Boss Audio Systems GT-100 Owner's Manual page 56

Appendices
Path # Patch Name Explanation
P17-3 COUNTRY PICKIN' A classic country rock sound.
Clean sound with a delay that can be synchronized to the rhythm
P17-4 DLY TIME TAP CTL
by tapping.
Suitable for simple hard rock. The CTL pedal turns the SOLO switch
P18-1 LATE 80s HdRockRf
on.
Phaser sound, ideal for 70s rock riffs. The CTL pedal boosts the gain
P18-2 ITS JUST A PHASE
and volume.
P18-3 LOOSE ROPE A lead tone for modern country.
FUNKY GT FOR Sound that won't distort even when playing through humbuckers.
P18-4
HumB Also suitable for clean muted chords.
P19-1 LATE 80s METAL RF Slash metal sound of the 80s. The CTL pedal switches to JC Clean.
P19-2 ROADS Sound with delay applied, ideal for leads in 70s rock.
P19-3 BLACK PANEL Vintage clean sound. The CTL pedal applies mid-boost.
P19-4 NORWEGIN GROVE Sound that adds the distinctive buzz drone of a sitar.
The low range is assigned to a high-gain stack, and the mid and
P20-1 Hi:JC120 Lo:STACK
high ranges to a JC-120.
FRANKLY The fusion rhythm tone of the 90s. The CTL pedal boosts the gain
P20-2
SWEEPING and volume for soloing.
P20-3 FUSIONY Fusion lead tone with pan delay.
NATURAL
P20-4 Sweet and tight jazz sound.
JAZZTONE
DUAL MIC
P21-1* Stereo sound produced by a two-mic setup.
StereoMS
P21-2 MELLOW LEAD Bluesy sound with warm overdrive.
P21-3 BASIC BLUES Crunch sound with compressor, ideal for blues or classic rock.
A rich sound that uses a combination of several modulation-type
P21-4 DEEP CS StCHORUS
effects.
P22-1* DUAL ST Hi GAIN Stereo high-gain sound produced by two amps.
P22-2 OUT DELAY Lead tone using a long stereo delay.
P22-3 T-SCREAM TWEED Tweed amp sound notable for its mellow tube distortion.
P22-4 ELCTRIC PIANO Clean sound of the 70s with a soft phaser.
P23-1 FAT DRY MIX MS Crisp and bold drive sound.
P23-2 ROYAL LEAD British lead tone of the 70s and 80s.
P23-3 TIGHT CRUNCH A tight combo crunch sound.
P23-4 REGGIE The sound of 70s funk. The CTL pedal boosts the gain.
P24-1 METAL ACOUSTIC A sound that combines metal and acoustic.
FEEDBACK Pressing the ACCEL pedal allows you to perform feedback with the
P24-2
CONTROL sound of a high-gain tube amp.
P24-3 70s BRITROCK An early British stack tone that's ideal for leads.
Clean tone with beautiful stereo panning. The CTL pedal adds a
P24-4 CHORDS SO SWEET
touch of crunch.
70s rock sound with phaser. The CTL pedal makes the sound
P25-1 BARK TONE
suitable for leads and also turns on a delay.
A high-gain lead with auto wah applied. The ACCEL pedal produces
P25-2 LEAD DREAMER
a unique sound using S.Bend.
P25-3 1959 CRUNCH Crunch sound based on MS1959.
P25-4 CLEAN MACHINE Crystal-clean sound. Ideal for rhythm in styles such as country.
P26-1 REIGN IN THRASH Slash metal sound of the 80s. Ideal for riffing.
Psychedelic rock sound of the 1969 Woodstock festival. Intense
P26-2 1969 XPERIENC
distortion produced using fuzz.
56
DIVIDER PREAMP A PREAMP B
SINGLE:
CLEAN TWIN –
Ch. A
SINGLE:
NATURAL CLEAN JC-120
Ch. A
SINGLE:
MS1959 I COMBO CRUNCH
Ch. A
SINGLE:
MS1959 I+II MS1959 I+II
Ch. A
SINGLE:
DELUXE CRUNCH –
Ch. A
SINGLE:
NATURAL CLEAN NATURAL CLEAN
Ch. A
SINGLE:
JC-120 CORE METAL
Ch. B
SINGLE:
NATURAL CLEAN CORE METAL
Ch. B
SINGLE:
CLEAN TWIN –
Ch. A
SINGLE:
FULL RANGE NATURAL CLEAN
Ch. A
DUAL JC-120 HiGAIN STACK
SINGLE:
POWER DRIVE POWER DRIVE
Ch. A
SINGLE:
SLDN SLDN
Ch. A
SINGLE:
NATURAL CLEAN NATURAL CLEAN
Ch. A
DUAL MS1959 I MS1959 I
SINGLE:
NATURAL CLEAN JC-120
Ch. A
SINGLE:
COMBO CRUNCH COMBO CRUNCH
Ch. A
SINGLE:
NATURAL CLEAN HiGAIN STACK
Ch. A
DUAL T-AMP LEAD R-FIER VINTAGE
SINGLE:
R-FIER MODERN COMBO CRUNCH
Ch. A
SINGLE:
TWEED –
Ch. A
SINGLE:
NATURAL CLEAN –
Ch. A
SINGLE:
MS1959 I+II STACK CRUNCH
Ch. A
SINGLE:
VO LEAD COMBO CRUNCH
Ch. A
SINGLE:
COMBO CRUNCH COMBO CRUNCH
Ch. A
SINGLE:
NATURAL CLEAN NATURAL CLEAN
Ch. A
DUAL FULL RANGE CORE METAL
SINGLE:
SLDN EXTREME LEAD
Ch. A
SINGLE:
PRO CRUNCH COMBO CRUNCH
Ch. A
SINGLE:
NATURAL CLEAN HiGAIN STACK
Ch. A
SINGLE:
CORE METAL CORE METAL
Ch. A
SINGLE:
5150 DRIVE –
Ch. A
SINGLE:
MS1959 I –
Ch. A
SINGLE:
JC-120 COMBO CRUNCH
Ch. A
SINGLE:
SLDN SLDN
Ch. A
DUAL TWEED EXTREME LEAD
ACCEL/CTL PU
OD/DS S
DELAY TAP H
A/B SOLO H
DIV CH SELECT,
H
DELAY
OD/DS S
CHORUS, COMP H
DIV CH SELECT H
DIV CH SELECT H
OD/DS S
DIV CH SELECT,
H
DELAY, CHORUS
DELAY S/H
DIV CH SELECT H
DIV CH SELECT H
DIV CH SELECT H
A&B SOLO H
DIV CH SELECT H
DIV CH SELECT H
DIV CH SELECT S/H
CHORUS H
FX2 (SUB DELAY) S/H
FX1 (SUB OD/DS),
S/H
DELAY
FX2 (PAN) S
A&B SOLO H
DELAY H
DIV CH SELECT,
H
DELAY, CHORUS
DIV CH SELECT S
CHORUS, DELAY S
ACCEL (FEED-
S/H
BACKER)
DIV CH SELECT H
DIV CH SELECT S
DIV CH SELECT,
H
DELAY
ACCEL (S-BEND) H
OD/DS, DELAY H
DIV CH SELECT S
DIV CH SELECT,
H
DELAY
ACCEL (S-BEND) S