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RME Audio Micstasy Specification page 2

24-bit/192khz 8-channel full range preamp ad converter
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Features
In a standard 19" box with 2 unit height the device offers numerous extraordinary features like Intelligent Clock Control (ICC), SyncCheck®, SteadyClock, TotalGain, AutoSet, MIDI over
MADI, and remote control via MADI and MIDI.
The technologies known from other RME products like SyncCheck® ensure perfect synchronization and clear detection of errors. Also multiple units can be stacked and operated
sample-aligned, using word clock. All settings are stored when the unit is switched off.
The Micstasy can be fully remote controlled and configured via MIDI, and all status displays can be queried through MIDI. Each Micstasy can be given a separate ID, allowing separate
remote controllability of various devices with only one MIDI channel. The MIDI remote is also compatible to Digidesign's Pro Tools system, Yamaha's M7C and PM5D. The manual further
shows how to remote control the Micstasy from the DM-1000 and DM-2000.
RME's SteadyClock(TM) guarantees excellent clock quality in any situation. Due to the highly efficient jitter reduction, the Micstasy's AD-converters operate independently from the
quality of the external clock signal, as if they are working with internal clock all the time - guaranteeing a prestine sound quality! Additionally Intelligent Clock Control (ICC) will retain
the last valid sample frequency in case of a loss of the input signal.
Autoset
Some preamps include limiters in order to prevent clipping, especially of the A/D converter stage. Such a circuitry is not feasible for the Micstasy, because it would spoil the mic
preamp's excellent technical specifications.
But as the Micstasy's gain is controlled completely digitally, the device can set it automatically, thus providing perfect protection from overload with no degradation of the audio signal,
which does not have to pass any additional electronic circuitry.
In the Setup menu, the threshold level beyond which the gain will be reduced can be adjusted in four steps (-1, -3, -6, -12 dBFS). Any change of gain will be shown immediately on
the GAIN displays. And with AutoSet activated, the gain can still be changed manually.
Optional: I64 MADI Card
The I64 MADI Card provides the Micstasy with a 64-channel MADI input and output. Coaxial and and optical output operate in parallel to the AES/EBU and ADAT output, therefore
deliver the same data. The I64 MADI Card features an optical as well as a coaxial MADI input. The input is switched automatically, according to where a valid input signal is detected.
Full redundancy is ensured by the automatic input switching, immediately changing to the other input in case of loss of the input signal.
The MADI input will operate as an optional clock source (Clock section, OPTN) as well as a thru-input. Since each Micstasy uses only 8 channels, up to 56 channels can be passed
through. This technique is used to serially cascade several Micstasys. Incoming MADI data is passed through unchanged, only one block of eight channels is replaced. This allows up to
8 devices to be connected serially. All 64 combined channels are available at the last device's MADI output.
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