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●0114: Guitar Amp Simulator
This is an effect that simulates the sound of a guitar amplifier.
No
Parameter
Value
1
Pre Amp Sw
0 - 1
Off, On
2
Pre Amp Type
0 - 13
JC-120,
#1
Clean Twin,
MATCH
Drive,
BG Lead,
MS1959I,
MS1959II,
MS1959I+II,
SLDN Lead,
Metal 5150,
Metal Lead,
OD-1,
OD-2 Turbo,
Distortion,
Fuzz
3
Pre Amp
0 - 127
0-127
Volume
4
Pre Amp
0 - 127
0-127
Master
5
Pre Amp Gain
0 - 2
Low, Middle,
High
6
Pre Amp Bass
0 - 127
0-127
7
Pre Amp
0 - 127
Middle
8
Pre Amp Treble
0 - 127
9
Pre Amp
0 - 127
0-127
Presence
(MATCH
Drive: -127 - 0)
10
Pre Amp Bright
0 - 1
Off, On
11
Speaker Sw
0 - 1
Off, On
12
Speaker Type
0 - 15
(See the table.)
#2
13
Mic Setting
0 - 2
1, 2, 3
14
Mic Level
0 - 127
0-127
15
Direct Level
0 - 127
0-127
16
Pan
0 - 127
L64-63R
17
Level
0 - 127
0-127
Specifications of each Speaker Type
The speaker column indicates the diameter of each speaker unit (in inches) and the number
of units.
Type
Cabinet
Small 1
Small open-back enclosure
Small 2
Small open-back enclosure
Middle
Open back enclosure
JC-120
Open back enclosure
Built-In 1
Open back enclosure
Built-In 2
Open back enclosure
Built-In 3
Open back enclosure
Built-In 4
Open back enclosure
Built-In 5
Open back enclosure
BG Stack 1
Sealed enclosure
BG Stack 2
Large sealed enclosure
MS Stack 1
Large sealed enclosure
MS Stack 2
Large sealed enclosure
Metal Stack
Large double stack
2-Stack
Large double stack
3-Stack
Large triple stack
●0120: Phaser
This is a stereo phaser. A phase-shifted sound is added to the original sound and
modulated.
No
Parameter
Value
1
Mode
0 - 2
4-Stage,
8-Stage,
12-Stage
2
Manual #2
0 - 127
0-127
3
Rate Mode
0 - 1
Hz, note
4
Rate #1
1 - 127
0.05-10.00 Hz
5
Rate
0 - 21
note
18
Description
Turns the amp switch on/off.
Type of guitar amp
Volume and amount of distortion of
the amp
Volume of the entire pre-amp
Amount of pre-amp distortion
Tone of the bass/mid/treble
frequency range
Middle cannot be set if "MATCH
Drive" is selected as the Pre Amp
Type.
Tone for the ultra-high frequency
range
Turning this "On" produces a
sharper and brighter sound.
This parameter applies to the "JC-
120," "Clean Twin," and "BG Lead"
Pre Amp Types.
Determines whether the signal
passes through the speaker (ON), or
not (OFF).
Type of speaker
Adjusts the location of the mic that's
capturing the sound of the speaker.
This can be adjusted in three steps,
from 1 to 3, with the mic becoming
more distant as the value increases.
Volume of the microphone
Volume of the direct sound
Stereo location of the output
Output level
Speaker
Microphone
10
Dynamic
10
Dynamic
12 x 1
Dynamic
12 x 2
Dynamic
12 x 2
Dynamic
12 x 2
Condenser
12 x 2
Condenser
12 x 2
Condenser
12 x 2
Condenser
12 x 2
Condenser
12 x 2
Condenser
12 x 4
Condenser
12 x 4
Condenser
12 x 4
Condenser
12 x 4
Condenser
12 x 4
Condenser
Description
Number of stages in the phaser
Adjusts the basic frequency from
which the sound will be modulated.
When this is set to "note," the effect is
synchronized with the tempo.
