Roland juno-ds61 Parameter Manual
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Roland juno-ds61 Parameter Manual

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Contents
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© 2015 ROLAND CORPORATION
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Do you have a question about the juno-ds61 and is the answer not in the manual?

Questions and answers

Jeff Schaum
May 3, 2025

I use my Juno DDS61 control pedal for modulation, but it quit working. I found whst I thought was the right parameter and got it modulating again, but the modulation does not completely stop when I back the pedal off. Is there a different parameter I need to set? I can’t remember what I did five years ago to get it working right. Maybe the pedal is worn out?

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1 comments:
Mr. Anderson
May 17, 2025

To ensure modulation stops completely when the control pedal is backed off on the Roland DS61, check and adjust the following parameter settings:

1. Control Pedal Polarity – In the “PEDAL” system settings, verify the “Control Pedal Polarity” is set correctly. Incorrect polarity can cause the pedal to behave in reverse.

2. Expression/Modulation Assignment – Make sure the pedal is correctly assigned to control modulation or expression as needed.

3. MIDI Messages – Check that no conflicting MIDI messages (e.g., modulation or expression messages) are being sent from external devices or software.

4. Effect Settings – Ensure that modulation-related effects are turned off or properly configured when the pedal is in the off position.

5. Tone Settings – Confirm that the tone switch is ON and the relevant modulation parameters are linked to the pedal appropriately.

These settings help ensure that the modulation effect responds correctly to the pedal's position.

This answer is automatically generated

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Summary of Contents for Roland juno-ds61

  • Page 1: Table Of Contents

    . . . . . . . . . . . . . . . . . . . . . . . . . . . 87 . . . . . . . . . . . . . . 30 Saving the Vocoder/Auto Pitch Settings (Write) © 2015 ROLAND CORPORATION...

  • Page 2: Additional Explanation

    Additional Explanation Panel Descriptions Key Touch 5 Depending on the KEY TOUCH setting, the [KEY TOUCH] button is lit or unlit. When this button is on (lit), you can use the [0]–[9] buttons to enter numeric values. [NUMERIC] button When the Velocity setting is “REAL” You can use this button only in the PATCH screen and PERFORM screen.

  • Page 3: Pattern Sequencer

    You can use pads [1]–[8] to select a track to edit. Wonder Use the [UPPER]/[LOWER]/[PHRASE PAD] sliders to adjust the level. Copyright © 2015 Roland Corporation There There There MEMO Tracks 1–7 are assigned to parts 1–7, and track 8 is assigned to part 10.

