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Roland V-Synth Brochure & Specs
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Specifications
Keyboard 61 keys (with velocity and channel aftertouch)
External Storage Device PC CARD slot (Microdrive, SmartMedia or
Sound Generator Configuration Oscillator (envelope x 4 + LFO x 1) x 2,
CompactFlash can be used with PC card adapter.)
Modulator x 1, COSM (envelope x 2 + LFO x 1) x 2, TVA (envelope x 1 +
Effects MFX (Multi-effects): 41 sets, Chorus: 8 sets, Reverb: 10 sets
LFO x 1) x 1
System EQ 4 bands
Sound-generation Techniques Analog Modeling (9 waveforms),
Sampling Frequency Internal: 44.1 kHz,
PCM / Variphrase (326 Preset waveforms + Sampling waveforms),
Digital Audio IN/OUT: 96, 48, 44.1 kHz
External Input
Signal Processing Internal processing,
Modulator 4 types + MIX
sound generating section: 32 bits (floating point),
COSM 15 types + THRU
effects section: 24 bits (fixed point), DA Conversion: 24 bits,
Zones (Splits) 16
AD Conversion: 24 bits
Parts 16
Nominal Output Level MAIN OUT: +4 dBu, DIRECT OUT: +4 dBu
Maximum Polyphony 24 voices (Varies depending on the load placed
Nominal Input Level INPUT (LINE): -20 dBu, INPUT (MIC): -46 dBu
on the sound generator.)
Arpeggiator Patterns: User programmable (supports use of
Internal Memory Project: 1, Patches: 512, Waves: 999,
control change messages), Motifs: 8 types, Tempo: 20 to 250 BPM
Wave memory(RAM): 50 MB (When the unit ships from the factory,
Display Graphic 320 x 240 dot backlit LCD with touchscreen
30 MB of this is taken up by the preset waves.),
Controllers Pitch Bend / Modulation Lever, TimeTrip Pad,
Sample storage memory (FLASH): 10 MB
Twin D Beam Controller, Assignable Control Knobs (C1, C2)
Rear Panel
Once a musical instrument generates sound vibrations, it reaches the human ear through various mediating objects, each of which significantly affects the sound. The material and configuration of the instrument, the electric/electronic/
magnetic amplifying system, the air and the reverberation of the room all affect the final sound. Sound modeling, the latest DSP technology, "virtually" reconstructs these objects. Roland's breakthrough Composite Object Sound Modeling
(COSM) uses the advantages of multiple modeling methods and succeeds in accurately emulating existing sounds, as well as producing sounds that have never before been created.
Roland Corporation U.S.
5100 S. Eastern Avenue, P.O.Box 910921, Los Angeles, CA90091-0921
Phone: (323) 890-3700 Fax: (323) 890-3701
Visit us online at www.RolandUS.com
Connectors Headphones Jack,
Main Output Jacks (L/MONO, R) (1/4 inch phone type),
Direct Output Jacks (L, R) (1/4 inch phone type),
Input Jacks (L, R) (1/4 inch phone type) (equipped with line/mic gain
switch), Hold Pedal Jack, Control Pedal Jacks (1, 2) (assignable),
MIDI Connectors (IN, OUT, THRU), USB Connector,
Digital Audio Interface (24-bit, S/PDIF) (COAXIAL (IN, OUT),
OPTICAL (IN, OUT)), AC Inlet
Power Supply AC 117 V, AC 230 V, AC 240 V
Power Consumption 16 W
Dimensions 1,056 (W) x 398 (D) x 111 (H) mm,
41-5/8 (W) x 15-11/16 (D) x 4-3/8 (H) inches
Weight 13.1 kg / 28 lbs 15 oz
Accessories Quick Start, Owner's Manual, Parameter List,
Sound List, CD-ROM (Driver), PC CARD Protector, Power Cable
Options Keyboard Stand: KS-12, Pedal Switch: DP-2/6,
Foot Switch: BOSS FS-5U, Expression Pedal: EV-5
(0 dBu = 0.775 Vrms)
All specifications and appearances are subject to change without notice.
All trademarks are the property of their respective companies.
Printed in Japan Dec. 2002 RAM-3646 ERK-GEN-SE C-4

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Summary of Contents for Roland V-Synth

  • Page 1 Once a musical instrument generates sound vibrations, it reaches the human ear through various mediating objects, each of which significantly affects the sound. The material and configuration of the instrument, the electric/electronic/ magnetic amplifying system, the air and the reverberation of the room all affect the final sound. Sound modeling, the latest DSP technology, "virtually" reconstructs these objects. Roland's breakthrough Composite Object Sound Modeling (COSM) uses the advantages of multiple modeling methods and succeeds in accurately emulating existing sounds, as well as producing sounds that have never before been created.
  • Page 2 A World of New Sounds Awai t The Roland V-Synth is an expressive new instrument for those passionate about sound. It’s the first synthesizer to offer multiple oscillator technologies with realtime control over a waveform’s pitch, time and formant. Sounds can then be processed through new COSM ®...
  • Page 3 .WAV and AIFF files from a Dynamic TVF buttons and diagrams make selecting a structure easy, or a seasoned programmer, the V-Synth makes it easy to presets, then independently manipulate pitch, time and features two dedicated COSM processors for sound creation process and computer.
  • Page 4 Roland’s revolutionary TimeTrip Pad offers a degree of freeze it at any position—all with the touch of your finger. The V-Synth is not only a powerful sound sculpting tool, with each Patch, making it V-LINK is another new approach to creative expression,...