P ar ametr ic
E qualizer
+6
0
1
2
4
3
-‐6
50
100
200 300
500
1.0k
2.0k 3.0k
5.0k
10.0k
20.0k
By
d efault,
B and
1
i s
a
s helf
w hen
i t
i s
b oosted
( gain
>
0
d B)
a nd
a
h igh
p ass
w hen
i t
i s
c ut
( gain
<
0
dB).
B y
d efault,
B and
4
i s
a
s helf
w hen
i t
i s
b oosted
( gain
>
0
d B)
a nd
a
l ow
p ass
w hen
i t
i s
c ut
( gain
<
0
d B).
U sing
t he
N euro
A pp,
B ands
1
a nd
4
c an
o ptionally
b e
c onfigured
a s
a
s helves
w hen
c utting
(gain
<
0
d B),
w ith
o ptional
v alues
f or
s lope
a nd
r olloff.
The
l eft
c hannel
a nd
r ight
c hannel
c an
e ach
h ave
u nique
b oost/cut
v alues
f or
e ach
o f
t he
4
b ands.
However,
t he
f ilter
t ypes
a nd
c utoff
f requencies
( or
c enter
f requencies)
m ust
b e
t he
s ame
f or
b oth
channels.
The
p hysical
T
K
d irectly
c ontrols
t he
b oost
o r
c ut
o f
t he
p arametric
E Q's
b ass
a nd
t reble
ONE
NOB
bands.
Low Cut Filter
The
A ftershock
a lso
i ncludes
t wo
l ow
c ut
f ilters
( a.k.a.
h igh
p ass
f ilter)
w ith
a n
a djustable
f requency.
This
f ilter
i s
v ery
u seful
f or
c utting
o ut
l ow
f requencies
t hat
d o
n ot
c ontribute
t o
t he
s ound
o f
t he
instrument,
a s
w ell
a s
s ubsonic
f requencies
w hich
c annot
b e
h eard
a t
a ll.
B ass
p layers
o ften
u se
l ow
cut
f ilters
s et
v ery
l ow
( around
1 0
H z
t o
3 0
H z)
t o
r educe
s peaker
e xcursion
a nd
i mprove
t he
c larity
o f
the
b ass.
G uitarists
o ften
u se
l ow
c ut
f ilters
s et
s omewhat
h igher
( around
8 0
H z)
i n
o rder
t o
g ive
t he
bass
p layer
a dditional
r oom
i n
t he
l ow
e nd
o f
t he
m ix.
SA246
Aftershock
B ass
D istortion
U ser's
G uide
17
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