  • Page 4: Patch Mode

    Patch Mode Patch/Drum Kit Edit Procedure Patch Parameters Select a patch or drum kit that you want to edit. COMMON Press the [SAMPLE IMPORT] button and [DAW CONTROL] button simultaneously. Parameter Value/Explanation The EDIT MENU screen appears. Specifies the type (category) of the patch. Move the cursor to “PATCH EDIT”...
  • Page 5 Patch Mode Parameter Value/Explanation Parameter Value/Explanation Velocity Sens Offset alters the Velocity Sensitivity of the overall patch while When portamento is used, this specifies the time over which the pitch will preserving the relative differences between the Velocity Sensitivity values change.
  • Page 6 Patch Mode WAVE Parameter Value/Explanation OFF-D Rather than being played while the key is pressed, the tone Parameter Value/Explanation begins to play once the period of time specified in the Specify the on/off status of tones 1–4. If a tone is on, a “ ( ” mark is shown. Tone Delay Time has elapsed after release of the key.
  • Page 7 Patch Mode Parameter Value/Explanation Parameter Value/Explanation Sets the highest/lowest velocity at which the tone will sound. This type applies a filter to tone 1 (3) and ring-modulates it If you attempt to set the Lower velocity limit above the Upper, or the with tone 2 (4) to create new overtones.
  • Page 8 Patch Mode PITCH ENV Parameter Value/Explanation Parameter Value/Explanation Adjusts the effect of the Pitch Envelope. Higher settings will cause the Selects the type of filter. A filter cuts or boosts a specific frequency region pitch envelope to produce greater change. Negative (-) settings will invert to change a sound’s brightness, thickness, or other qualities.
  • Page 9 Patch Mode TVF ENV Parameter Value/Explanation Selects one of the following seven curves that determine how keyboard Parameter Value/Explanation playing dynamics (velocity) influence the cutoff frequency. Set this to “FIXED” if you don’t want the Cutoff frequency to be affected by Specifies the depth of the TVF envelope.
  • Page 10 Patch Mode Parameter Value/Explanation This setting causes panning to be alternated between left and right each Parameter Value/Explanation time a key is pressed. Higher settings will produce a greater amount of change. “L” or “R” settings will reverse the order in which the pan will Sets the volume of the tone.
  • Page 11 Patch Mode OUTPUT Parameter Value/Explanation Adjusts the value for the Delay Time depending on the key position, Parameter Value/Explanation relative to the C4 key (center C). To decrease the time that elapses before the LFO effect is applied (the effect is continuous) with each higher key Specifies how the direct sound of each patch will be output.
  • Page 12 Patch Mode How to Apply the LFO CTRL Parameter Value/Explanation Apply the LFO gradually after the key is pressed When a loop waveform is selected, the sound will normally continue as long as the key is pressed. If you want the sound to decay naturally even if the key remains pressed, set this to “NOSUS.
  • Page 13 Patch Mode MTRX CTRL1–4 Parameter Value/Explanation Changing the depth of frequency modulation for FXM Parameter Value/Explanation Sets the MIDI message used to change the tone parameter with the Matrix Changing specific MFX parameters Control. Change the parameter that was specified by MFX Matrix control will not be used.

  • Page 14: Drum Kit Parameters

    Patch Mode Drum Kit Parameters MEMO A drum kit consists of a percussion instrument sound (tone) assigned to each key. The tone that’s assigned to each key consists of a combination of up to four waves. Drum Kit Edit lets you edit the settings of the tone that’s assigned to each key. COMMON WAVE Parameter...
  • Page 15 Patch Mode Parameter Value/Explanation Level Parameter Value/Explanation Selects the type of filter. A filter cuts or boosts a specific frequency region to change a sound’s brightness, thickness, or other qualities. Velocity If you set “LPF2” or “LPF3, ” the setting for the Resonance will be ignored (p.
  • Page 16 Patch Mode TVF ENV Parameter Value/Explanation Corrects for the volume of the tone. Parameter Value/Explanation This parameter is set by the key-based controller system exclusive message. Normally, you should leave it set to 0. Specifies the depth of the TVF envelope. Higher settings will cause the TVF Relative Level If the Tone Level is set to 127, the volume will not increase beyond that envelope to produce greater change.

  • Page 17: Effects Edit

    Patch Mode Effects Edit In Patch mode you can use multi effects (MFX), chorus, and reverb. Signal Flow Tone Output Level MFX Type Tone Chorus Send Output Level Make these settings in the “MFX” tab of the When a patch is selected EFFECTS EDIT screen.

  • Page 18: Effects Parameters

    Patch Mode Effects Parameters CHORUS Parameter Value/Explanation Parameter Value/Explanation Turns MFX on/off, and specifies the type of MFX that is used. If MFX is on, Turns Chorus on/off, and specifies the type of chorus that is used. If Chorus 8 shows a “ ( ” mark. is on, 8 shows a “...

  • Page 19: Performance Mode

    Performance Mode Performance Edit MEMO PERFORMANCE EDIT and PART EDIT have the same parameters in common. Procedure Move the cursor to tab, and use the [ K ] [ J ] buttons to switch the pages. Press the [PATCH/PERFORM] button to make it light. Select a performance that you want to edit.
  • Page 20 Performance Mode VIBRATO Parameter Value/Explanation Parameter Value/Explanation Specifies, for each part, whether or not the keyboard controller section will For each part, adjust the vibrato speed (the rate at which the pitch is be connected to the internal sound generator and MIDI OUT. modulated).

