P7: Edit-Arpeggiator; Arpeggiator Settings; P8: Edit-Insert Effect Insert Effect Settings; P9: Edit Master Effect Master Effect Settings - Korg Speaker System User Manual

P7: Edit-arpeggiator

Arpeggiator settings

Here you can make arpeggiator settings (
P8: Edit-Insert Effect
Insert Effect settings
Here you can select insert effects and make settings for
them. You can also specify the oscillator routing (the
signal sent to the insert effects, master effects, and
independent outputs) ( p.107).
P9: Edit Master Effect
Master Effect settings
Here you can select master effects and make settings
for them. The master EQ is also set here (
More about Alternate Modula-
Alternate Modulation is a type of modulation that can
p.96).
be used to control various aspects of the sound.
AMS (Alternate Modulation Source) refers to any of
the numerous sources that can control alternate modu-
lation, and includes controllers such as the joystick or
ribbon controller that you physically operate, incom-
ing MIDI data, as well as modulators such as the EG or
LFO.
Since the TRITON allows you apply modulation to a
modulator, this type of control is referred to as "alter-
nate modulation."
Intensity is a parameter that sets the degree (speed or
depth) to which AMS will control alternate modula-
tion.
Combinations that are frequently used in sequencer
performance (such as using the joystick or ribbon con-
troller to vary the pitch) are also provided as special
parameters separately from alternate modulation.
p.108).
The TRITON provides 29 types of alternate modula-
tion.
In single mode you can use 29 alternate modulation
destinations of 29 types, and in double mode you can
use 55 alternate modulation destinations of 29 types.
There are 42 AMS sources. (However depending on the
type of modulation, some sources cannot be selected.)
For details on alternate modulation and AMS, refer to
p.209 in the Parameter Guide.
Suggestions on using alternate modulation
When making settings for alternate modulation, think
of the effect that you wish to produce, what type of
modulation will be necessary to produce that effect,
and what parameter of the oscillator, filter, or amplifier
needs to be controlled. Then select a source ("AMS")
and set the "Intensity."
If you proceed logically in this way, you will achieve
the desired effect.
For example if you want to "control a guitar-like sound
so that it appears to be approaching feedback when the
joystick is moved away," you will make settings so that
the joystick controls filter modulation or the resonance
level.
tion
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