCRS PANPOT Cinemix's panpot is built with special circuitry to allow for left, Center, Right, and stereo Surround panning. The upper control knob pans between Left and Right. The lower control knob of the dual concentric pan-pot lets you move the input signal from front to rear.
  • Page 35 All mic inputs are interfaced via female XLR 3 pin connectors located on the module backpanels. All other module inputs and outputs are located in the patchbay and accessible via 25 pin sub "D" connectors on the back of the patchbay. Cinemix manual page: 35...
  • Page 36 THE DUAL STEREO RETURN MODULE Cinemix's Dual Stereo Module is one of the most comprehensive products the D&R design team has developed yet. Two completely separate stereo modules (four inputs) are fitted on the same metal strip. Although designed for effects returns, this module can be used for stereo keyboards, drum machines, stereo tape machines, or any other device needing both inputs on one fader.
  • Page 37 Aux 1/2 is switchable pre/post channel fader. Aux 3/4 is always post fader. Pan control Just below the Aux section is a stereo pan control. On Cinemix's stereo module, the pan control balances the left and right signals in the stereo image. It has a center attenuation of -3dB, The SEL switch determines the automation mode of the automated fader.
  • Page 38 16dB at a fixed frequency of 5kHz. LMF 250Hz The LMF (low mid frequency) section has bell curve characteristics with a boost or cut of 16dB. This band has a fixed frequency of 250 Hz. Cinemix manual page: 38...
  • Page 39 Noise and distortion are kept to an absolute minimum. 4.7 Pan control Just below the Aux section is a stereo balance control. On Cinemix's stereo module, the pan control balances the left and right signals in the stereo image. It has a center attenuation of 3dB.
  • Page 40 Pressing the ARM switch shows you in the Cinemix's master section what digital buss is connected to the Stereo A and B path. If you would like to buss the A and B sections from the same module - to the same busses - at the same time, there is no problem.
  • Page 41 5.0 Patchbay description The recessed patchbay section is built around Bantam type tiny telephone jack sockets. Cinemix's patchbay is completely modular and can be expanded as your budget allows. If you order a large frame down-loaded with less modules, the patchbay can be expanded as you order more input modules or ordered complete.
  • Page 42 Row 14: Stereo signal processor outputs 9-10 plus 4 paralleled jack sockets Row 15: Stereo returns 9-10 normalled to signal processor outputs 9/10 Cinemix has 256 tie lines mounted in 32 rows of eight. The tie lines are patch- ing the inputs and outputs of any signal processing equipment.
  • Page 43 6.0 Instructions for operation The Cinemix is designed to be the perfect answer for Post Production, multitrack and MIDI studios. In order to get more familiar with the Cinemix, we shall discuss the entire recording process and divide it into five basic sequences.
  • Page 44 Headphone mixes are usually derived from pre-fader auxiliaries. In the CINEMIX the Aux 1/2 and Aux 7/8 are ideal for this purpose. The best way to build a mix for the headphones is to have the MIX section of the dual line module feed Aux busses 7/8.
  • Page 45 Multitrack synchronizing. Overdubbing is the process of building up a recording track by track while listening to previously recorded tracks. The Cinemix has an in-line monitor for each track of the recorder making it easy to overdub. Connected to the MIX section of the dual path module, you select the master TAPE switch to follow the tape machine and do all your sync switching from the tape machine or remote.
  • Page 46 (SMPTE or MIDI code). This will allow your sequencer to keep keyboards, drum machines, and other MIDI equipment synchronized. Cinemix was designed with the digital or analog multi-track and MIDI studio in mind. In today's medium to large MIDI studio, there is a need for as many as 100 inputs to be used for everything from tape tracks to keyboards and drum machines.
  • Page 47 WARRANTY. 7.2 Electrical Wiring To take full advantage of the excellent signal to noise ratio of the Cinemix, it is necessary to read this part of the manual carefully. Hum, radio frequency interference, buzzes and instability are often caused by improper wiring and poor grounding.
  • Page 48 Next, connect the ground wire terminal to each piece of equipment and connect each wire at the other ends to the "central star ground point". Cinemix manual page: 48...
  • Page 49 8.0 Installation - audio 8.1 Interface Power Amps The Cinemix in its standard configuration can interface with all available equipment. Attention concerning the CRM output must be noted. This output delivers a nominal +4 dBu level which is sometimes too high for power amps rated at 300mV sensitivity for full output.
