Roland V-synth GT Supplementary Manual page 10

List of Added Tone-FX
53: 2 Band Step Flanger
A step flanger that lets you apply an effect independently to
the low-frequency and high-frequency ranges.
fig.MFX-34
L in
High Band Step Flanger
Split
High Band Feedback
Low Band Step Flanger
Low Band Feedback
High Band Feedback
High Band Step Flanger
Low Band Feedback
Split
Low Band Step Flanger
R in
Parameter Range
Split Freq 200–8000 Hz
Low Pre Delay 0.0–100.0 ms
0.05–10.00 Hz,
Low Rate
note
Low Depth 0–127
Low Phase 0–180 deg
Low
-98– +98%
Feedback
Low Step 0.10–20.00 Hz,
Rate #1 note
High Pre Delay 0.0–100.0 ms
0.05–10.00 Hz,
High Rate
note
High Depth 0–127
High Phase 0–180 deg
High
-98– +98%
Feedback
High Step 0.10–20.00 Hz,
Rate #2 note
DRY100:0WET–
Balance #3
DRY0:100WET
Level 0–127
10
L out
R out
Explanation
Frequency at which the low and high
ranges will be divided
Delay time from when the original
sound is heard to when the low-range
flanger sound is heard
Rate at which the low-range flanger
sound is modulated
Modulation depth for the low-range
flanger sound
Spaciousness of the low-range flanger
sound
Proportion of the low-range flanger
sound that is to be returned to the
input (negative values invert the
phase)
Rate at which the steps will cycle for
the low-range flanger sound
Delay time from when the original
sound is heard to when the high-range
flanger sound is heard
Rate at which the high-range flanger
sound is modulated
Modulation depth for the high-range
flanger sound
Spaciousness of the high-range
flanger sound
Proportion of the high-range flanger
sound that is to be returned to the
input (negative values invert the
phase)
Rate at which the steps will cycle for
the high-range flanger sound
Volume balance of the original sound
(DRY) and flanger sound (WET)
Output volume
54: Serial Delay
This delay connects two delay units in series. Feedback can
be applied independently to each delay unit, allowing you to
produce complex delay sounds.
fig.MFX-45
L in
Delay 1
Feedback 1
R in
Parameter Range
Delay1 Time 0–1300 ms, note
Delay1
-98– +98%
Feedback #1
200–8000 Hz,
Delay1 HF Damp
BYPASS
Delay2 Time 0–1300 ms, note
Delay2
-98– +98%
Feedback #2
200–8000 Hz,
Delay2 HF Damp
BYPASS
Pan L64–63R
Low Gain -15– +15 dB
High Gain -15– +15 dB
DRY100:0WET–
Balance #3
DRY0:100WET
Level 0–127
L out
Pan L
Delay 2
Pan R
Feedback 2
R out
Explanation
Delay time from when sound is input
to delay 1 until the delay sound is
heard
Proportion of the delay sound that is to
be returned to the input of delay 1
(negative values invert the phase)
Frequency at which the high-
frequency content of the delayed
sound of delay 1 will be cut (BYPASS:
no cut)
Delay time from when sound is input
to delay 2 until the delay sound is
heard
Proportion of the delay sound that is to
be returned to the input of delay 2
(negative values invert the phase)
Frequency at which the high-
frequency content of the delayed
sound of delay 2 will be cut (BYPASS:
no cut)
Panning of the delay sound
Amount of boost/cut for the low-
frequency range
Amount of boost/cut for the high-
frequency range
Volume balance of the original sound
(DRY) and delay sound (WET)
Output volume