Elastic Audio Track Controls
Audio tracks provide controls for enabling Elas-
tic Audio, selecting the Elastic Audio plug-in,
and selecting whether Real-Time or Rendered
Elastic Audio processing.
Elastic Audio
Plug-in selector
Elastic Audio
Plug-in button
Elastic Audio Track controls
Elastic Audio Plug-in Selector Selects the Elastic
Audio plug-in for Elastic Audio processing (see
"Elastic Audio Plug-ins" on page 774). You can
also use the Elastic Audio Plug-in selector to dis-
able Elastic Audio processing, and to select ei-
ther Real-Time or Rendered processing (see
"Real-Time and Rendered Elastic Audio Process-
ing" on page 773).
Elastic Audio Plug-in Button Displays the name
of the selected Elastic Audio plug-in. Click the
Elastic Audio Plug-in button to open the Elastic
Audio Plug-in window (see "Elastic Audio Plug-
ins" on page 774).
Real-Time or Rendered Processing
Indicator Lights when Elastic Audio processing is
real-time and dims when Elastic Audio process-
ing is rendered (see "Real-Time and Rendered
Elastic Audio Processing" on page 773).
Elastic Audio Track Views
There are two special Track Views for Elastic Au-
dio-enabled tracks: Warp and Analysis.
Real-Time or
Rendered
Processing
indicator
Track View pop-up menu
Warp View
Warp view lets you manually "time warp" (Elas-
tic Audio process) audio. In Warp view you can
create and edit Warp markers. If you are using
Elastic Audio to correct the timing of a perfor-
mance, or to achieve special effects, work in
Warp view.
For detailed information on working in
Warp view, see "Editing in Warp View" on
page 778.
Analysis View
Analysis view lets you edit detected Event mark-
ers. In most cases you will not need to use Anal-
ysis view. However, with material that does not
have clear transients, you may want to work in
Analysis view to add or relocate Event markers,
or to delete erroneous Event markers. For exam-
ple, when using Elastic Audio to correct the tim-
ing of a performance, you may need to add,
move, or remove Event markers in Analysis view
to achieve the highest quality Elastic Audio pro-
cessing.
For detailed information on working in
Analysis view, see "Editing in Analysis
View" on page 785.
Chapter 38: Elastic Audio
771
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