  • Page 50 Since you are use to other consoles when first encountering a D&R, the lack of noise from your Cinemix makes you more aware of noise from other equipment as you hook it up. D&R recommends using the highest quality external equipment with the Cinemix.
  • Page 51 9.2 Removing a Module The Cinemix is a complex piece of equipment and some understanding of its internal layout is necessary before removing a module. An input module has wiring to the LEDbar, master section and backplates. All of these wires must be removed before withdrawing a module from the console.
  • Page 52 = CRM surround right, out of phase (ground compensated) = Ground = CRM sub bass, in phase = CRM sub bass, out of phase (ground compensated) = Ground CRM 2 / 3 CRM 2,3 XLR male 1=gnd 2=in phase 3=out of phase (ground compensated) Cinemix manual page: 52...
  • Page 53 = From Encoder Center, out of phase (ground compensated) = Ground = From Encoder Left, in phase = From Encoder Left, out of phase = Ground = From Encoder Right, in phase = From Encoder Right, out of phase = Ground Cinemix manual page: 53...
  • Page 54 = From Decoder Sub Bass: in phase = From Decoder Sub Bass: out of phase DECODER (To decoder from Cinemix on 25 pole Sub D) = To Decoder Left, in phase = To Decoder Left, out of phase (ground compensated)
  • Page 55 = Surround right, out of phase = Ground = Sub Bass, in phase = Sub Bass, out of phase = Ground = Not connected = Not connected = Ground = Not connected = Not connected = Ground Cinemix manual page: 55...
  • Page 56 ANALOG POWER 8 pole speakon = +12 volt (digital) = +18 volt = -12 volt (digital) = -18 volt = Ground digital = +48 volt = Ground = Ground CHASSIS GROUND Binding terminal connected to chassis. Cinemix manual page: 56...
  • Page 57 10.2 PATCHPANEL CONNECTORS All in/outputs are connected via 25 pole sub D connectors in an identical way,see diagrams Cinemix manual page: 57...

  • Page 58: Specifications

    Headroom: no less than 22 dB Frequency response: 10-200,000 Hz -2dB (VCA out) 10-30,000 Hz -2dB (VCA in) Harmonic distortion 0.007% (VCA out) 0.016% (VCA in) Noise 32 channels assigned -89dBr Crosstalk No less than 90dBr Cinemix manual page: 58...
  • Page 59 12.0 SIGNAL FLOW MASTER SECTION Cinemix manual page: 59...
  • Page 60 13.0 SIGNAL FLOW INPUT MODULE Cinemix manual page: 60...
  • Page 61 14.0 System signal flow Cinemix Cinemix manual page: 61...
  • Page 62 15.0 Interfacing with external equipment Cinemix manual page: 62...
  • Page 63 16.0 Interfacing with DS4E / CP65 17.0 Cinemix manual page: 63...
  • Page 64 17.00 Interfacing with "Dolby" SEU4 / SDU4 Cinemix manual page: 64...
  • Page 65 18.00 Interfacing with JS-300 Cinemix manual page: 65...
  • Page 66 Cinemix's chassis. 9. MATRIX TO MAIN connects the summed outputs of the matrix to the summing busses (L, C, R, Sl, Sr, SB) of the Cinemix for final track lay down in the recording process. 10. MONO SRND switches the stereo surround output of the Matrix into mono to both surround outputs for 4 channel mixdown.
  • Page 67 (PLBK) and master DIR/PLBK switching can be programmed in this way. The SET switch is also to be used for MATRIX SETUP (see point 12) 14. SOLO puts one input (either Direct or Playback) on Cinemix's Solo buss, post TRIM control.
  • Page 68 The STEMS/MATRIX module is built out of a number of horizontal PCB's with very complex electronics, and we advice you to be very careful when positioning the module inside the Cinemix console. 1) Power down the console. Take out the 3 Blank modules positioned right of the Mastersection.
  • Page 69 The SET switch is also used during the setup procedure of the module. When the module is in setup mode the SEL switch is used to route the output of the individual tracks to the 6 master outputs. Cinemix manual page: 69...
  • Page 70 -MATRIX TO MAIN When the MATRIX TO MAIN switch is activated the summed outputs of the matrix are connected to the master summing buses (L,C,R, Sl, Sr and SB) of the Cinemix. This feature can be used for final tracklaydown in the recording process.
  • Page 71 Check if the switches Main to CRM / Matrix to main / and Mono surround work properly. p. If there is only signal on Surround Left or Right and the Surround outputs are set to mono surround the output level should read -6dB. Cinemix manual page: 71...
