Roland RM-700 Midi Implementation Manual page 19

Digital piano midi implementation
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No
Parameter
Value
9
Feedback
0 - 98
-98- +98 %
10
Low Gain
0 - 30
-15- +15 dB
11
High Gain
0 - 30
-15- +15 dB
12
Balance
0 - 100
D100:0W-
D0:100W
13
Level
0 - 127
0-127
●0127: 3D Flanger
This applies a 3D effect to the flanger sound. The flanger sound will be positioned 90
degrees left and 90 degrees right.
No
Parameter
Value
1
Filter Type
0 - 2
Off, Lpf, Hpf
2
Cutoff Freq
0 - 16
200-8000 Hz
3
Pre Delay
0 - 125
0.0-100.0 ms
4
Rate Mode
0 - 1
Hz, note
5
Rate #1
1 - 127
0.05-10.00 Hz
6
Rate
0 - 21
note
7
Depth #2
0 - 127
0-127
8
Phase
0 - 90
0-180 deg
9
Feedback
0 - 98
-98- +98 %
10
Output Mode
0 - 1
Speaker,
Phones
11
Low Gain
0 - 30
-15- +15 dB
12
High Gain
0 - 30
-15- +15 dB
13
Balance
0 - 100
D100:0W-
D0:100W
14
Level
0 - 127
0-127
●0128: 2Band Flanger
A flanger that lets you apply an effect independently to the low-frequency and high-
frequency ranges.
No
Parameter
Value
1
Split Freq
0 - 16
200-8000 Hz
2
Low Pre Delay
0 - 125
0.0-100.0 ms
3
Low Rate Mode
0 - 1
Hz, note
4
Low Rate #1
1 - 127
0.05-10.00 Hz
5
Low Rate
0 - 21
note
6
Low Depth
0 - 127
0-127
7
Low Phase
0 - 90
0-180 deg
8
Low Feedback
0 - 98
-98- +98 %
9
High Pre Delay
0 - 125
0.0-100.0 ms
10
High Rate
0 - 1
Hz, note
Mode
11
High Rate #2
1 - 127
0.05-10.00 Hz
12
High Rate
0 - 21
note
13
High Depth
0 - 127
0-127
14
High Phase
0 - 90
0-180 deg
15
High Feedback
0 - 98
-98- +98 %
Description
Adjusts the proportion of the flanger
sound that is fed back into the effect.
Negative (-) settings will invert the
phase.
Gain of the low range
Gain of the high range
Volume balance between the direct
sound (D) and the flanger sound (W)
Output Level
Description
Type of filter
Off: No filter is used
Lpf: Cuts the frequency range above
the Cutoff Freq
Hpf: Cuts the frequency range below
the Cutoff Freq
Basic frequency of the filter
Adjusts the delay time from when
the direct sound begins until the
flanger sound is heard.
When this is set to "note," the effect is
synchronized with the tempo.
Frequency of modulation (Hz)
Frequency of modulation (note)
Depth of modulation
Spatial spread of the sound
Adjusts the proportion of the flanger
sound that is fed back into the effect.
Negative (-) settings will invert the
phase.
Adjusts the method that will be used
to hear the sound that is output to the
OUTPUT jacks. The optimal 3D effect
will be achieved if you select
Speaker when using speakers, or
Phones when using headphones.
Gain of the low range
Gain of the high range
Volume balance between the direct
sound (D) and the flanger sound (W)
Output Level
Description
Frequency at which the low and high
ranges will be divided
Delay time from when the original
sound is heard to when the low-
range flanger sound is heard
When this is set to "note," the effect is
synchronized with the tempo.
Rate at which the low-range flanger
sound is modulated (Hz)
Rate at which the low-range flanger
sound is modulated (note)
Modulation depth for the low-range
flanger sound
Spaciousness of the low-range
flanger sound
Proportion of the low-range flanger
sound that is to be returned to the
input (negative values invert the
phase)
Delay time from when the original
sound is heard to when the high-
range flanger sound is heard
When this is set to "note," the effect is
synchronized with the tempo.
Rate at which the high-range flanger
sound is modulated (Hz)
Rate at which the high-range flanger
sound is modulated (note)
Modulation depth for the high-range
flanger sound
Spaciousness of the high-range
flanger sound
Proportion of the high-range flanger
sound that is to be returned to the
input (negative values invert the
phase)
No
Parameter
Value
16
Balance
0 - 100
D100:0W-
D0:100W
17
Level
0 - 127
0-127
●0121: Auto Wah
Cyclically controls a filter to create cyclic change in timbre.
No
Parameter
Value
1
Filter Type
0 - 1
Lpf, Bpf
2
Manual #2
0 - 127
0-127
3
Peak
0 - 127
0-127
4
Sens
0 - 127
0-127
5
Polarity
0 - 1
Up, Down
6
Rate Mode
0 - 1
Hz, note
7
Rate #1
1 - 127
0.05-10.00 Hz
8
Rate
0 - 21
note
9
Depth
0 - 127
0-127
10
Phase
0 - 90
0-180 deg
11
Low Gain
0 - 30
-15- +15 dB
12
High Gain
0 - 30
-15- +15 dB
13
Level
0 - 127
0-127
●0103: Humanizer
Adds a vowel character to the sound, making it similar to a human voice.
No
Parameter
Value
1
Drive Sw
0 - 1
Off, On
2
Drive #2
0 - 127
0-127
3
Vowel1
0 - 4
a, e, i, o, u
4
Vowel2
0 - 4
a, e, i, o, u
5
Rate Mode
0 - 1
Hz, note
6
Rate
1 - 127
0.05-10.00 Hz
7
Rate #1
0 - 21
note
8
Depth
0 - 127
0-127
9
Input Sync Sw
0 - 1
Off, On
10
Input Sync
0 - 127
0-127
Threshold
11
Manual
0 - 100
0-100
12
Low Gain
0 - 30
-15- +15 dB
13
High Gain
0 - 30
-15- +15 dB
14
Pan
0 - 127
L64-63R
15
Level
0 - 127
0-127
Description
Volume balance of the original sound
(D) and flanger sound (W)
Output volume
Description
Type of filter
Lpf: The wah effect will be applied
over a wide frequency range.
Bpf: The wah effect will be applied
over a narrow frequency range.
Adjusts the center frequency at
which the effect is applied.
Adjusts the amount of the wah effect
that will occur in the range of the
center frequency.
Set a higher value for Q to narrow the
range to be affected.
Adjusts the sensitivity with which
the filter is controlled.
Sets the direction in which the
frequency will change when the
auto-wah filter is modulated.
Up: The filter will change toward a
higher frequency.
Down: The filter will change toward
a lower frequency.
When this is set to "note," the effect is
synchronized with the tempo.
Frequency of modulation (Hz)
Frequency of modulation (note)
Depth of modulation
Adjusts the degree of phase shift of
the left and right sounds when the
wah effect is applied.
Gain of the low range
Gain of the high range
Output Level
Description
Turns Drive on/off.
Degree of distortion
Also changes the volume.
Selects the vowel.
When this is set to "note," the effect is
synchronized with the tempo.
Frequency at which the two vowels
switch (Hz)
Frequency at which the two vowels
switch (note)
Effect depth
Determines whether the LFO for
switching the vowels is reset by the
input signal (ON) or not (OFF).
Volume level at which reset is
applied
Point at which Vowel 1/2 switch
49 or less: Vowel 1 will have a
longer duration.
50: Vowel 1 and 2 will be of equal
duration.
51 or more: Vowel 2 will have a
longer duration.
Gain of the low frequency range
Gain of the high frequency range
Stereo location of the output
Output level
19

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