Roland RM-700 Midi Implementation Manual page 24

●0151: Modulation Delay
Adds modulation to the delayed sound.
No Parameter Value
1 Delay Left 0 - 1 ms, note
Mode
2 Delay Left 0 - 127 1-1270 ms
3 Delay Left 0 - 21 note
4 Delay Right 0 - 1 ms, note
Mode
5 Delay Right 0 - 127 1-1270 ms
6 Delay Right 0 - 21 note
7 Feedback Mode 0 - 1 Normal, Cross
8 Feedback 49 - 89 0- +80 %
9 HF Damp 0 - 17 200-8000 Hz,
Bypass
10 Rate Mode 0 - 1 Hz, note
11 Rate 1 - 127 0.05-10.00 Hz
12 Rate 0 - 21 note
13 Depth #1 0 - 127 0-127
14 Phase 0 - 90 0-180 deg
15 Low Gain 0 - 30 -15- +15 dB
16 High Gain 0 - 30 -15- +15 dB
17 Balance #2 0 - 100 D100:0W-
D0:100W
18 Level 0 - 127 0-127
●0152: Triple Tap Delay
Produces three delay sounds; center, left and right.
No Parameter Value
1 Delay Left 0 - 1 ms, note
Mode
2 Delay Left 0 - 127 1-2540 ms
3 Delay Left 0 - 21 note
4 Delay Right 0 - 1 ms, note
Mode
5 Delay Right 0 - 127 1-2540 ms
6 Delay Right 0 - 21 note
7 Delay Center 0 - 1 ms, note
Mode
8 Delay Center 0 - 127 1-2540 ms
9 Delay Center 0 - 21 note
10 Center 49 - 89 0- +80 %
Feedback #1
11 HF Damp 0 - 17 200-8000 Hz,
Bypass
12 Left Level 0 - 127 0-127
13 Right Level 0 - 127 0-127
14 Center Level 0 - 127 0-127
15 Low Gain 0 - 30 -15- +15 dB
16 High Gain 0 - 30 -15- +15 dB
17 Balance #2 0 - 100 D100:0W-
D0:100W
18 Level 0 - 127 0-127
●0157: 3D Delay
This applies a 3D effect to the delay sound. The delay sound will be positioned 90 degrees
left and 90 degrees right.
No Parameter Value
1 Delay Left 0 - 1 ms, note
Mode
2 Delay Left 0 - 127 1-2540 ms
3 Delay Left 0 - 21 note
4 Delay Right 0 - 1 ms, note
Mode
5 Delay Right 0 - 127 1-2540 ms
6 Delay Right 0 - 21 note
24
Description
When this is set to "note," the effect is
synchronized with the tempo.
Adjusts the time until the delay
sound is heard. (Hz)
Adjusts the time until the delay
sound is heard. (note)
Settings of the Delay R
The parameters are the same as for
the Delay L.
Selects the way in which delay sound
is fed back into the effect (See the
figures above.)
Adjusts the amount of the delay
sound that's fed back into the effect.
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you don't want to filter out any
high frequencies, set this parameter
to Bypass.
When this is set to "note," the effect is
synchronized with the tempo.
Frequency of modulation (Hz)
Frequency of modulation (note)
Depth of modulation
Spatial spread of the sound
Gain of the low frequency range
Gain of the high frequency range
Volume balance between the direct
sound (D) and the delay sound (W)
Output level
Description
When this is set to "note," the effect is
synchronized with the tempo.
Adjusts the time until the delay
sound is heard. (Hz)
Adjusts the time until the delay
sound is heard. (note)
Settings of the Delay R
The parameters are the same as for
the Delay L.
Settings of the Delay C
The parameters are the same as for
the Delay L.
Adjusts the amount of the delay
sound that's fed back into the effect.
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you do not want to filter out
any high frequencies, set this
parameter to Bypass.
Volume of each delay
Volume of each delay
Volume of each delay
Gain of the low frequency range
Gain of the high frequency range
Volume balance between the direct
sound (D) and the delay sound (W)
Output level
Description
When this is set to "note," the effect is
synchronized with the tempo.