  • Page 21: Part Edit

    Performance Mode Part Edit MEMO 5 PART EDIT and PERFORMANCE EDIT have the same parameters in common. 5 If you’re using the pattern sequencer, the part edit settings are saved as a “pattern. ” Procedure Move the cursor to tab, and use the [ K ] [ J ] buttons to switch the pages. Press the [PATCH/PERFORM] button to make it light.
  • Page 22 Performance Mode VIBRATO Parameter Value/Explanation Parameter Value/Explanation Specifies, for each part, whether or not the keyboard controller section will For each part, adjust the vibrato speed (the rate at which the pitch is be connected to the internal sound generator and MIDI OUT. modulated).

  • Page 23: Effects Edit

    Performance Mode Effects Edit In Performance mode you can use three multi effects (MFX1–3), one chorus, and one reverb. For each of the three MFX, the chorus, and the reverb, you can specify whether it will operate according to the effect settings of the performance, or according to the effect settings of the patch or drum kit assigned to the part you specify. The three MFX can be used independently, or you can connect two or three of them in series.

  • Page 24: Effects Parameters

    Performance Mode Effects Parameters COMMON MFX1–3 CTRL Parameter Value/Explanation Parameter Value/Explanation Specify how MFX1–3 will be connected. Sets the MIDI message used to change the MFX parameter with the MFX control. TYPE01 TYPE02 MFX control will not be used. MFX1 MFX1 MFX2 CC01–31, 33–95...

  • Page 25: Sample Edit

    Sample Edit Procedure Press the [SAMPLE IMPORT] button. Move the cursor to the parameter that you want to edit, and use the value dial to change the value. The SAMPLE MENU screen appears. Move the cursor to “SAMPLE EDIT” and press the [ENTER] button. To save the edited settings, perform the operation “Saving Your Settings (Write)”...
  • Page 26 Sample Edit TVF ENV Parameter Value/Explanation Use this parameter if you want the cutoff frequency to change according Parameter Value/Explanation to the key that is pressed. Relative to the cutoff frequency at the C4 key (center C), positive (+) settings will cause the cutoff frequency to rise Specifies the depth of the TVF envelope.
  • Page 27 Sample Edit TVA ENV Parameter Value/Explanation Parameter Value/Explanation Sets the volume of the tone. This allows keyboard dynamics to affect the Time 1 of the TVA envelope. Tone Level If you want Time 1 to be speeded up for strongly played notes, set this 0–127 parameter to a positive (+) value.
  • Page 28 Sample Edit How to Apply the LFO Parameter Value/Explanation Raises or lowers the LFO waveform relative to the central value (pitch or cutoff frequency). Positive (+) settings will move the waveform so that Apply the LFO gradually after the key is pressed modulation will occur from the central value upward.

  • Page 29: Editing Arpeggios

    Editing Arpeggios Press the [ARPEGGIO] button to make it light. The ARPEGGIO screen appears. Move the cursor to the item that you want to edit, and use the value dial to edit the setting. Press the [EXIT] button to exit the ARPEGGIO screen. Selecting Ascending/Descending Variations (Motif) Parameter Value/Explanation...

  • Page 30: Editing The Vocoder/Auto Pitch

    Editing the Vocoder/Auto Pitch Press the [VOCODER/AUTO PITCH] button to make it light. The VOCODER/AUTO-PITCH screen appears. Move the cursor to the parameter that you want to edit, and use the value dial to change the value. To save the edited settings, perform the operation “Saving the Vocoder/Auto Pitch Settings (Write).” Saving the Vocoder/Auto Pitch Settings (Write) Parameter Value/Explanation...

  • Page 31: Creating An Original Scale (User Scale)

    Creating an Original Scale (USER SCALE) You can adjust the pitch of each note from C through B in units of one cent. The pitch you specify for each note is applied to that note for all octaves. You can create and save nine different “user scales” for later recall. Setting a User Scale Recalling a User Scale Press [MENU] button.

