Rane RE 27 Operating And Service Manual
Rane RE 27 Operating And Service Manual

Rane RE 27 Operating And Service Manual

Realtime equalizer
Hide thumbs Also See for RE 27:

Advertisement

Quick Links

QUICK START

If you are familiar with real time analyzers and graphic equalizers, feel free to jump right in. To avoid some of the
lurking sharks read these few tips as a reminder of what it is you already know:
1. FLAT IS NOT BEAUTIFUL. Equalizers have two basic purposes: correction and enhancement. The Rane analyzer
allows you to accurately correct system response to each location. A task very difficult to do by ear. Once this is quickly
done, then you adjust for further sound quality enhancement by ear; only rarely will a system be left in a "flat" condition.
2. USE MORE THAN ONE TEST MICROPHONE LOCATION. Speaker dispersion characteristics vary greatly, from
beamy highs to boomy bass traps. While performing the pink noise test, try at least two different test mic locations and
average the two if they differ.
3. USE ENOUGH PINK NOISE VOLUME TO OVERRIDE BACKGROUND NOISE. There' s no need to run
deafening pink noise levels to EQ a system. Just be sure that no green/red LED responds when pink noise is turned off (if
they do, background noise is causing erroneous readings and pink noise should be turned up higher).
4. USE ±3 dB DISPLAY SETTING FOR LOW FREQUENCY ADJUSTMENTS. The crest factor (peak response) of
true pink noise causes considerable LED flutter in the ±l dB mode, making it difficult to adjust quickly. We recommend
that the ±1 dB setting be used on frequencies below 500 Hz or so; use ±1 dB on the more sensitive mids and highs.
5. THE ANALYZER SECTION CAN BE USED WITH ANY OTHER EQUALIZER. The analyzer section of the RE
27 responds to whatever the microphone picks up. Simply run pink noise through the desired equalizer (channel) and
speaker and use the Rane analyzer to adjust that particular EQ. The RTA is a completely separate instrument.
6. MONITORING -PROGRAM WITH ANALYZER DISPLAY. When the front panel microphone is unplugged, the
analyzer display automatically monitors the output of the equalizer section. Use this feature to identify specific feedback
points by watching for red LEDs during the performance. You can then apply EQ exactly where it' s needed very quickly.
If all else fails, read the rest of the manual.

OPERATING INSTRUCTIONS

Since the RE 27 features a unique form of realtime analyzer, we highly recommend that you read this section before
performing an alignment with pink noise. If you' ve never used an analyzer before, use these instructions on your first
occasion. You' ll be delighted at how simple it really is.
1. SYSTEM HOOK-UP: Connect the RE 27 into your system as shown on page 6 or 7, whichever is appropriate. Plug
the Rane condenser microphone into the front panel RTA MIC INPUT. CAUTION: Do not plug any other microphone into
the front panel jack: This jack contains DC voltage which may be damaging to other microphones. For special applications
you can use another microphone by patching into a send/receive loop on a mixer as described in Rane Note 104 (available on
request).
2. BACKGROUND NOISE CHECK: Any background noises such as air conditioners, talking, nearby traffic and the
like can cause false readings on the analyzer display if the pink noise volume through the speakers is not loud enough to
drown these noises out. Before turning on the Pink Noise, turn up the RTA LEVEL control on the RE 27 until some of the
green and red LEDs respond on the display: now you' re looking at background noise. Slowly turn the RTA LEVEL control
back counter-clockwise until all the green and red LEDs are off, and no background noise is showing on the display. You
will now have to run the pink noise volume through the speakers loud enough to make sure that the RTA LEVEL control is
not turned clockwise (up) from this setting, otherwise the background noise will falsify the readings.
OPERATING / SERVICE MANUAL
RE 27
REALTIME EQUALIZER
continued on page 4...

Advertisement

Table of Contents
loading

Summary of Contents for Rane RE 27

  • Page 1: Quick Start

    Before turning on the Pink Noise, turn up the RTA LEVEL control on the RE 27 until some of the green and red LEDs respond on the display: now you’...
  • Page 2: Front Panel Description

    1 dB above or below the selected curve to light the green LEDs. 11. MICROPHONE INPUT JACK: Plug only the Rane Microphone into this jack — the DC volt- age supplied by this jack could be damaging to any other microphone. When the mic is plugged in, the display responds to whatever the mic picks up;...
  • Page 3: Rear Panel Description

    5. EQ OUTPUT JACK: This is the automatic unbalanced/quasi-floating output from the equalizer section. Use a mono ¼" plug for unbalanced operation or a stereo TRS ¼" plug wired as shown in the diagram below for use with balanced equipment (Refer to RaneNote 102 for further information on Rane’ s floating output system).
  • Page 4 The mic should be at listener-ear height relative to the center of the driver stack If a clear sound is desired in the back of the hall, the height of the RE 27 mic should be in line with the on-axis phase response of the speaker stack, perpendicular to the drivers as shown below.
  • Page 5: Chassis Grounding

    Now the speakers are properly coupled to the specific room and the overall system response is accurately aligned. This alone will make a great improvement in most systems, but don’ t stop at flat necessarily. Now that the RE 27 has given you a consistent starting point, feel free to make further slider adjustments during the performance or sound check to enhance overall sound quality.
  • Page 6: Installation

    1. See page 3 or Rane Note 110 for connector wiring. 2. To drive both left and right amplifier channels from a single RE 27 Output, use a “Y” connector to split the RE 27 Output to both left and right inputs of the amp or crossover. (NOTE: If you have the good fortune to be using a Rane AC series crossover , you need only connect the single RE 27 Output to the Channel 2 input of the crossover - both left and right outputs will automatically be driven internally to eliminate the need for a “Y”...
  • Page 7 5. If maximum SPL before feedback is most important, use the stage mic only. If your mixer has a send/receive loop for each input, temporarily patch the send from the stage mic mixer input to the RE 27 EQ INPUT, and patch the PINK NOISE OUTPUT from the RE 27 to the receive.
  • Page 8: Important Safety Instructions

    • Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. • Consult the dealer or an experienced radio/TV technician for help. CAUTION: Changes or modifications not expressly approved by Rane Corporation could void the user's authority to operate the equipment. This Class B digital apparatus complies with Canadian ICES-003.

Table of Contents