Page 1: How To Use This Manual
• Reference such as (p. **) indicate pages in this manual to which you can refer. Copyright © 2003 BOSS CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of BOSS CORPORATION. The BR-1600CD’s USB function is not compatible with Mac OS X.
Page 2: Using The Unit Safely
USING THE UNIT SAFELY symbol alerts the user to important instructions Used for instructions intended to alert or warnings.The specific meaning of the symbol is the user to the risk of death or severe determined by the design contained within the injury should unit...
Page 3 012b 101b • Immediately turn the power off, remove the AC • The unit and the AC adaptor should be located so adaptor from the outlet, and request servicing by their location or position does not interfere with your retailer, the nearest Roland Service Center, or their proper ventilation.
Page 4: Important Notes
IMPORTANT NOTES 291a In addition to the items listed under “USING THE UNIT SAFELY” on page 2–3, please read and observe the following: Power Supply Maintenance 401a • Do not connect this unit to same electrical outlet that is • For everyday cleaning wipe the unit with a soft, dry cloth being used by an electrical appliance that is controlled by or one that has been slightly dampened with water.
Page 5: About The License Agreement
• Any loss of profit that may occur to you • Permanent loss of your music or data • Unauthorized recording, distribution, sale, lending, public • Inability to continue using the BR-1600CD itself or a performance, broadcasting, or the like, in whole or in part, connected device...
Page 6: Precautions Regarding The Hard Disk
If the device includes a cooling fan, ensure that the fan and the side panel air vents remain unobstructed. ● Do not block the ventilation holes provided in the case as this can result in the temperature inside the BR-1600CD rising, and this will drastically reduce the hard disk's lifespan.
Page 7: Before Using Cd-R/Rw Discs
Two different types of recordable disc can be used with the To avoid the risk of malfunction and/or damage, insert BR-1600CD—namely, CD-R discs and CD-RW discs. only CD-R/RW discs into the disc drive. Never insert any other type of disc. Avoid getting paper clips, coins, What is a CD-R disc? or any other foreign objects inside the drive.
Page 8 * As a certain amount of force must be applied for insertion, always confirm that the CD-R/RW disc has been correctly inserted. Failure to properly and fully insert a disc can result in an inability to carry out writing correctly. 5. Press disc tray until it is locked in the BR-1600CD.
Page 9: About The Cd-Rom "Discrete Drums
1600CD, you can easily use the Loop Phrase functions and add the audio to your tracks without using this CD-ROM. However, in case you initialize your hard disk drive in the BR-1600CD, or accidentally erase the User Loop Phrases, you can recover all of the factory-installed Loop Phrases by importing them from this CD-ROM.
Page 10: Table Of Contents
IMPORTANT NOTES ................4 Precautions Regarding the Hard Disk ..........6 Before Using CD-R/RW Discs ..............7 About the CD-ROM “Discrete Drums” ..........9 Contents ....................10 Introduction to the BR-1600CD............22 Main Features..........................22 Panel Descriptions................24 Control Surface......................... 24 CD-R/RW drive .......................... 30 Display ............................31 Rear Panel ..........................
Page 11 Contents Section 1 Advanced Use ....41 Re-recording only the portion that is mistaken (Punch In/Out) ..42 Manual punch in and punch out....................42 Performing manual punch in and punch out using [REC]............. 42 Performing manual punch in and punch out using a foot switch......... 43 Auto punch in and punch out....................
Page 12 Removing song protection......................71 Naming a song (Song Name)....................72 Saving your song (Song Save)....................72 Section 2 Using Effects ....73 Makeup of BR-1600CD effects .............74 Using insert effects................76 Effect patches and banks ......................76 Makeup of effect patches......................77 Modifying insert effect settings....................
Page 13 Contents 6. BASS MULTI..........................86 7. COSM BASS AMP........................86 8. COSM COMP BASS AMP......................87 BANK: MIC..........................87 9. VOCAL MULTI ......................... 87 10. VOICE TRANSFORMER ....................... 87 11. COSM VOCAL COMP ......................87 12. MIC MODELING ........................88 BANK: STEREO ........................
Page 14 Contents Pitch Shifter..........................102 Preamp............................. 103 Ring Modulator ........................104 Short Delay..........................104 Slow Gear ..........................104 Speaker Simulator ........................104 Sub Equalizer .......................... 105 Tremolo............................ 105 Tremolo/Pan ..........................105 Uni-V ............................105 Vibrato ............................. 106 Voice Transformer ........................106 Wah ............................
Page 15 Contents Recreating the characteristics of different monitor speakers (Speaker Modeling) ......123 Makeup of Speaker Modeling ....................123 Connecting external monitor speakers ................123 Speaker Modeling patches ....................124 Using Speaker Modeling ......................124 Turning off Speaker Modeling ....................124 Modifying Speaker Modeling settings .................. 124 Saving Speaker Modeling settings (Patch Write) ..............
