Table of Contents
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See also
"Waveform measurements" on page 12
"Applying effects" on page 46
Standard options
Specifies the phaser type.
Mode
Controls the ratio of original to processed sound.
Amount
Advanced options
Specifies the number of phase-shifting filters. A higher setting produces denser phasing effects.
Stages
Determines the amount of phase-shifting applied to the signal.
Intensity
Determines how far the filters travel below the upper frequency. Larger settings produce a wider tremolo
Depth
effect.
Modulation rate controls how fast the filters travel to and from the upper frequency. Specify a value in Hz
Mod Rate
(cycles per second).
Determines the phase difference between stereo channels. Positive values start phase shifts in the left
Phase Diff
channel, negative values in the right. The maximum values of +180 and -180 degrees produce a complete difference
and are sonically identical.
Sets the upper-most frequency from which the filters sweep. To produce the most dramatic results,
Upper Freq
select a frequency near the middle of the selected audio's range.
Feeds a percentage of the phaser output back to the input, intensifying the effect. Negative values invert
Feedback
phase before feeding audio back.
Controls the ratio of original to processed audio.
Mix
Adjusts the output level after processing.
Output Gain
Vocal Enhancer
The Vocal Enhancer effect quickly improves the quality of voice-over recordings. The Male and Female modes
automatically reduce sibilance and plosives, as well as microphone handling noise such as low rumbles. Those modes
also apply microphone modeling and compression to give vocals a characteristic radio sound. The Music mode
optimizes soundtracks so they better complement a voice-over.
Optimizes audio for a man's voice.
Male
Optimizes audio for a woman's voice.
Female
Applies compression and equalization to music or background audio.
Music
See also
"Applying effects" on page 46
SOUNDBOOTH CS3
54
User Guide
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