  • Page 32: System Settings

    System Settings Procedure MEMO Press the [MENU] button. The MENU screen appears. The parameters you edit are saved when you press the [WRITE] button in the SYSTEM screen, or when you exit the SYSTEM screen. Move the cursor to “SYSTEM,” and press the [ENTER] button. Move the cursor to tab, and use the [ K ] [ J ] buttons to switch the pages.
  • Page 33 System Settings MIC IN SETTINGS KNOB Parameter Value/Explanation Parameter Value/Explanation Adjusts the input level of the MIC INPUT jack. Specifies the function that is assigned to each knob when the parameter Mic In Level controlled by the control knobs is set to ASSIGN 1–4. 0–127 No function is assigned.
  • Page 34 Choose this if you want to use a USB driver VENDOR downloaded from the Roland website. (*1) *1: Download the Driver In order to use the JUNO-DS with the “VENDOR” setting, you must download the driver from the following URL and install it on your computer.

  • Page 35: Connecting To A Computer Via Usb

    Move the cursor to “WRITE,” and press the [ENTER] button. Setting is complete when the screen indicates “Completed. ” NOTE 5 For some types of computer, this might not work correctly. Refer to the Roland MEMO website for details on the operating systems that are supported.

  • Page 36: Using The Juno-Ds With Daw Software

    Using the JUNO-DS with DAW Software Settings in SONAR Using the JUNO-DS As a DAW Controller This explanation describes the procedure when using SONAR X2 Producer. The You can use the JUNO-DS as a controller for your DAW software. procedure may differ for other versions. The JUNO-DS provides various DAW control maps.

  • Page 37: Assigning Functions To Knobs And Sliders

    Using the JUNO-DS with DAW Software Assigning Functions to Knobs and Sliders Using the JUNO-DS As a MIDI Keyboard You can assign functions to the control knobs (1–4) and the [LEVEL] sliders (1–4). Your playing on the JUNO-DS’s keyboard (MIDI data) can be recorded into your DAW software, or used to play software instruments.

  • Page 38: Using The Juno-Ds As An Audio Interface

    Using the JUNO-DS with DAW Software Using the JUNO-DS As an Audio Interface The JUNO-DS’s audio output you’ve specified can be recorded into DAW software on your computer. Sound from your computer can also be reproduced from a device that’s connected to the JUNO-DS’s OUTPUT jacks.

  • Page 39: Error Messages

    Please execute a Factory Reset. Memory Damaged! Failed when reading from the waveform memory file system. If this does not resolve the problem, contact your dealer or a nearby Roland service center. Memory Full! There is insufficient free capacity to store the sample.