Page 16 Contents Section 3 Using Rhythm ....145 Makeup of Drum/Bass/Loop Phrase ..........146 Drums ............................146 Bass ............................146 Loop Phrases .......................... 147 Rhythm arrangements................148 Pattern mode and Arrange mode ..................148 Using drums ..................149 Setting the track type ......................149 Playing drum sounds ......................
Page 17 Contents Copying bass patterns ......................173 Deleting bass patterns ......................174 Loading bass patterns from the CD-R/RW drive (SMF Import) .......... 174 Using Loop Phrases ................176 Setting the track type ......................176 Playing Loop Phrases ......................176 Selecting a Loop Phrase ......................177 Changing the Loop Phrase tempo ..................
Page 18 Contents Using a metronome ................199 Setting the track type ......................199 Playing a metronome ......................199 Selecting metronome sounds ....................200 Selecting outputs for the metronome................... 200 Section 4 Using the CD-R/RW Drive ... 203 Using the CD-R/RW drive to exchange data........204 Storing of songs and other hard-disk data to CD-R/RW discs (Backup) ......
Page 19 Synchronizing a MIDI sequencer to the playback time using MTC ........226 Changing the TIME field display....................228 Synchronizing a MIDI device by recording its tempo changes on the BR-1600CD (Sync Track) ........228 Setting the starting time of synchronization (Sync Offset) ..........230 Controlling MMC-compatible devices from the BR-1600CD...231 Controlling track volumes via MIDI (MIDI Fader) ......232...
Page 20 Changing the content of the level meter display (Pre/Post Fader) ...263 Using condenser microphones (Phantom Power)......264 Mixing audio-device output with the BR-1600CD’s output (Audio Sub Mix) ........266 Initializing all BR-1600CD settings (Initialize) ........267 Performing hard disk operations ............269 Viewing information about the hard disk (Hard Disk Information) ........269 Initializing the hard disk (Disk Initialize)................
Page 21 Contents Appendices ........ 273 Troubleshooting..................274 Error Messages ...................277 Operation of the INPUT SELECT buttons .........280 Internal connection diagrams for each INPUT SELECT condition ........281 When [GUITAR/BASS] is selected ..................281 When [VOCAL] is selected ......................282 When [SIMUL] is selected......................282 When [MULTI-TRACKS] is selected..................
Page 22: Introduction To The Br-1600Cd
CD, you will be able to put the sounding recordings using just the BR-1600CD—without BR-1600CD to use as soon as you take it out of the box. having to rely on external effects processors. In addition...
Page 23: Chromatic Tuner
Introduction to the BR-1600CD ■ Saving of mixer settings ■ Loop phrase functionality The term Scene is used to describe a batch of BR-1600CD The BR-1600CD lets you import commercially available mixer and effect settings, and up to 100 scenes can be set loop phrase data using the CD- R/RW drive and then up and stored for each song.
Page 24: Panel Descriptions
Panel Descriptions Control Surface fig.05-01a 1. INPUT SENS knobs 4. INPUT SELECT buttons These knobs are used to adjust the sensitivity of the Use these buttons to select the input source (input jack) that corresponding input jacks. Note that the INPUT SENS 1 you wish to record.
Page 25 Use this button to position a marker at any point within your 5. EFFECTS button song. Each time this button is pressed, the BR-1600CD will place a marker at the current position. Use this button to select an insert effects’ patch (p. 74) and to Markers are numbered in sequence from the beginning of the call up the screen for editing effects settings and the like.
Page 26: Repeat Button
Panel Descriptions fig.05-01b 16 17 18 11. AUTO PUNCH IN/OUT 12. ZERO button The AUTO PUNCH IN/OUT section is used to make settings Press to jump to the very beginning of the song. for the auto punch in/out function. 13. REW button ON/OFF button: This button is used to turn the auto punch function on and The song will rewind while you hold down this button.
Page 27: Reverb Button
This button’s indicator will turn red and Furthermore, they can also be used to select drum and/or bass- begin to flash when the BR-1600CD is standing by to start guitar sounds when you are creating a drum pattern or a bass recording, and this will change to a steady red when pattern.
Page 28: Edit Button
(V-LINK)” (p. 235) Operation; p. 20). 31. ARRANGEMENT/PATTERN button • If a track being recorded is muted, the BR-1600CD will automatically cancel muting when recording has ended. Use this button to switch between Arrange mode and Pattern • Track Mute is not enabled for tracks other than those mode for rhythm arrangements.
Page 29: Cursor Buttons
Calls up a wide range of functions such as track editing, 48. HD ACCESS indicator organization of songs, and the like. This indicator will light up whenever the BR-1600CD is 40. UNDO/REDO button reading or writing on the hard disk.
Page 30: Cd-R/Rw Drive
CD-R/RW drive fig.05-02 The BR-1600CD uses this drive unit to read from, write to, and play CD-R/RW discs. Before you use the CD-R/RW drive, it is important that you first of all read “Before Using CD-R/RW Discs” (p. 7). 1. Disc tray 3.