  • Page 72 1 kV powercables. Extra information: The product passed the specifications of the following regulations; Low voltage 73 / 23 / EEG EMC-regulations 89 / 336 / EEG. (*) The product is tested in a normal users environment. Cinemix manual page: 72...

  • Page 73: Product Safety

    Current can also be fatal when it causes the chest muscles to contract and stop breathing. At what potential is current dangereous. Well the first feeling of current is a tingle at 0.001 Amp of current. The current between 0.1 Amp and 0.2 Amp is fatal. Cinemix manual page: 73...
  • Page 74 Once removed from the shock, have someone send for medical help inmediately Always keep the above mentioned information in mind when using electrically powered equipment. D&R Electronica Weesp b.v. Rijnkade 15B 1382 GS, WEESP The Netherlands Phone: ++31-294-418 014 FAX: ++31 294-416-987 Website: http:///www.d-r.nl E-mail: info@d-r.nl Cinemix manual page: 74...
  • Page 75 Dear Cinemix owner, In this manual we have tried to give you an overview of all that the Cinemix has to offer. If you have any questions, do not hesitate to contact us or the D&R USA customer support department.
  • Page 76 CinemiX SERVICE MANUAL...
  • Page 77 Cicuit diagram list Cinemix Description PCB name Number of Sheets Block diagram master Block diagram channel Block diagram digital Signal flow Conn.Diagram Fader/TBmic/joyst/switch. Dual inline channel Cinemix 1C Dual stereo inline channel Cinemix 2A Channel routing Cinemix 10A Channel routing film-master...
  • Page 78 Powersupply logic PS_DIG2A Power distribution 2POWER-CON Cinemix 20B...
  • Page 125 CinemiX CinemiX SERVICE MANUAL MATRIX...
  • Page 126 Circuit diagram list Matrix module Cinemix Decription Number of Sheets PCB name Block diagram Matrix function Block diagram Matrix signalflow Matrix keyboard Matrix 1P Matrix LED buffer Matrix 2P Matrix Master keyboard Matrix 3P Matrix CPU Matrix 4P Matrix audio in...
  • Page 138 CinemiX CinemiX SERVICE MANUAL MOTORFADERS...
  • Page 139 Circuit diagram list Motor fader Cinemix Discription PCB name Number of Sheets Automation motor fader MTRFDR1D Motor Power distribution Cineix 30P Powersupply motorfader PS_MOT C...
  • Page 144 CinemiX CinemiX SERVICE MANUAL DYNAMICS...
  • Page 145 Circuit diagram list Dynamics Description PCB name Number of Sheets Dynamics CPU DYN_1B...
  • Page 148 D&R Electronica Weesp BV (CINEMIX PARTLIST) DATE: 24-04-1998 60883301 Cinemix SMPTE bandcable 2xsubD 10250005 | Ic 4093B (snand) 1.0000 | st ------------------------------------------------------------------------------------------------- 10250094 | Ic 4094 (8bit serial shiftreg) 16.0000 | st Articlecode | Description Quantity | Unit 10250039 | Ic 62C256 (8 bit 32k ram) 1.0000 | st...
  • Page 149 D&R Electronica Weesp BV (CINEMIX PARTLIST) DATE: 24-04-1998 60883307 Cinemix film master 60883308 Cinemix master ------------------------------------------------------------------------------------------------- ------------------------------------------------------------------------------------------------- Articlecode | Description Quantity | Unit Articlecode | Description Quantity | Unit ------------------------------------------------------------------------------------------------- ------------------------------------------------------------------------------------------------- 10350859 | Weerstand 24k3 1% 1/4W 4.0000 | st...
  • Page 150 D&R Electronica Weesp BV (CINEMIX PARTLIST) DATE: 24-04-1998 60883308 Cinemix master 10550100 | Encoder ECW 1 JB 24 BC 0024 2.0000 | st ------------------------------------------------------------------------------------------------- 10300090 | Fader JP 100mm stereo 10KA 1.0000 | st Articlecode | Description Quantity | Unit...
  • Page 151 D&R Electronica Weesp BV (CINEMIX PARTLIST) DATE: 24-04-1998 60883310 Cinemix dual inline channel 60883311 Cinemix film inline channel ------------------------------------------------------------------------------------------------- ------------------------------------------------------------------------------------------------- Articlecode | Description Quantity | Unit Articlecode | Description Quantity | Unit ------------------------------------------------------------------------------------------------- ------------------------------------------------------------------------------------------------- 10600402 | Ic-voet 8 pins SIL 2.54mm 2.0000 | st...