  • Page 40: Mfx/Chorus/Reverb Parameters

    MFX/Chorus/Reverb Parameters MFX Parameters (MFX, MFX1–3) The MFX feature 80 different kinds of effects. Some of the effects consist of two or more different effects connected in series. Type Page Type Page OD 0 CHORUS THRU – p. 55 OD 0 FLANGER EQUALIZER OD 0 DELAY SPECTRUM...
  • Page 41 When Using 3D Effects 01: EQUALIZER The following 3D effects utilize RSS (Roland Sound Space) technology to create a This is a four-band stereo equalizer (low, mid x 2, high). spaciousness that cannot be produced by delay, reverb, chorus, etc.
  • Page 42 MFX/Chorus/Reverb Parameters 04: LOW BOOST 06: STEP FILTER Boosts the volume of the lower range, creating powerful lows. This is a filter whose cutoff frequency can be modulated in steps. You can specify the pattern by which the cutoff frequency will change. L in L out Low Boost...
  • Page 43 MFX/Chorus/Reverb Parameters 09: HUMANIZER 11: PHASER Adds a vowel character to the sound, making it similar to a human voice. This is a stereo phaser. A phase-shifted sound is added to the original sound and modulated. L in L out Pan L 2-Band Overdrive...
  • Page 44 MFX/Chorus/Reverb Parameters 13: MLT STAGE PHASER 16: STEP RING MOD Extremely high settings of the phase difference produce a deep phaser effect. This is a ring modulator that uses a 16-step sequence to vary the frequency at which modulation is applied. L in L out Pan L...
  • Page 45 MFX/Chorus/Reverb Parameters 19: STEP PAN 21: ROTARY This uses a 16-step sequence to vary the panning of the sound. The Rotary effect simulates the sound of the rotary speakers often used with the electric organs of the past. Since the movement of the high range and low range L in Step Pan L out...
  • Page 46 MFX/Chorus/Reverb Parameters 23: CHORUS 25: STEP FLANGER This is a stereo chorus. A filter is provided so that you can adjust the timbre of the This is a flanger in which the flanger pitch changes in steps. The speed at which the chorus sound.
  • Page 47 MFX/Chorus/Reverb Parameters 27: TREMOLO CHORUS 30: 3D FLANGER This is a chorus effect with added Tremolo (cyclic modulation of volume). This applies a 3D effect to the flanger sound. The flanger sound will be positioned 90 degrees left and 90 degrees right. L in L out Balance D...
  • Page 48 MFX/Chorus/Reverb Parameters 32: 2BAND CHORUS 34: 2BAND STEP FLNGER A chorus effect that lets you apply an effect independently to the low-frequency A step flanger that lets you apply an effect independently to the low-frequency and and high-frequency ranges. high-frequency ranges. L in L in L out...
  • Page 49 MFX/Chorus/Reverb Parameters Specifications of each Speaker Type 37: VS OVERDRIVE The speaker column indicates the diameter of each speaker unit (in inches) and the number of units. This is an overdrive that provides heavy distortion. L in L out Type Cabinet Speaker Microphone...
  • Page 50 MFX/Chorus/Reverb Parameters 42: GATE 44: LONG DELAY Cuts the reverb’s delay according to the volume of the sound sent into the effect. A delay that provides a long delay time. Use this when you want to create an artificial-sounding decrease in the reverb’s 2-Band decay.
  • Page 51 MFX/Chorus/Reverb Parameters 46: MODULATION DELAY 48: 4TAP PAN DELAY Adds modulation to the delayed sound. This effect has four delays. When Feedback Mode is NORMAL: Balance D 2-Band L in L out Balance D 2-Band Delay 1 L in L out Feedback Balance W Delay 2...
  • Page 52 MFX/Chorus/Reverb Parameters 50: REVERSE DELAY 52: 3D DELAY This is a reverse delay that adds a reversed and delayed sound to the input sound. A This applies a 3D effect to the delay sound. The delay sound will be positioned 90 tap delay is connected immediately after the reverse delay.
  • Page 53 A virtual tape echo that produces a realistic tape delay sound. This simulates the 200–8000[Hz], Center frequency of the low pass filter applied to tape echo section of a Roland RE-201 Space Echo. Hum Noise LPF BYPASS the hum noise (BYPASS: no cut)
  • Page 54 MFX/Chorus/Reverb Parameters 58: LOFI RADIO 61: PITCH SHIFTER In addition to a Lo-Fi effect, this effect also generates radio noise. A stereo pitch shifter. 2-Band L in 2-Band EQ L out L in L out Lo-Fi Pitch Shifter Pitch Shifter Radio R in R out...
  • Page 55 MFX/Chorus/Reverb Parameters 63: STEP PCH SHIFTER 65: GATED REVERB A pitch shifter in which the amount of pitch shift is varied by a 16-step sequence. This is a special type of reverb in which the reverberant sound is cut off before its natural length.
  • Page 56 MFX/Chorus/Reverb Parameters 68: OD 0 DELAY Parameter Value Explanation Enhancer Sens # 0–127 Sensitivity of the enhancer L out L in Level of the overtones generated by the Enhancer Mix # 0–127 Balance D enhancer Balance W Adjusts the delay time from the direct sound Chorus Pre Delay 0.0–100[msec] Overdrive...
  • Page 57 MFX/Chorus/Reverb Parameters Parameter Value Explanation 78: SYMPATHETIC RESO Adjusts the proportion of the delay sound that On an acoustic piano, holding down the damper pedal allows other strings Delay Feedback # -98–+98[%] is fed back into the effect. to resonate in sympathy with the notes you play, creating rich and spacious Negative (-) settings will invert the phase.

