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The effect section of the TRITON STUDIO provides five
insert effects, two master effects, one master EQ (stereo
3-band EQ), and a mixer that controls the routing of these
components.
You can choose from 102 types of full-digital effects for
each insert effect, and from 89 types for each master effect.
The effects are categorized as follows.
Categories of the 102 effect types
001–015
Filter and dynamics effects, such as EQ and com-
pressor
016–031
Phase modulation effects, such as chorus and
phaser
032–040
Other modulation and pitch-shift effects such as
rotary speaker and pitch shifter
041–051
Early reflection and delay effects
052–057
Reverb effects
058–089
Mono + mono chain effects that internally connect
two mono effects in series
090–102
Double-size effects
Effects 000–089 can be selected for IFX1, 2, 3, 4, 5, or
MFX 1 or 2. Effects 090–102 are double-size effects,
and will use twice the processing area of other effects.
They can be selected for IFX2, IFX3 or IFX4.
Effects in each mode
In Program mode, insert effects can be used as part of the
sound-creating process, in the same way that the output
sound of the oscillator (OSC) is processed by the filter and
amp to create the final sound. Then the master effects can
be used to apply spatial-type effects such as reverb. The
stereo 3-band master EQ is located immediately before the
OUTPUT (MAIN) L/MONO and R outputs and is used to
make final adjustments in tone. These settings can be
made independently for each program.
Send
Oscillator
Filter
Amplifier
Insert Effect 1-5
In Combination mode, Sequencer mode, and Song Play
mode, insert effects can be used to help create the sound
of each timbre/track. The master effects are used to apply
overall spatial processing, and the master EQ is used to
make overall adjustments in tone.
These settings are made in Combination mode indepen-
dently for each combination, in Sequencer mode for each
song, and in Song Play mode for the entire mode.
Send
Timbre 1 / Track 1
Insert Effect 1-5
Timbre 2 / Track 2
Timbre 8 / Track 16
Effects settings
Return
Master Effect 1,2
OUTPUT
Master EQ
L/MONO, R
Return
Master Effect 1,2
OUTPUT
Master EQ
L/MONO, R
In Sampling mode, you can sample while applying insert
effects to the audio coming in via AUDIO INPUT 1, 2, S/P
DIF IN, or mLAN (if the EXB-mLAN is installed) jacks.
Settings in Sampling mode are made in Input (SAM-
PLING) (Sampling P0: Input/Setup). These settings are
valid only for Sampling mode.
You can also sample while applying an insert effect to the
samples assigned to a multisample.
Insert Effect 1-5
AUDIO INPUT (1, 2)
S/P DIF IN (L, R)
mLAN AUDIO IN (1, 2)
Sample
Insert Effect 1-5
The external input from the AUDIO INPUT 1, 2, S/P DIF
IN, or mLAN (if the EXB-mLAN option is installed) jacks
is also valid in modes other than Sampling mode. In Pro-
gram, Combination, Sequencer, and Song Play modes,
you can use the insert effects, master effects, and master
EQ. Settings for external signal input via the AUDIO
INPUT 1, 2, S/P DIF IN, and mLAN (if the EXB-mLAN
option is installed) can be made in "Input (COMBI,
PROG, SEQ, S.PLAY, DISK)" (Global P0: 0–3a).
In these modes, the external input sound from each jack
can be processed by the TRITON STUDIO's effects and
sampled, or the TRITON STUDIO can be used as a 6-in 6-
out effect processor. The TRITON STUDIO can also be
used as a vocoder effect (093: Vocoder) that uses external
mic input to control internal sounds.
Send
Oscillator
Filter
Amplifier
Insert Effect 1-5
AUDIO INPUT (1, 2)
S/P DIF IN (L, R)
mLAN AUDIO IN (1, 2)
When effects are applied to the external input sound
from the AUDIO INPUT 1, 2, S/P DIF IN, and mLAN
(if the EXB-mLAN option is installed) jacks, certain
effect types or parameter settings may cause oscilla-
tion to occur. If this occurs, adjust the input level, out-
put level, or effect parameters. Please be aware of this
particularly when using an effect that has a high gain.
Sample
Recording
Resampling
Return
Master Effect 1,2
OUTPUT
Master EQ
L/MONO, R
139
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