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Select/Split Notes - DigiDesign Pro Tools 8.0 Reference Manual

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Select/Split Notes

The Select/Split Notes window provides a com-
plete set of tools to select and split MIDI notes
based on a wide variety of criteria. Additional
tools are provided to specify whether selected
data is copied to the clipboard or to new tracks,
whether the data is split to multiple new tracks
or a single destination, and more.
Event Operations window, Select/Split Notes
Pitch Criteria
All Notes Selects all notes.
Notes Between Selects a range of notes between
the specified upper and lower note. Values for
the notes can be entered in pitch (C1–G8) or
MIDI note numbers (0–127).
Top Selects the highest note or notes in each
chord.
Bottom Selects the lowest note or notes in each
chord.
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Pro Tools Reference Guide
Other Criteria
Velocity Enable the Velocity option to specify a
range of velocities for selecting or splitting
notes. Enter minimum and maximum veloci-
ties.
Duration Enable the Duration option to specify a
range of durations (in beats and ticks) for select-
ing or splitting notes. Enter minimum and max-
imum durations.
Position Enable the Position option to select or
split all notes that fall into a range of relative
beat and tick locations within each bar. The
minimum value determines the start of the
range, the maximum value sets the end of the
range.
Action
Select Notes Selects MIDI notes based on the
specified criteria.
Split Notes: The Clipboard Copies the selected
data to the clipboard only.
Split Notes: A New Track Copies all selected data
to a single, new track. If the selection includes
multiple tracks, that same number of tracks are
created. The new tracks duplicate the original
track type (Instrument or MIDI).
Split Notes: A New Track per Pitch Copies all se-
lected data to multiple new tracks (one new
track for each pitch). New tracks zoom to single-
note display. If the selection includes multiple
tracks, each track has its data split separately.
Include All Continuous MIDI Data Includes all
continuous MIDI data, including pitch bend
and aftertouch, on the entire track, without any
restriction on time selection.

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