Frequency of modulation (Hz)
Frequency of modulation (note)
No
Parameter
Value
6
Depth
0 - 127
0-127
7
Polarity
0 - 1
Inverse,
Synchro
8
Resonance
0 - 127
0-127
9
Cross Feedback
0 - 98
-98- +98 %
10
Mix
0 - 127
0-127
11
Low Gain
0 - 30
-15- +15 dB
12
High Gain
0 - 30
-15- +15 dB
13
Level
0 - 127
0-127
●0129: Multi Stage Phaser
Extremely high settings of the phase difference produce a deep phaser effect.
No
Parameter
Value
1
Mode
0 - 5
4-Stage,
8-Stage,
12-Stage,
16-Stage,
20-Stage,
24-Stage
2
Manual #2
0 - 127
0-127
3
Rate Mode
0 - 1
Hz, note
4
Rate #1
1 - 127
0.05-10.00 Hz
5
Rate
0 - 21
note
6
Depth
0 - 127
0-127
7
Resonance
0 - 127
0-127
8
Mix
0 - 127
0-127
9
Pan
0 - 127
L64-63R
10
Low Gain
0 - 30
-15- +15 dB
11
High Gain
0 - 30
-15- +15 dB
12
Level
0 - 127
0-127
●012a: Infinite Phaser
A phaser that continues raising/lowering the frequency at which the sound is modulated.
No
Parameter
Value
1
Mode
0 - 3
1, 2, 3, 4
2
Speed #1
0 - 127
-100- +100
3
Resonance #2
0 - 127
0-127
4
Mix
0 - 127
0-127
5
Pan
0 - 127
L64-63R
6
Low Gain
0 - 30
-15- +15 dB
7
High Gain
0 - 30
-15- +15 dB
8
Level
0 - 127
0-127
●0123: Stereo Flanger
This is a stereo flanger. (The LFO has the same phase for left and right.) It produces a
metallic resonance that rises and falls like a jet airplane taking off or landing. A filter is
provided so that you can adjust the timbre of the flanged sound.
No
Parameter
Value
1
Filter Type
0 - 2
Off, Lpf, Hpf
2
Cutoff Freq
0 - 16
200-8000 Hz
3
Pre Delay
0 - 125
0.0-100.0 ms
4
Rate Mode
0 - 1
Hz, note
5
Rate #1
1 - 127
0.05-10.00 Hz
6
Rate
0 - 21
note
7
Depth #2
0 - 127
0-127
8
Phase
0 - 90
0-180 deg
Description
Depth of modulation
Selects whether the left and right
phase of the modulation will be the
same or the opposite.
Inverse: The left and right phase will
be opposite. When using a mono
source, this spreads the sound.
Synchro: The left and right phase
will be the same. Select this when
inputting a stereo source.
Amount of feedback
Adjusts the proportion of the phaser
sound that is fed back into the effect.
Negative (-) settings will invert the
phase.
Level of the phase-shifted sound
Gain of the low range
Gain of the high range
Output Level
Description
Number of phaser stages
Adjusts the basic frequency from
which the sound will be modulated.
When this is set to "note," the effect is
synchronized with the tempo.
Frequency of modulation (Hz)
Frequency of modulation (note)
Depth of modulation
Amount of feedback
Level of the phase-shifted sound
Stereo location of the output sound
Gain of the low range
Gain of the high range
Output Level
Description
Higher values will produce a deeper
phaser effect.
Speed at which to raise or lower the
frequency at which the sound is
modulated
(+: upward / -: downward)
Amount of feedback
Volume of the phase-shifted sound
Panning of the output sound
Amount of boost/cut for the low-
frequency range
Amount of boost/cut for the high-
frequency range
Output volume
Description
Type of filter
Off: No filter is used
Lpf: Cuts the frequency range above
the Cutoff Freq
Hpf: Cuts the frequency range below
the Cutoff Freq
Basic frequency of the filter
Adjusts the delay time from when
the direct sound begins until the
flanger sound is heard.
When this is set to "note," the effect is
synchronized with the tempo.
Frequency of modulation (Hz)
Frequency of modulation (note)
Depth of modulation
Spatial spread of the sound
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