  • Page 58: Chorus Parameters

    MFX/Chorus/Reverb Parameters Chorus Parameters Reverb Parameters Parameter Explanation Parameter Explanation 01: CHORUS 01: REVERB Type of filter Type of reverb/delay No filter is used ROOM1 Short reverb with high density Filter Type Cuts the frequency range above the Cutoff Freq ROOM2 Short reverb with low density Cuts the frequency range below the Cutoff Freq...

  • Page 59: Waveform List

    Waveform List INTA Name Name Name Name Name 0001 Ult.P*mp A L 0080 HM-Pno* C R 0159 Reg.Clav B 0238 Funk Gtr C 0317 Slp.E.BassA 0002 Ult.P*mp A R 0081 HM-Pno* C M 0160 Reg.Clav C 0239 Funk MtGtr A 0318 Slp.E.BassB 0003...
  • Page 60 Waveform List Name Name Name Name Name 0396 Mute Tp C 0478 ChmbrStrRevB 0560 Church Bell 0642 Uuh Formant 0724 MG Zap 1 0397 Trombone 1 A 0479 ChmbrStrRevC 0561 Mild CanWave 0643 Metal Vox W1 0725 MG Zap 2 0398 Trombone 1 B 0480...
  • Page 61 Waveform List Name Name Name Name Name 0806 Whistle 1 0888 ClvMtRs DB f 0970 Sitar 4 C 1052 Qu Di C 1134 TpRomntic vb 0807 Bongo High 0889 RtryOrg2 A L 0971 XV Sitar A 1053 QuDi 1 Vib A 1135 TrumpetShake 0808...
  • Page 62 Waveform List Name Name Name Name Name 1216 JP Strings1A 1298 Angklung 1380 Br.Snr ff L 1462 Reg.CHH 1 p 1544 Claves 3 1217 JP Strings1B 1299 Bonang 1381 IronSnrFlm L 1463 Reg.CHH 1 mf 1545 Ban Gu 1 1218 JP Strings1C 1300 Pemade A...
  • Page 63 Waveform List Name Name Name Name Name 1626 Shaker 4 1708 TablaBaya Te 1790 Surdo Open L 1872 C-Accord A3R 1954 ThumbMtBs fB 1627 Shaker Long 1709 Tabla Baya 4 1791 Surdo Open H 1873 C-Accord N1L 1955 ThumbMtBs fC 1628 Shaker Short 1710...
  • Page 64 Waveform List Name Name Name Name Name 2036 R&B Kick L 2118 TR909 Ride 2200 Acd-Basson1f 2282 EEU-LTom2 f 2364 EM.Rek Trill 2037 Rk CmpKick L 2119 Hand Clap 2201 Acd-Basson2p 2283 EEU-LTom2 ff 2365 EM.Rek Tak 1 2038 Rk CmpKick R 2120 Bright Clap 2202...
  • Page 65 Waveform List INTB Name Name Name 0001 GrandP* 1 mp 0080 Naggra 4 p 0159 Chenchen Opn 0002 GrandP* 1 f 0081 Naggra 4 mf 0160 Chenchen Cls 0003 GrandP* 1 ff 0082 Naggra 4 f 0161 Ceng Ceng 2 0004 GrandP* 2 mp 0083...

