Roland juno-ds61 Parameter Manual page 48

MFX/Chorus/Reverb Parameters
32: 2BAND CHORUS
A chorus effect that lets you apply an effect independently to the low-frequency
and high-frequency ranges.
L in
High Band Chorus
Split
Low Band Chorus
High Band Chorus
Split
Low Band Chorus
R in
Parameter Value
Split Freq 200–8000[Hz]
Low Pre Delay 0.0–100[msec]
Low Rate #
0.05–10.00[Hz], note
Low Depth
0–127
Low Phase
0–180[deg]
High Pre Delay 0.0–100[msec]
3
High Rate # 0.05–10.00[Hz], note
High Depth 0–127
High Phase 0–180[deg]
Balance # D100:0W–D0:100W
Level 0–127
33: 2BAND FLANGER
A flanger that lets you apply an effect independently to the low-frequency and
high-frequency ranges.
L in
High Band Flanger
Split
High Band Feedback
Low Band Flanger
Low Band Feedback
High Band Feedback
High Band Flanger
Low Band Feedback
Split
Low Band Flanger
R in
Parameter Value
Split Freq 200–8000[Hz]
Low Pre Delay 0.0–100[msec]
Low Rate # 0.05–10.00[Hz], note
Low Depth 0–127
Low Phase 0–180[deg]
Low Feedback # -98–+98[%]
High Pre Delay
0.0–100[msec]
3
High Rate # 0.05–10.00[Hz], note
High Depth 0–127
High Phase 0–180[deg]
High Feedback # -98–+98[%]
Balance # D100:0W–D0:100W
Level 0–127
48
L out
R out
Explanation
Frequency at which the low and high ranges will
be divided
Delay time from when the original sound is
heard to when the low-range chorus sound is
heard
Rate at which the low-range chorus sound is
modulated
Modulation depth for the low-range chorus
sound
Spaciousness of the low-range chorus sound
Delay time from when the original sound is
heard to when the high-range chorus sound is
heard
Rate at which the high-range chorus sound is
modulated
Modulation depth for the high-range chorus
sound
Spaciousness of the high-range chorus sound
Volume balance of the original sound (D) and
chorus sound (W)
Output level
L out
R out
Explanation
Frequency at which the low and high ranges will
be divided
Delay time from when the original sound is
heard to when the low-range flanger sound is
heard
Rate at which the low-range flanger sound is
modulated
Modulation depth for the low-range flanger
sound
Spaciousness of the low-range flanger sound
Proportion of the low-range flanger sound that
is to be returned to the input (negative (-) values
invert the phase)
Delay time from when the original sound is
heard to when the high-range flanger sound is
heard
Rate at which the high-range flanger sound is
modulated
Modulation depth for the high-range flanger
sound
Spaciousness of the high-range flanger sound
Proportion of the high-range flanger sound that
is to be returned to the input (negative (-) values
invert the phase)
Volume balance of the original sound (D) and
flanger sound (W)
Output level
34: 2BAND STEP FLNGER
A step flanger that lets you apply an effect independently to the low-frequency and
high-frequency ranges.
L in
High Band Step Flanger
Split
High Band Feedback
Low Band Step Flanger
Low Band Feedback
High Band Feedback
High Band Step Flanger
Low Band Feedback
Split
Low Band Step Flanger
R in
Parameter Value
Split Freq 200–8000[Hz]
Low Pre Delay
0.0–100[msec]
Low Rate #
0.05–10.00[Hz], note
Low Depth 0–127
Low Phase 0–180[deg]
Low Feedback # -98–+98[%]
Low Step Rate # 0.10–20.00[Hz], note
High Pre Delay 0.0–100[msec]
High Rate # 0.05–10.00[Hz], note
High Depth
0–127
High Phase
0–180[deg]
High Feedback # -98–+98[%]
3
High Step Rate # 0.10–20.00[Hz], note
Balance # D100:0W–D0:100W
Level 0–127
35: OVERDRIVE
Creates a soft distortion similar to that produced by vacuum tube amplifiers.
L in
Over Amp
drive Simulator
R in
Parameter Value
3
Drive # 0–127
Type of guitar amp
SMALL
Amp Type BUILT-IN
2-STACK
3-STACK
Low Gain -15–+15[dB]
High Gain -15–+15[dB]
Pan # L64–63R
Level 0–127
36: DISTORTION
Produces a more intense distortion than Overdrive. The parameters are the same as
for "35: OVERDRIVE. "
L in
Amp
Distortion
Simulator
R in
L out
R out
Explanation
Frequency at which the low and high ranges will
be divided
Delay time from when the original sound is
heard to when the low-range flanger sound is
heard
Rate at which the low-range flanger sound is
modulated
Modulation depth for the low-range flanger
sound
Spaciousness of the low-range flanger sound
Proportion of the low-range flanger sound that
is to be returned to the input (negative (-) values
invert the phase)
Rate at which the steps will cycle for the low-
range flanger sound
Delay time from when the original sound is
heard to when the high-range flanger sound is
heard
Rate at which the high-range flanger sound is
modulated
Modulation depth for the high-range flanger
sound
Spaciousness of the high-range flanger sound
Proportion of the high-range flanger sound that
is to be returned to the input (negative (-) values
invert the phase)
Rate at which the steps will cycle for the high-
range flanger sound
Volume balance of the original sound (D) and
flanger sound (W)
Output level
L out
Pan L
2-Band
EQ
Pan R
R out
Explanation
Degree of distortion
Also changes the volume.
Small amp
Single-unit type amp
Large double stack amp
Large triple stack amp
Gain of the low range
Gain of the high range
Stereo location of the output sound
Output level
L out
Pan L
2-Band
EQ
Pan R
R out