Boss Audio Systems GT-100 Owner's Manual page 57

Path # Patch Name Explanation
American crunch sound with chorus and delay applied. Also
P26-3 CRUNCH DELAY
suitable for country styles.
P26-4 FUNKY DELICK A sound that's ideal for 16-beat muted chording in funk or fusion
P27-1 CHAINED UP A riff tone used in classic rock. The CTL pedal adds a flanger.
MAHOGANY
P27-2 A wide-ranged lead tone of the late 70s.
FLASHBAC
P27-3 PLEXI RHYTHM A rhythm tone used in classic rock.
P27-4 LEAD PICKIN' Vintage country lead sound.
Crunch rhythm sound for blues. The CTL pedal switches to a lead
P28-1 BLUES BUDDY
sound.
A lead tone with a muffled sound. Turn the EXP SW on to use pedal
P28-2 MONEY StillWah
wah.
P28-3 KING OF BLUES A sound that's ideal for blues leads.
P28-4 SPINNER A clean rotary sound.
P29-1 LOVE SUMMER A sound used by fusion players of recent years.
P29-2 1984 DRIVIN' Drive sound reminiscent of 80s hard rock.
P29-3* ROUGH'N' DIRTY Dirty rock sound. Ideal for backing or riffs.
CLN TWIN
P29-4 Clean sound that's great for country rock riffs.
SOUTHERN
The ideal sound for heavy metal riffing. The CTL pedal boosts the
P30-1 METAL CORN
gain and volume.
P30-2 CREAMY SET A bluesy sound of the late 60s that combines MS1959 with FUZZ.
P30-3 T.WAH TWEED The sound of a tweed amp with touch wah.
P30-4 COMP CLEAN A clean sound with compression. Ideal for rhythm or riffs.
A stack amp sound with sustained distortion. Suitable for both
P31-1 STACK LEAD
backing and soloing.
P31-2 70s T.WAH LD A lead sound of the 70s using touch wah.
The sound of a small combo amp with a bit of overdrive. Great for
P31-3 DirtyOle TWEED
blues or funk.
P31-4 MinneapolisFNK An extremely clean sound, ideal for rhythm chording.
P32-1 TWEED BLUES 2 The classic sound of Texas blues.
NY LEAD A lead sound with a strongly modulated flanger. Also usable for cool
P32-2
MODULATE jazz fusion.
P32-3 SQUEEZE BLUES GT A bluesy sound with ambience included.
P32-4 TOUCH WAH CLN Strongly modulated chorus and touch-wah. Good for arpeggios.
P33-1 BLADE METAL An extremely sharp metal tone.
PROGRESS Use the CTL pedal to switch between a lead tone with a soft attack
P33-2
SmoothLD and a clean tone with a gorgeous chorus.
P33-3 CRUNCH FLANGER A cool flanger sound suitable for arpeggios.
P33-4* JS SIG. CLEAN A clean sound for guitar instrumentals of the 80s.
P34-1 GREAT ROCK A hard rock tone used in the 80s and 90s.
P34-2 SLIDE FOR ST Ideal sound for playing slide guitar with single coil pickups.
P34-3 ROTARY CRUNCH Standard rotary sound for rock.
P34-4 FULLERTN DRIVE Light American crunch sound of the late 50s.
P35-1 DRAGON METAL Ideal modern metal sound for humbucking pickups.
P35-2 SLIDE FOR LP Ideal sound for playing slide guitar with humbucking pickups.
DIVIDER PREAMP A PREAMP B
SINGLE:
COMBO CRUNCH COMBO CRUNCH
Ch. A
SINGLE:
DELUXE CRUNCH EXTREME LEAD
Ch. A
SINGLE:
5150 DRIVE 5150 DRIVE
Ch. A
DUAL TWEED EXTREME LEAD
SINGLE:
PRO CRUNCH STACK CRUNCH
Ch. A
SINGLE:
CLEAN TWIN CLEAN TWIN
Ch. A
SINGLE:
CLEAN TWIN CLEAN TWIN
Ch. A
SINGLE:
POWER DRIVE EXTREME LEAD
Ch. A
SINGLE:
DELUXE CRUNCH –
Ch. A
SINGLE:
NATURAL CLEAN COMBO CRUNCH
Ch. A
SINGLE:
NATURAL CLEAN NATURAL CLEAN DIV CH SELECT
Ch. B
SINGLE:
HiGAIN STACK 5150 DRIVE
Ch. A
DUAL POWER DRIVE R-FIER VINTAGE
SINGLE:
CLEAN TWIN DELUXE CRUNCH
Ch. A
SINGLE:
R-FIER MODERN CORE METAL
Ch. A
SINGLE:
MS1959 I STACK CRUNCH
Ch. A
SINGLE:
TWEED TWEED
Ch. A
SINGLE:
NATURAL CLEAN COMBO CRUNCH
Ch. A
SINGLE:
POWER DRIVE EXTREME LEAD
Ch. A
SINGLE:
STACK CRUNCH MS1959 I
Ch. A
DUAL TWEED PRO CRUNCH
DUAL – –
SINGLE:
TWEED NATURAL CLEAN
Ch. A
SINGLE:
BG DRIVE JC-120
Ch. A
SINGLE:
TWEED CLEAN TWIN
Ch. B
SINGLE:
NATURAL CLEAN JC-120
Ch. A
SINGLE:
R-FIER MODERN –
Ch. A
SINGLE:
BG LEAD COMBO CRUNCH
Ch. A
SINGLE:
COMBO CRUNCH NATURAL CLEAN
Ch. A
DUAL BG DRIVE NATURAL CLEAN ACCEL (S-BEND)
SINGLE:
MS1959 I HiGAIN STACK
Ch. A
SINGLE:
TWEED TWEED
Ch. A
SINGLE:
STACK CRUNCH –
Ch. A
DUAL PRO CRUNCH TWEED
SINGLE:
T-AMP LEAD EXTREME LEAD
Ch. A
SINGLE:
PRO CRUNCH PRO CRUNCH
Ch. A
Appendices
ACCEL/CTL PU
DIV CH SELECT S
DIV CH SELECT S/H
DIV CH SELECT, FX1
S/H
(FLANGER)
ACCEL (S-BEND) S/H
DIV CH SELECT,
H
DELAY
DIV CH SELECT S
DIV CH SELECT S/H
DIV CH SELECT S/H
FX2 (SUB DELAY) S
DIV CH SELECT S/H
H
DIV CH SELECT H
ACCEL (S-BEND),
S/H
DELAY LEVEL
DIV CH SELECT S
DIV CH SELECT H
OD/DS H
DIV CH SELECT S/H
DIV CH SELECT S
DIV CH SELECT,
S/H
DELAY
FX1 (T. WAH) H
ACCEL (S-BEND) S
CHORUS S
OD/DS S
DIV CH SELECT,
H
OD/DS
OD/DS H
FX1 (T. WAH) H
OD/DS H
DIV CH SELECT H
DIV CH SELECT S/H
S
DIV CH SELECT S/H
DIV CH SELECT S
LED ON/OFF, FX2
(ROTARY) SPEED S
SELECT
CHORUS S
DIV CH SELECT H
DIV CH SELECT H
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