  • Page 66: Patch List

    Patch List Bank: DS Sub-category Name 0080 Oc:S07 GX Strings 0081 Oc:S08 Slow Str XP Name Sub-category 0082 Oc:S09 Mood Strings 0001 Pf:S01 Grand Pno DS 0083 Oc:S10 Str+Choir 0002 Pf:S02 Rock Pno DS 0084 Oc:S11 JP8.Strings 0003 Pf:S03 Nice Piano 0085 Oc:S12 Violin 1...
  • Page 67 Patch List Sub-category Sub-category Name Name 0161 Sy:S40 AutoTrance 3 0053 Pf:053 Phase Stg EP 0162 Sy:S41 Poly Gate 0054 Pf:054 Flanger EP 0163 Sy:S42 Rise Up 0055 Pf:055 TEL Stage EP 0164 Sy:S43 Sci-Fi FX x4 0056 Pf:056 Vintage EP 1 0165 Sy:S44 LazerPoints2...
  • Page 68 Patch List Sub-category Sub-category Name Name 0134 Ky:024 D.Bar Org 6 0215 Ky:105 Ringy Vibes 0135 Ky:025 D.Bar Org 7 0216 Ky:106 Airie Vibez 0136 Ky:026 D.Bar Org 8 0217 Ky:107 JUNO Marimba 0137 Ky:027 Perc Organ 2 0218 Ky:108 Soft Marimba 0138 Ky:028...
  • Page 69 Patch List Sub-category Sub-category Name Name 0296 Gt:062 RichFretless 0377 Gt:143 OilDrum Bass 0297 Gt:063 NewAge Frtls 0378 Gt:144 Dust Bass 0298 Gt:064 P-Bass 0379 Gt:145 Glide-iator 0299 Gt:065 Roomy Bass 0380 Gt:146 Acid Punch 0300 Gt:066 All Round Bs 0381 Gt:147 Unison Bass...
  • Page 70 Patch List Sub-category Sub-category Name Name 0458 Oc:049 Wind & Str 2 0539 Br:061 Solo Sop Sax 0459 Oc:050 Farewell 0540 Br:062 JUNO AltoSax 0460 Oc:051 Orch & Horns 0541 Br:063 AltoLead Sax 0461 Oc:052 Soft Orch 1 0542 Br:064 FXM Alto Sax 0462 Oc:053...
  • Page 71 Patch List Name Sub-category Name Sub-category 0620 Sy:066 303 NRG 0701 Sy:147 Round SQR 0621 Sy:067 Feat Lead 0702 Sy:148 Big Planet 0622 Sy:068 Cell SquLead 0703 Sy:149 Wet Atax 0623 Sy:069 Theramax 1 0704 Sy:150 Houze Clavi 0624 Sy:070 Pulse Lead 1 0705 Sy:151...
  • Page 72 Patch List Name Sub-category Name Sub-category 0782 Sy:228 Power Synth 0863 Sy:309 Cosmic Pulse 0783 Sy:229 Hoover Again 0864 Sy:310 Faked Piano 0784 Sy:230 Alpha Said.. 0865 Sy:311 JUNO Crystal 0785 Sy:231 Ravers Awake 0866 Sy:312 ResoSweep Dn 0786 Sy:232 Tekno Gargle 0867 Sy:313...
  • Page 73 Patch List Sub-category Sub-category Name Name 0944 Vo:061 Distant Sun 1025 Vo:142 Analog Bgrnd 0945 Vo:062 PG Chimes 1026 Wr:001 Sitar on C 0946 Vo:063 Saturn Rings 1027 Wr:002 JUNO Sitar 1 0947 Vo:064 Brusky 1028 Wr:003 JUNO Sitar 2 0948 Vo:065 2.2 Pad 1...
  • Page 74 Patch List Bank: GM Name Sub-category 0080 Gt:202 Finger Slap Sub-category 0081 Gt:203 Picked Bass Name 0082 Gt:204 Fretless Bs. 0001 Pf:111 Piano 1 0083 Gt:205 Slap Bass 1 0002 Pf:112 Piano 1w 0084 Gt:206 Slap Bass 2 0003 Pf:113 European Pf 0085 Gt:207...
  • Page 75 Patch List Sub-category Sub-category Name Name 0161 Sy:335 Doctor Solo 0242 Wr:104 Siren 0162 Sy:336 Natural Lead 0243 Wr:105 Train 0163 Sy:337 SequencedSaw 0244 Wr:106 Jetplane 0164 Sy:338 Syn.Calliope 0245 Wr:107 Starship 0165 Sy:339 Chiffer Lead 0246 Wr:108 Burst Noise 0166 Sy:340 Charang...

