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5/3/2018
Filtered noise
Variable-clock white noise processed by a resonant filter. The cutoff frequency of the filter is controlled by
the
FREQUENCY
knob and the
HARMONICS:
filter response, from LP to BP to HP.
TIMBRE:
clock frequency.
MORPH:
filter resonance.
AUX:
variant employing two band-pass filters, with their separation controlled by HARMONICS.
Particle noise
Dust noise processed by networks of all-pass or band-pass filters.
HARMONICS:
amount of frequency randomization.
TIMBRE:
particle density.
MORPH:
filter type – reverberating all-pass network before 12 o'clock, then increasingly resonant band-
pass filters.
AUX:
raw dust noise.
Inharmonic string modeling
Modal resonator
For your own pleasure, a mini-Rings! Please refer to the
modulated/inharmonic string synthesis, and modal resonators.
When the
TRIG
input is not patched, the string/resonator is excited by dust (particle) noise. Otherwise, the
string is excited by a short burst of filtered white noise, or by a low-pass filtered click.
HARMONICS:
amount of inharmonicity, or material selection.
TIMBRE:
excitation brightness and dust density.
MORPH:
decay time (energy absorption).
AUX:
raw exciter signal.
https://mutable-instruments.net/modules/plaits/manual/
Mutable Instruments | Plaits
V/OCT
CV input. This allows proper tracking!
Rings manual
for more information about
7/9
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