Table of Contents
Advertisement
No
Parameter
Value
6
Anti Phase Mid
0 - 1
Off, On
Sw
7
Anti Phase Mid
0 - 127
0-127
Level
8
Low Boost Sw
0 - 1
Off, On
9
Low Boost
0 - 127
0-127
Level
10
Level
0 - 127
0-127
●0105: Low Boost
Boosts the volume of the lower range, creating powerful lows.
No
Parameter
Value
1
Boost
0 - 8
50-125 Hz
Frequency #1
2
Boost Gain #2
0 - 12
0- +12 dB
3
Boost Width
0 - 2
Wide, Mid,
Narrow
4
Low Gain
0 - 30
-15- +15 dB
5
High Gain
0 - 30
-15- +15 dB
6
Level
0 - 127
0-127
●0106: High Pass Filter
This is a filter with an extremely sharp slope. The cutoff frequency can be varied cyclically.
No
Parameter
Value
1
Filter Type
0 - 3
Lpf, Bpf, Hpf,
Notch
2
Filter Slope
0 - 2
-12, -24, -36 dB
3
Filter Cutoff #1
0 - 127
0-127
4
Filter
0 - 100
0-100
Resonance #2
5
Filter Gain
0 - 12
0- +12 dB
6
Modulation Sw
0 - 1
Off, On
7
Modulation
0 - 4
Tri, Sqr, Sin,
Wave
Saw1, Saw2
8
Rate Mode
0 - 1
Hz, note
9
Rate
1 - 127
0.05-10.00 Hz
10
Rate
0 - 21
note
11
Depth
0 - 127
0-127
12
Attack
0 - 127
0-127
13
Level
0 - 127
0-127
●0110: Overdrive
Creates a soft distortion similar to that produced by vacuum tube amplifiers.
No
Parameter
Value
1
Drive
0 - 127
0-127
2
Amp Type #1
0 - 3
Small,
Built-In,
2-Stack,
3-Stack
3
Low Gain
0 - 30
-15- +15 dB
4
High Gain
0 - 30
-15- +15 dB
5
Pan
0 - 127
L64-63R
6
Level #2
0 - 127
0-127
Description
Settings of the Anti-Phase function
for the Middle frequency ranges
The parameters are the same as for
the Low frequency ranges.
Turns Low Booster on/off.
This emphasizes the bottom to create
a heavy bass sound.
Increasing this value gives you a
heavier low end.
Depending on the Isolator and filter
settings this effect may be hard to
distinguish.
Output Level
Description
Center frequency at which the lower
range will be boosted
Amount by which the lower range
will be boosted
Width of the lower range that will be
boosted
Gain of the low frequency range
Gain of the high frequency range
Output level
Description
Filter type
Frequency range that will pass
through each filter
Lpf: Frequencies below the cutoff
Bpf: Frequencies in the region of the
cutoff
Hpf: Frequencies above the cutoff
Notch: Frequencies other than the
region of the cutoff
Amount of attenuation per octave
-36 dB: Extremely steep
-24 dB: Steep
-12 dB: Gentle
Cutoff frequency of the filter
Increasing this value will raise the
cutoff frequency.
Filter resonance level
Increasing this value will emphasize
the region near the cutoff frequency.
Amount of boost for the filter output
On/off switch for cyclic change
How the cutoff frequency will be
modulated
Tri: Triangle wave
Sqr: Square wave
Sin: Sine wave
Saw1: Sawtooth wave (upward)
Saw2: Sawtooth wave (downward)
When this is set to "note," the effect is
synchronized with the tempo.
Rate of modulation (Hz)
Rate of modulation (note)
Depth of modulation
Speed at which the cutoff frequency
will change
This is effective if Modulation Wave
is SQR, SAW1, or SAW2.
Output level
Description
Degree of distortion
Also changes the volume.
Type of guitar amp
Small: small amp
Built-In: single-unit type amp
2-Stack: large double stack amp
3-Stack: large triple stack amp
Gain of the low range
Gain of the high range
Stereo location of the output sound
Output Level
●0111: Distortion
Produces a more intense distortion than Overdrive. The parameters are the same as for
"Overdrive."
●0112: Overdrive2
This is an overdrive that provides heavy distortion.
No
Parameter
Value
1
Drive
0 - 127
0-127
2
Tone
0 - 127
0-127
3
Amp Sw
0 - 1
Off, On
4
Amp Type #1
0 - 3
Small,
Built-In,
2-Stack,
3-Stack
5
Low Gain
0 - 30
-15- +15 dB
6
High Gain
0 - 30
-15- +15 dB
7
Pan
0 - 127
L64-63R
8
Level #2
0 - 127
0-127
●0113: Distortion2
This is a distortion effect that provides heavy distortion. The parameters are the same as for
"Overdrive2."
●0107: Speaker Simulator
Simulates the speaker type and mic settings used to record the speaker sound.
No
Parameter
Value
1
Speaker Type
0 - 15
(See the table.)
#1
2
Mic Setting
0 - 2
1, 2, 3
3
Mic Level
0 - 127
0-127
4
Direct Level
0 - 127
0-127
5
Level #2
0 - 127
0-127
Specifications of each Speaker Type
The speaker column indicates the diameter of each speaker unit (in inches) and the number
of units.
Type
Cabinet
Small 1
Small open-back enclosure
Small 2
Small open-back enclosure
Middle
Open back enclosure
JC-120
Open back enclosure
Built-In 1
Open back enclosure
Built-In 2
Open back enclosure
Built-In 3
Open back enclosure
Built-In 4
Open back enclosure
Built-In 5
Open back enclosure
BG Stack 1
Sealed enclosure
BG Stack 2
Large sealed enclosure
MS Stack 1
Large sealed enclosure
MS Stack 2
Large sealed enclosure
Metal Stack
Large double stack
2-Stack
Large double stack
3-Stack
Large triple stack
Description
Degree of distortion
Also changes the volume.
Sound quality of the Overdrive effect
Turns the Amp Simulator on/off.
Type of guitar amp
Small: small amp
Built-In: single-unit type amp
2-Stack: large double stack amp
3-Stack: large triple stack amp
Gain of the low range
Gain of the high range
Stereo location of the output sound
Output Level
Description
Type of speaker
Adjusts the location of the mic that is
recording the sound of the speaker.
This can be adjusted in three steps,
with the mic becoming more distant
in the order of 1, 2, and 3.
Volume of the microphone
Volume of the direct sound
Output Level
Speaker
Microphone
10
Dynamic
10
Dynamic
12 x 1
Dynamic
12 x 2
Dynamic
12 x 2
Dynamic
12 x 2
Condenser
12 x 2
Condenser
12 x 2
Condenser
12 x 2
Condenser
12 x 2
Condenser
12 x 2
Condenser
12 x 4
Condenser
12 x 4
Condenser
12 x 4
Condenser
12 x 4
Condenser
12 x 4
Condenser
17
Advertisement
Table of Contents