  • Page 76: Performance List

    Performance List Name Name Name Name Name Bass / Piano D-50Memories St Oct Lead Baby's Hand Voc:Di + Org Piano & Str Ambi Lead Personal Pad Leading D/A Voc:Di + Pad Big & Proud Rock Organ Eden Gardens Horizon Seq:Template Whale Pad Notre-Dame Space Tale...

  • Page 77: Drum Kit Assign List

    Drum Kit Assign List DS: 0001. StudioKt DS1 DS: 0002. StudioKt DS2 DS: 0003. EEU-Oriental DS: 0004. 808 Kit DS: 0005. 909 Kit ----- ----- BB2-SlideBs1 ----- ----- MC-500 Beep1 MC-500 Beep1 BB2-SlideBs2 ----- ----- MC-500 Beep2 MC-500 Beep2 FG.TR909Clap ----- ----- Concert SD...
  • Page 78 Performance List DS: 0006. StudioKt DS1 DS: 0007. StudioKt DS2 DS: 0008. EEU-Oriental DS: 0009. 808 Kit ----- ----- ----- 909 Kick ----- ----- ----- FingerSnaps ----- ----- ----- Id Snare ----- ----- ----- Fat Kick ----- ----- ----- Gospel Clap ----- ----- -----...
  • Page 79 Performance List PRST: 0001. Pop Kit 1 PRST: 0002. Rock Kit PRST: 0003. Brush Jz Kit PRST: 0004. HipHop Kit PRST: 0005. R&B Kit ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- -----...
  • Page 80 Performance List PRST: 0006. Dance Kit 1 PRST: 0007. Dance Kit 2 PRST: 0008. Dance Kit 3 PRST: 0009. Pop Kit 2 PRST: 0010. Dance Kit 4 ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- -----...
  • Page 81 Performance List PRST: 0011. Ambi Pop 1 PRST: 0012. Ambi Rock PRST: 0013. Ambi BrushJz PRST: 0014. Ambi HipHop PRST: 0015. Ambi R&B ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- -----...
  • Page 82 Performance List PRST: 0016. Ambi Dance 1 PRST: 0017. Ambi Dance 2 PRST: 0018. Ambi Dance 3 PRST: 0019. Ambi Pop 2 PRST: 0020. Ambi Dance 4 ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- -----...
  • Page 83 Performance List PRST: 0021. Latin Menu GM: 0001. GM2 STANDARD GM: 0002. GM2 ROOM GM: 0003. GM2 POWER GM: 0004. GM2 ELECTRIC ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- -----...
  • Page 84 Performance List GM: 0005. GM2 ANALOG GM: 0006. GM2 JAZZ GM: 0007. GM2 BRUSH GM: 0008. GM2 ORCHSTRA GM: 0009. GM2 SFX ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- -----...

  • Page 85: Rhythm Pattern List

    Rhythm Pattern List Group Pattern Group Pattern Group Pattern Group Pattern 1-a (120) 9-a (125) 1 (140) 1-a (80) 1-b (120) 9-b (125) 2 (140) 1-b (80) 1-c (120) 9-c (125) 3 (140) 1-c (80) 1-d (120) 9-d (125) 4 (140) 1-d (80) Pop 1 Pop 8...

  • Page 86: Pattern List

    Pattern List Name Name Name Name Chiptune 1 Pop EDM 5 Electro 1 Trap 5 Chiptune 2 Pop EDM 6 Electro 2 Trap 6 Synth Pop 1 Pop EDM 7 TechHouse 1 House 1 Synth Pop 2 Drum&Bass 1 TechHouse 2 House 2 Pop EDM 1 Drum&Bass 2...

  • Page 87: Placing This Unit On A Stand

    Top view If you’re using the 88-key model If you want to place the 88-key model on a stand, please use the KS-12, KS-18Z, KS-J8, or KS-G8B stands manufactured by Roland. KS-12 Adjust the width of the stand so...
  • Page 88 Placing This Unit on a Stand KS-G8B Align the front of the JUNO-DS with the rubber base of the stand 5 Keep the rubber feet of the JUNO-DS on the inside of the stand 5 Ensure that the rubber base of the stand does not contact the screws of the JUNO-DS Top view...

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