  • Page 152 D&R Electronica Weesp BV (CINEMIX PARTLIST) DATE: 24-04-1998 60883311 Cinemix film inline channel 10250305 | Ic TL-074 CN TI (quad-opamp) 4.0000 | st ------------------------------------------------------------------------------------------------- 10600394 | Ic-voet 8 pins (vork-contact) 12.0000 | st Articlecode | Description Quantity | Unit 10600402 | Ic-voet 8 pins SIL 2.54mm...
  • Page 153 D&R Electronica Weesp BV (CINEMIX PARTLIST) DATE: 24-04-1998 60883313 Cinemix film stereo channel 10450194 | Deksel SiFam 11mm green bulk 2.0000 | st ------------------------------------------------------------------------------------------------- 10450152 | Deksel SiFam 11mm red/7 bulk 1.0000 | st Articlecode | Description Quantity | Unit...
  • Page 154 D&R Electronica Weesp BV (CINEMIX PARTLIST) DATE: 24-04-1998 60883315 Cinemix Stems module 10600167 | Conn. assembly 4p-52cm tube 10.0000 | st ------------------------------------------------------------------------------------------------- 10700975 | Dubbelzijdig plakband 12mm dun 80.0000 | cm Articlecode | Description Quantity | Unit 10101187 | Front Cinemix 7A (ledbar 8x) 1.0000 | st...
  • Page 155 D&R Electronica Weesp BV (CINEMIX PARTLIST) DATE: 24-04-1998 60883340 Cinemix patchpannel (basis) 10201193 | Print Cinemix 31A (backp2) 1.0000 | st ------------------------------------------------------------------------------------------------- 10201194 | Print Cinemix 32C (backp3) 1.0000 | st Articlecode | Description Quantity | Unit 10201189 | Print Cinemix 9B (backp1) 1.0000 | st...
  • Page 156 D&R Electronica Weesp BV (CINEMIX PARTLIST) DATE: 24-04-1998 60883375 Cinemix frame 32 ( 61 pos.) 10600234 | XLR chass mal 3p mt.bl ver p 4.0000 | st ------------------------------------------------------------------------------------------------- 10250340 | Zenerdiode 2V4 / 400mW 2.0000 | st Articlecode | Description...
  • Page 157 D&R Electronica Weesp BV (CINEMIX PARTLIST) DATE: 24-04-1998 60888847 Dynamics per 8 signalen 10600509 | Header 20P Straight 1.0000 | st ------------------------------------------------------------------------------------------------- 10600510 | Header 2p Lock straightR 2.54) 8.0000 | st Articlecode | Description Quantity | Unit 10600512 | Header 4P lock straight(R2.54) 8.0000 | st...
  • Page 158 D&R Electronica Weesp BV (CINEMIX PARTLIST) DATE: 24-04-1998 60888854 Motor fader ALPS 100mm (8x) 10700693 | Bout M 8 x 90 tapbout zwart 1.0000 | st ------------------------------------------------------------------------------------------------- 10250315 | Brugcel 010-125-25A (vierkant) 4.0000 | st Articlecode | Description Quantity | Unit...
  • Page 159 D&R Electronica Weesp BV (CINEMIX PARTLIST) DATE: 24-04-1998 60889529 Voeding 4HE 1200VA +automatiom 10700622 | Zeskant tap M3x 6mm metaal 16.0000 | st ------------------------------------------------------------------------------------------------- Articlecode | Description Quantity | Unit 60889534 Voeding 2HE 19" MotorFader 12V ------------------------------------------------------------------------------------------------- ------------------------------------------------------------------------------------------------- 10720662 | Koelprof KL-169/SW TO-220 1.0000 | st...
  • Page 160 D&R Electronica Weesp BV (CINEMIX PARTLIST) DATE: 24-04-1998 60886030 Merlin 25 segments ledbar mono 10350898 | Weerstand 499E 1% 1/4W 2.0000 | st ------------------------------------------------------------------------------------------------- 10350823 | Weerstand 619E 1% 1/4W 2.0000 | st Articlecode | Description Quantity | Unit 10350825 | Weerstand 768E 1% 1/4W 2.0000 | st...
  • Page 161 Alignment of motorfader touch sensitivity in Cinemix consoles Good working touch sensitivity faderknobs are very well depending upon environmental conditions in the studio and the skin of its user, so good alignment is the basis for a reliable working system and needs to be performed at the best in the studio itself.

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