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Patch Ideas
1 Patch TRI to INPUT and use INPUT FADER to add more bass. Push
the fader even further to saturate the triangle and overload the filter.
This way, the filter gets a whole new character.
2 Patch HOLD to REVERSE for randomized envelope shape variations.
3 Patch HOLD to RATE for randomization of envelope speed.
4 Patch EDGE to SYNC IN to control the tempo with the cycling envelope.
Use gates to trigger the envelope and different tempo dividers/multipliers
for varied rhythms. Control the RATE of the envelope for even more clock
variation. You can also turn off the cycling of the envelope and clock the
sequencer manually by the TRIG button.
5 Patch ENV to PWM for enhanced timbral control of the oscillator.
Combine with extreme settings of POP for animated analog-emulated
digiverse.
6 Patch BP to INPUT for radical screaming filter resonance.
7 Patch CV to Y, XY to RATE, and adjust the XY knob to get diverse
musical feels of the envelope relative to the pitch sequence.
8 Patch SLIDE Gate to REVERSE to invert the shape of the envelope on
the sliding steps.
9 Patch SLIDE Gate to the RESET input. Add slides to steps to shorten
your sequences to any number of steps. Combine with Play Modes and
their chaining for even more fun.
10 Set SLIDE time to 1 (no slide) and use the SLIDE Gate to modulate
CUTOFF or anything in the patchbay.
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Patch ENV Gate to X and SLIDE Gate to Y and use XY as stepped
modulation based on the combination of these gates.
12 Use the gate/clock outputs to modulate any CV inputs (especially
POP, REVERSE, VOLUME, CYCLE). Use the XY section to combine the
gate outputs or patch up to 3 gates to the passive multiple and use the
4th output to get stepped variations as well.
13 Patch SLIDE Gate to INPUT, and the DYNAMICS output will generate
a short envelope for extra modulation needs.
14 Patch ENV to OSC MOD and enjoy exponential arpeggios. Stop the
sequencer, chain several scales, and patch EDGE to RESET to browse
through chained scales with every run of the arpeggio.
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