Yamaha Midi XG MU90R Sound List page 14

Sound list & midi data
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PM Depth
TREMOLO
R->L Delay
CROSS DELAY
Ratio
COMPRESSOR type
Rch Delay
DELAY type
Rch Delay 1
ECHO
Rch Delay 2
ECHO
Rch Feedback Level
ECHO
Rch Init Delay
ENSEMBLE DETUNE
Release
COMPRESSOR type
NOISE GATE
Resonance
WAH type
Rev Delay
REVERB type
Reverb Time
REVERB type
Room Size
EARLY REF type
Rotor Speed
2WAY ROTARY SPEAKER
Sensitive
WAH type
Stage
PHASER type
Threshold
COMPRESSOR type
NOISE GATE
Type
EARLY REF type
Wall Vary
REVERB type
Width
REVERB type
Note (The types such as "REVERB type" referred to in the above table include the following effects.)
CHORUS type
CHORUS1, CHORUS2, CHORUS3, CHORUS4, CELESTE1, CELESTE2, CELESTE3, CELESTE4,
COMPRESSOR type
COMPRESSOR, COMP+DIST
DELAY type
DELAY L,C,R, DELAY L,R, ECHO, CROSS DELAY
DISTORTION type
DISTORTION, OVERDRIVE, AMP SIMULATOR, AUTO WAH+DIST, AUTO WAH+ODRV, TOUCH WAH+DIST,
TOUCH WAH+ODRV, COMP+DIST
EARLY REF type
EARLY REF1, EARLY REF2, GATE REVERB, REVERSE GATE
FLANGER type
FLANGER1, FLANGER2, FLANGER3
KARAOKE type
KARAOKE1, KARAOKE2, KARAOKE3
PHASER type
PHASER1, PHASER2
PITCH CHANGE type
PITCH CHANGE1, PITCH CHANGE2
REVERB type
HALL1, HALL2, ROOM1, ROOM2, ROOM3, STAGE1, STAGE2, PLATE, WHITE ROOM, TUNNEL, CANYON, BASEMENT
WAH type
AUTO WAH, AUTO WAH+DIST, AUTO WAH+ODRV, TOUCH WAH1, TOUCH WAH2, TOUCH WAH+DIST, TOUCH WAH+ODRV
Explanation of effect parameters
Depth of delay modulation
Delay time from right (input) to left (output)
Compression ratio of the compressor
Delay length of the right channel
First delay length of the right channel
Second delay length of the right channel
Feedback amount of the right channel
Length of right channel delay
Time until when the compressor effect is removed
Time until when the gate is closed
Bandwidth of the wah filter
Delay time from the early reflections until the reverb sound
Length of reverb
ER will become longer as the size of the room (this value) increases
Frequency at which the speaker rotates
Sensitivity with which the wah filter will respond to changes in the input
Number of stages in the phase shifter
Input level at which the effect begins to apply
Input level at which the gate begins to open
Select the type
Condition of the walls of the room being simulated (higher values produce more random
reflections)
Width of the room being simulated
13

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