Adjusts the delay time from the
direct sound until the delay sound is
heard. (Hz)
Adjusts the delay time from the
direct sound until the delay sound is
heard. (note)
Settings of the Delay R
The parameters are the same as for
the Delay 1.
No Parameter Value
7 Delay Center 0 - 1 ms, note
Mode
8 Delay Center 0 - 127 1-2540 ms
9 Delay Center 0 - 21 note
10 Center 49 - 89 0- +80 %
Feedback #1
11 HF Damp 0 - 17 200-8000 Hz,
Bypass
12 Left Level 0 - 127 0-127
13 Right Level 0 - 127
14 Center Level 0 - 127
15 Output Mode 0 - 1 Speaker,
Phones
16 Low Gain 0 - 30 -15- +15 dB
17 High Gain 0 - 30 -15- +15 dB
18 Balance #2 0 - 100 D100:0W-
D0:100W
19 Level 0 - 127 0-127
●0159: Tape Echo
A virtual tape echo that produces a realistic tape delay sound. This simulates the tape echo
section of a Roland RE-201 Space Echo.
No Parameter Value
1 Mode 0 - 6 S, M, L, S+M,
S+L, M+L,
S+M+L
2 Repeat Rate #1 0 - 127 0-127
3 Intensity 0 - 127 0-127
4 Bass 0 - 30 -15- +15 dB
5 Treble 0 - 30 -15- +15 dB
6 Head S Pan 0 - 127 L64-63R
7 Head M Pan 0 - 127
8 Head L Pan 0 - 127
9 Tape Distortion 0 - 5 0-5
10 Wow/Flutter 0 - 127 0-127
Rate
11 Wow/Flutter 0 - 127 0-127
Depth
12 Echo Level #2 0 - 127 0-127
13 Direct Level 0 - 127 0-127
14 Level 0 - 127 0-127
●015a: Reverse Delay
This is a reverse delay that adds a reversed and delayed sound to the input sound. A tap
delay is connected immediately after the reverse delay.
No Parameter Value
1 Threshold 0 - 127 0-127
2 Rev Delay 0 - 1 ms, note
Mode
3 Rev Delay Time 0 - 127 1-1270 ms
#1
4 Rev Delay Time 0 - 21 note
5 Rev Delay 49 - 89 0- +80 %
Feedback
6 Rev Delay HF 0 - 17 200-8000 Hz,
Damp Bypass
7 Rev Delay Pan 0 - 127 L64-63R
Description
Settings of the Delay C
The parameters are the same as for
the Delay 1.
Adjusts the proportion of the delay
sound that is fed back into the effect.
Adjusts the frequency above which
sound fed back to the effect will be
cut. If you do not want to cut the high
frequencies, set this parameter to
Bypass.
Output level of the delay sound
Adjusts the method that will be used
to hear the sound that is output to the
OUTPUT jacks. The optimal 3D effect
will be achieved if you select
Speaker when using speakers, or
Phones when using headphones.
Gain of the low range
Gain of the high range
Volume balance between the direct
sound (D) and the effect sound (W)
Output Level
Description
Combination of playback heads to
use
Select from three different heads
with different delay times.
S: short
M: middle
L: long
Tape speed
Increasing this value will shorten the
spacing of the delayed sounds.
Amount of delay repeats
Boost/cut for the lower range of the
echo sound
Boost/cut for the upper range of the
echo sound
Independent panning for the short,
middle, and long playback heads
Amount of tape-dependent
distortion to be added
This simulates the slight tonal
changes that can be detected by
signal-analysis equipment.
Increasing this value will increase the
distortion.
Speed of wow/flutter (complex
variation in pitch caused by tape
wear and rotational irregularity)
Depth of wow/flutter
Volume of the echo sound
Volume of the original sound
Output level
Description
Volume at which the reverse delay
will begin to be applied
When this is set to "note," the effect is
synchronized with the tempo.
Delay time from when sound is input
into the reverse delay until the delay
sound is heard (Hz)
Delay time from when sound is input
into the reverse delay until the delay
sound is heard (note)
Proportion of the delay sound that is
to be returned to the input of the
reverse delay
Frequency at which the high-
frequency content of the reverse-
delayed sound will be cut (Bypass:
no cut)
Panning of the reverse delay sound