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Roland PM-1 Owner's Manual

Personal monitor amplifier
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Owner's Manual
Thank you, and congratulations on your choice of the Roland PM-1 Personal Monitor
Amplifier.
Before using this unit, carefully read the sections entitled
• IMPORTANT SAFETY INSTRUCTIONS (p. 2)
• USING THE UNIT SAFELY (p. 3–4)
• IMPORTANT NOTES (p. 5).
These sections provide important information concerning the proper operation of the
unit. Additionally, in order to feel assured that you have gained a good grasp of every
feature provided by your new unit, Owner's manual should be read in its entirety. The
manual should be saved and kept on hand as a convenient reference.
Features
Two-way monitor features 30 cm (12") speaker and a tweeter, delivering a full 60
watts of output.
The PM-1 features an integrated stand, which provides you with a convenient way
of setting up and playing your digital percussion.
Provides high-quality sound for percussion sound modules and digital percussion.
The input section features a four-channel mixer. Channel 1 provides an XLR
connector in addition to a mic input, and a monitor function is also included on
Channel 4.
The cabinet shape is designed so that the unit can function as a monitor for the
performer.
Superior portability and numerous functions make this suitable for a wide variety
of applications, from personal monitoring to stage monitoring.
* Use of this device with the digital percussion stand attached requires the optional APC-33
all purpose clamp set.
Copyright © 2002 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form
without the written permission of ROLAND CORPORATION.

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  • Page 1 Owner’s Manual Thank you, and congratulations on your choice of the Roland PM-1 Personal Monitor Amplifier. Before using this unit, carefully read the sections entitled • IMPORTANT SAFETY INSTRUCTIONS (p. 2) • USING THE UNIT SAFELY (p. 3–4) • IMPORTANT NOTES (p. 5).

  • Page 2: Important Safety Instructions

    IMPORTANT SAFETY INSTRUCTIONS The lightning flash with arrowhead symbol, within an CAUTION equilateral triangle, is intended to alert the user to the RISK OF ELECTRIC SHOCK presence of uninsulated “dangerous voltage” within the DO NOT OPEN product’s enclosure that may be of sufficient magnitude to ATTENTION : RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR constitute a risk of electric shock to persons.
  • Page 3 • The Pipe Stand of Model PM-1 is to be used with Roland’s • Do not attempt to repair the unit, or replace parts Models SPD-20or HPD-15 only.
  • Page 4 • This unit, either alone or in combination with an • Before using the unit in a foreign country, consult amplifier and headphones or speakers, may be with your retailer, the nearest Roland Service capable of producing sound levels that could cause Center, or an authorized Roland distributor, as permanent hearing loss.

  • Page 5: Important Notes

    Excessive heat can deform or discolor the unit. • Use a cable from Roland to make the connection. If using • To avoid possible breakdown, do not use the unit in a wet some other make of connection cable, please note the area, such as an area exposed to rain or other moisture.

  • Page 6: Panel Descriptions

    Panel Descriptions Front Panel fig.20a 1. Volume Knob These adjust the individual channel volume levels. The volume increases as the knobs are turned further to the right (clockwise). This accepts input levels ranging from mic input (-50 dBu) to line level from sound modules and other equipment (-20 dBu).

  • Page 7: Rear Panel

    Panel Descriptions Rear Panel fig.20b 6. CH1 Input Jack Accepts input levels ranging from mic input (-50 dBu) to line level (-20 dBu). In addition to a 1/4" phone jack, this channel is also equipped with a balanced XLR connector useful for connecting mics. Use this for connecting mics, digital percussion, sound modules, and other input devices.

  • Page 8: Making Connections

    Making Connections fig.10 Output Percussion Pads Stereo Output Headphones Output Input Drum Sound Module Recorder Mixer * To prevent malfunction and/or damage to speakers or other * Howling could be produced depending on the location of devices, always turn down the volume, and turn off the power microphones relative to speakers.

  • Page 9: Turning On And Off The Power

    Making Connections Turning On and Off the Power 3. Turn on the PM-1. Once the connections have been completed, turn on power to your various devices in the order specified. By turning on 4. If a mixer is connected to the LINE OUT jack on the PM-1, devices in the wrong order, you risk causing malfunction turn on the mixer.
  • Page 10 Proper use of the internal stand To avoid the risk of the unit overturning, never use the internal stand for attaching anything other than the SPD-20 or the HPD-15. When attaching the SPD-20 or the HPD-15 to the internal stand, you must use the APC-33 (an all purpose clamp set: sold separately). Attaching the Stand and Adjusting the Stand Height When shipped, the stand is detached from the main unit.
  • Page 11 Proper use of the internal stand When Attaching the SPD-20 or HPD-15 to the Stand If the SPD-20 or the HPD-15 is installed facing the front side (fig. C), the height of the internal stand can be as When attaching the SPD-20 or HPD-15 to the stand, use the high as 120cm (maximum).
  • Page 12 Proper use of the internal stand Attaching APC-33 to HPD-15 Attaching the APC-33 to the internal stand of PM-1 When attaching the APC-33 to the HPD-15, make sure to use 35mm screw supplied with the APC-33. Using other screws Attach the APC-33 to the internal stand in the following way. may damage the unit.

  • Page 13: Specifications

    Specifications PM-1: PERSONAL MONITOR AMPLIFIER Rated Power Output Connectors 60 W Channel 1 Input Jack (XLR Type Balanced, 1/4" Phone Type) Channel 2 Input Jack (1/4" Phone Type) Nominal Input Level (@1 kHz) Channel 3 Input Jack (1/4" Phone Type) INPUT Channel 4 Input Jack (1/4"...
  • Page 14 Memo...
  • Page 15 Memo... For EU Countries This product complies with the requirements of European Directives EMC 89/336/EEC and LVD 73/23/EEC.
  • Page 16 xxxxxxxx ’00-xx-xx-xxx...

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