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Connections must be made with the power turned
off. Please be aware that careless operation may
damage your speaker system or cause malfunc-
tions.
1. Connecting the power cable
G
Connect the included power cable to the AC power
supply inlet of the TRITON, and then connect the
other end of the cable to an AC outlet.
2. Connecting audio output
devices
Connect a set of amplified monitor speakers or your
audio system to output the TRITON's sound.
If you playback the TRITON through your stereo
audio system, be aware that high volumes may
damage your speakers. Be careful not to raise the
volume excessively.
1
to an AC outlet
Power cable (included)
AC power supply inlet
6
Connections
Power switch
7
5
4
CD player, analog record
player, etc.
If you connect a guitar with passive
pickups (i.e., a guitar which does
not contain a preamp), it will not be
possible to sample at an
appropriate level due to the
impedance mismatch. Please route
the guitar signal through a preamp
or an effect processor.
Effect processor etc.
G
Connect the AUDIO OUTPUT (MAIN) L/MONO
and R jacks to the INPUT jacks of your powered
monitor system, etc.
L/MONO and R are the main outputs. If you are
outputting in stereo, make connections to the
(MAIN) L/MONO jack and the R jack. If you are
outputting in monaural, make connections to the
(MAIN) L/MONO jack. We recommend that you
playback in stereo if possible.
G
If you wish to output from the AUDIO OUTPUT
(INDIVIDUAL) 1, 2, 3, 4 jacks, connect these jacks
to your mixer, and then connect the mixer output
to the INPUT of your powered monitor system etc.
For details on the output of each jack (
"Routing").
3. Connecting audio input
devices
When sampling in Sampling mode, or when you wish
to apply the TRITON's effects to an external audio
source in Program, Combination, Sequencer, or Song
3
2
INPUT
Mic
Guitar
OUTPUT
INPUT
p.107–
Headphones
PHONES
Headphones
PHONES
1
2
3
MIC
4
5
6
STEREO AUX RETURNS
AUX SEND
TAPE
TAPE
MAIN OUTS
MIC
MIC
MIC
MIC
MIC
L
1
1
INPUT
OUTPUT
MICRO SERIES 1402-VLZ
L
14-CHANNEL MIC/LINE MIXER
2
2
R
R
LEFT
(1/MONO)
RIGHT
ALL BAL/UNBAL
BAL/UNBAL
BAL
BAL
BAL
BAL
BAL
BAL
MONO
MONO
MONO
MONO
UNBAL
OR
UNBAL
OR
UNBAL
OR
UNBAL
OR
UNBAL
OR
UNBAL
OR
L
L
L
L
LINE IN 1
LINE IN 2
LINE IN 3
LINE IN 4
LINE IN 5
LINE IN 6
BAL
BAL
BAL
BAL
LOW CUT
LOW CUT
LOW CUT
LOW CUT
75Hz
LOW CUT
LOW CUT
OR
OR
OR
OR
18dB/OCT
75Hz
18dB/OCT
75Hz
18dB/OCT
75Hz
18dB/OCT
18dB/OCT
75Hz
18dB/OCT
75Hz
UNBAL
UNBAL
UNBAL
UNBAL
R
R
R
R
U
U
U
U
U
U
LEVEL
LEVEL
LEVEL
LEVEL
10
60
10
60
10
60
10
60
10
60
10
60
+4
-10
-10
+4
+4
-10
-10
+4
PHONES
+
10dB -40dB
+
10dB -40dB
+
10dB -40dB
10dB -40dB
+
+
10dB -40dB
10dB -40dB
+
TRIM
TRIM
TRIM
TRIM
TRIM
TRIM
LINE IN 7-8
LINE IN 9-10
LINE IN 11-12
LINE IN 13-14
U
U
U
AUX
U
AUX
U
AUX
U
AUX
U
AUX
U
AUX
U
AUX
U
AUX
U
AUX
U
AUX
1
1
1
1
1
1
1
1
1
1
MON/
MON/
MON/
MON/
MON/
EFX
EFX
MON/
EFX
MON/
MON/
EFX
MON/
EFX
EFX
MON/
EFX
EFX
EFX
EFX
1
+15
+15
+10
+20
+15
+15
+15
+15
+15
+15
+15
+15
NORMALLED
U
U
U
U
U
U
U
U
U
U
AUX 1 MASTER
U
2
2
2
2
2
2
2
2
2
2
2
PRE
EFX
EFX
EFX
EFX
EFX
EFX
EFX
EFX
EFX
EFX
POST
AUX
AUX 1
EFX TO
+15
+15
+15
+15
+15
+15
+15
+15
+15
+15
SELECT
MONITOR
+20
RETURNS
U
EQ
U
EQ
U
EQ
U
EQ
U
EQ
U
EQ
U
EQ
U
EQ
U
EQ
U
EQ
SOURCE
LEFT
RIGHT
HI
HI
HI
HI
HI
HI
HI
HI
HI
HI
MAIN
+28
CLIP
12kHz
12kHz
12kHz
12kHz
12kHz
12kHz
12kHz
12kHz
12kHz
12kHz
MIX
+10
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
U
U
U
U
U
U
U
U
U
U
+7
ALT
MID
MID
MID
MID
MID
MID
MID
MID
MID
MID
3-4
+4
2.5kHz
2.5kHz
2.5kHz
2.5kHz
2.5kHz
2.5kHz
2.5kHz
2.5kHz
2.5kHz
2.5kHz
+2
-12
+12
-12
+12
-12
+12
-12
+12
-12
+12
-12
+12
-12
+12
-12
+12
-12
+12
-12
+12
U
U
U
U
U
U
U
TAPE
0
U
U
U
LOW
LOW
LOW
LOW
LOW
LOW
-2
LOW
LOW
LOW
LOW
80Hz
80Hz
80Hz
80Hz
80Hz
80Hz
80Hz
80Hz
80Hz
80Hz
-4
+15
-15
+15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
-15
+15
-15
-7
PAN
PAN
PAN
PAN
PAN
PAN
PAN
PAN
PAN
PAN
ASSIGN
TO MAIN MIX
-10
-20
NORMAL(AFL)
-30
L
R
L
LEVEL SET(PFL)
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
R
SOLO
0dB=0dBu
1
2
3
4
5
6
7–8
9–10
11–12
13–14
MODE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
A LT 3 – 4
A LT 3 – 4
A LT 3 – 4
A LT 3 – 4
A LT 3 – 4
A LT 3 – 4
A LT 3 – 4
A LT 3 – 4
A LT 3 – 4
A LT 3 – 4
PHANTOM
POWER
RUDE SOLO LIGHT
CONTROL
ROOM
/ PHONES
MAIN MIX
dB
dB
dB
dB
dB
dB
dB
dB
dB
dB
dB
dB
10
10
10
10
10
10
10
10
10
10
10
10
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
5
5
5
5
5
5
5
5
5
5
5
5
U
U
U
U
U
U
U
U
U
U
U
U
5
5
5
5
5
5
5
5
5
5
5
5
10
10
10
10
10
10
10
10
10
10
10
10
20
20
20
20
20
20
20
20
20
20
20
20
30
30
30
30
30
30
30
30
30
30
30
30
40
40
40
40
40
40
40
40
40
40
40
40
50
50
50
50
50
50
50
50
50
50
50
50
60
60
60
60
60
60
60
60
60
60
60
60
Powered monitors, etc.
15
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