Cosm Overdrive/Distortion; Cosm Preamp&Speaker - Boss BR-1200CD Owner's Manual

COSM Overdrive/Distortion

This effect distorts the sound to create long sustain
On/Off
Turns the Overdrive/Distortion effect on or off.
Type
Selects the type of distortion.
BLUESOD This is a crunch sound of the BOSS BD-2.
This is the high-gain overdrive sound of
TURBOOD
the BOSS OD-2.
This is a wide-range overdrive much
like the BOSS ODB-3 which extends into
BASS OD
the low end.
(COSM OD BASS AMP only)
This is a booster that works very well
BOOSTER with COSM amps.
(COSM OD GUITAR AMP only)
This gives a basic, traditional distortion
DISTORT
sound.
This models a Proco RAT.
AMERCAN
(COSM OD GUITAR AMP only)
GUV DS This models an Marshall GUV' NOR.
This is the sound of the BOSS OD-1.
OD-1
(COSM OD GUITAR AMP only)
This models an Ibanez TS-808.
TSCREAM
(COSM OD GUITAR AMP only)
This models an MXR DISTORTION+.
DST+
(COSM OD GUITAR AMP only)
60S FUZ This models a FUZZFACE.
This models an ACETONE FUZZ.
OCT FUZ
This models an Electro-Harmonix Big
MUF FUZ
Muff π.
MT-2 This is the sound of the BOSS MT-2.
This models a ROCKMAN.
R-MAN
(COSM OD GUITAR AMP only)
This creates a heavier distortion sound.
HVY MTL
(COSM OD GUITAR AMP only)
Drive
Adjusts the depth of distortion.
Bass
Adjusts the tone for the low frequency range.
Treble
Adjusts the tone for the high frequency range.
Level
Adjusts the overall volume of the overdrive/distortion sound.
Effect Level 0–100 (COSM OD BASS AMP only)
Direct Level 0–100 (COSM OD BASS AMP only)
This adjusts the volume level for the effect sound and for the direct
sound.
COSM PreAmp&Speaker
COSM technology plays an indispensable role in simulating
the distinguishing characteristics of various guitar amps in
OFF, ON
the "Preamp" section, and is also used to simulate various
speaker sizes and cabinet constructions in the "Speaker
Simulator."
On/Off
Turns the Preamp/Speaker Simulator effect on or off.
■ When "COSM OD GUITAR AMP"
algorithm is selected
Type
This sets the type of the guitar preamp. The distortion and tone
characteristics of each amp are as shown below:
JC-120
JAZZCMB
FULLRNG
CLEANTW
PROCRNC
TWEED
CRUNCH
BLUES
STKCRNC
VO DRV
VO LEAD
VOCLEAN
MCH DRV
MCHLEAD
FAT MCH
0–100
BG LEAD
BG DRV
-50–+50
BG RHY
-50–+50
MS(1)
MS(1+2)
0–100
MS HI-G
RF RED
RF ORNG
RF VNTG
SLDN
DRV STK
LEADSTK
Insert effect parameter functions
The sound of the Roland JC-120.
The sound suited to jazz.
This is a sound with flat response.
This models a Fender Twin Reverb.
This models a Fender Pro Reverb.
This models a Fender Bassman 4 x 10" Combo.
This is a crunch sound that can produce
natural distortion.
This is a sound suited to blues.
This is a crunch sound with high gain.
This models the drive sound of a VOX AC-
30TB.
This models the lead sound of the VOX AC-
30TB.
This models the clean sound of the VOX AC-
30TB.
This models the sound input to left input on a
Matchless D/C-30.
This models the sound input to right input on
a Matchless D/C-30.
This models the sound of a MATCHLESS with
a modified high gain.
This models the lead sound of the MESA/
Boogie combo amp.
This models a MESA/Boogie with TREBLE
SHIFT SW on.
This models the rhythm channel of a MESA/
Boogie.
This models the sound input to Input I on a
Marshall 1959.
This models the sound of a Marshall 1959 with
Inputs I and II connected in parallel.
This models the sound of a Marshall with a
modified midrange boost.
This models the lead channel of a MESA/
Boogie Dual Rectifier.
This models the rhythm channel of a MESA/
Boogie Dual Rectifier.
This models a MESA/Boogie Rectifier with
VINTAGE SW on.
This models a Soldano SLO-100.
This is a drive sound with high gain.
This is a lead sound with high gain.
OFF, ON
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