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Mutable Instruments Braids Manual

Macro oscillator
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Synthesis models
Classic analog waveforms
Model
Description
Timbre
Color
CS-80 imperfect
Notch width Notch
CSAW
saw
polarity
/\/|-_-_ Variable
Waveshape
Distortion/
waveshape
filter
Classic saw-
Pulse width
Saw to
/|/|-_-_
tooth/square
square
Sine/triangle into
Wavefolder
Sine to
FOLD
wavefolder
amount
triangle
Digital synthesis
2 detuned
Smoothness Detune
_|_|_|_
harmonic combs
2 VCOs with
VCO fre-
VCO
SYN-_
hardsync
quency ratio
balance
SYN/|
Triple saw/
Osc. 2
Osc. 3
/|/| x3
square/triangle/
detune
detune
-_ x3
sine
/\ x3
SI x3
3 ring-modulat-
2/1 frequen-
3/1 frequen-
RING
ed sine waves
cy ratio
cy ratio
Swarm of 7
Detune
High-pass
/|/|/|/|
sawtooth waves
filter
Comb filtered
Delay time
Neg./pos.
/|/|_|_|
sawtooth
feedback
Low-fi circuit-
Sample
Bit toggling
TOY*
bent sounds
reduction
Direct synthesis
Cutoff
Waveshape
ZLPF
of LP/Peaking/
frequency
ZPKF
BP/HP filtered
ZBPF
waveform
ZHPF
Sawtooth with 2
Formant 1
Formant 2
VOSM
formants
frequency
frequency
Low-fi or hi-fi
a, e, i, o, u
Gender
VOWL
vowel synthesis
VFOF
Additive synth,
Harmonic # Spectral
HARM
14 harmonics
peakedness
Plain/feedback/
Modulation
Frequency
FM
chaotic 2-opera-
index
ratio
FBFM
tor FM
WTFM
Physical simulations
Plucked strings
Decay
Plucking
PLUK
position
Bowed string
Friction
Bowing
BOWD
position
Reed and flute
Air pressure Instrument
BLOW
simulations
geometry
FLUT
Percussions
Bell and
Decay
Harmonicity
BELL
metallic drum
DRUM
808 bass drum
Decay
Brightness
KICK
Cymbal noise
Cutoff
Noisiness
CYMB
808 snare drum
Tone
Noisiness/
SNAR
decay
Wavetables
21 wavetables
Smooth
Quantized
WTBL
wavetable
wavetable
position
selection
16x16 waves
X position
Y position
WMAP
Linear wavetable
Wavetable
Interpola-
WLIN
scanning
position
tion quality
Polyphonic
Wavetable
Chord type
WTx4
wavetable
position
Noise
Tuned noise
Filter
Response,
NOIS
(2-pole filter)
resonance
LP to HP
Noise sent to 2
Resonance
Resonators
TWNQ
resonators
freq. ratio
Clocked digital
Cycle length Quantization
CLKN
noise
Sinusoidal gran-
Grain
Frequency
CLOU
ular synthesis
density
dispersion
Droplets granu-
Grain
Frequency
PRTC
lar synthesis
density
dispersion
Modem noises
Bit-rate
Modulated
QPSK
data
Braids
Macro oscillator

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Summary of Contents for Mutable Instruments Braids

  • Page 1 PLUK SYN-_ (2-pole filter) resonance LP to HP position hardsync quency ratio balance SYN/| Noise sent to 2 Resonance Resonators Braids TWNQ Bowed string Friction Bowing Triple saw/ Osc. 2 Osc. 3 BOWD /|/| x3 resonators freq. ratio position square/triangle/...
  • Page 2 Physical or percussive models |\FM, |\TIM, |\COL and |\VCA control the amount of Calibrating Braids is as easy as playing a C2 and a C4 like PLUK or KICK need this trigger signal to start playing...