Page 31: Display
” will also be displayed. one type of MIDI Time Code (MTC) specification, and if you want to operate the BR-1600CD and other MIDI devices in 2. Metronome icon synchrony with each other, all must be set to the exact same MTC specification.
Page 32: Rear Panel
8 13 1. POWER switch 6. USB connector Use this switch to turn the BR-1600CD on and off (Basic Plug a USB cable into this connector when you want to Operation; p. 8). exchange data between the BR-1600CD and a PC.
Page 33 Use this jack to connect a separately sold foot switch (such as These input jacks and connectors are used with line sources the Roland DP-2 or BOSS FS-5U). With a foot switch and microphones. Each input can accept two different types connected, you can use it to carry out remote-control of connections—namely, an unbalanced connection using the...
Page 34: Front Panel
Panel Descriptions Front Panel fig.05-05 1. GUITAR/BASS jack 4. PHONES 2 jack This high-impedance input jack is used to directly connect Use this jack to connect a second set of separately sold guitar or bass. headphones. 5. PHONES 2 VOLUME knob The INPUT 1/MIC 1 jack (or XLR connector) and the GUITAR/BASS jack share the same internal circuitry, Adjusts the volume for headphones connected to the...
Page 35: Extra Information On Jacks And Connectors
[MULTI-TRACK], or [STEREO TRACKS] is currently turned on. used to directly connect guitar or bass. If you want to use the BR-1600CD’s MIC bank effects as an You can use this jack whenever INPUT SELECT [GUITAR/ insert effect for a vocal mic, connect the microphone to this BASS], [MULTI-TRACK], or [STEREO TRACKS] is currently input, and then press [VOCAL] from INPUT SELECT.
Page 36: Output Jacks And Connectors
MIDI IN connector The LINE OUT jacks (stereo RCA phono plug type) are used to output audio in stereo and at line level. The BR-1600CD’s This 5-pin DIN type connector is used to receive MIDI data playback audio, performance of drum, bass, Loop Phrase, from other MIDI devices such as rhythm machines and and monitored input will all be mixed into this output signal.
Page 37: Usb Connector
Be sure, therefore, to loop the AC adaptor’s cord around the cord hook to prevent it being accidentally pulled out The BR-1600CD can be used neither as a USB host nor a during operation of the BR-1600CD. USB hub. As a result, you will not be able to use the USB connector to access external hard disks, CD-R/RW drives, or other similar types of USB device.
Page 38: Common Operations And Display Items
Note that different devices use Cursor different MTC specifications. If you want to synchronize the BR-1600CD with another MIDI device using MTC, you will first of all need to set both to the same MTC specification. At the time of purchase, the number of frames per second will initially be set to 30 (non- drop) on the BR-1600CD.
Page 39: Page Scroll Buttons
When you see a scroll bar at the right of the screen, it means that the BR-1600CD could not fit all of the relevant content in one screen, and there is additional content hidden at the top or the bottom.
Page 40: Time/Value Dial
Common operations and display items TIME/VALUE dial fig.06-05 The TIME/VALUE dial is used to change the cursor position, values, or characters. In the case of values, these are increased when the dial is turned clockwise, and reduced when the dial is turned counterclockwise. VALUE 1/PAN, VALUE 2, VALUE 3, and VALUE 4 knobs fig.06-07 These knobs can be used to change the values of parameters...
Page 41: Section 1 Advanced Use
Section 1 Section 1 Advanced Use Advanced...
Page 42: Re-Recording Only The Portion That Is Mistaken (Punch In/Out)
[REC] to punch in and start recording. out. If you are both playing the instrument and operating the BR-1600CD, it can often be difficult to press [REC] at the To punch out after recording, press either [REC] or right time. In such a case, a foot switch (such as the optional [PLAY].
Page 43: Performing Manual Punch In And Punch Out Using A Foot Switch
Roland DP-2 or BOSS FS-5U) to activate punch in and punch at specified locations within a song. This function is extremely out, it should be connected to the BR-1600CD at this time. useful in situations where punch in and punch out must be...
Page 44: Performing Auto Punch In And Punch Out
AUTO PUNCH IN/OUT [ON/OFF]. This button will light up to indicate that auto punch in/ out has been turned on. 7. Press [REC] to prepare the BR-1600CD for recording and then press [PLAY]. Punch in will be activated automatically at the beginning...
Page 45: Repeating Recording In A Specific Section (Loop Recording)
BR-1600CD reverts to Repeat playback mode. After repeating, confirm the results just recorded.
Page 46: Using V-Tracks
Although the BR-1600CD is a 16-track multi-track recorder, you can select any one of sixteen V-Tracks for each of these tracks. In this way, you can use the BR-1600CD as if it were 1. Press [V-TRACK]. actually a 256-track multi-track recorder. In other words, V- The V-Track screen will appear.
Page 47: Assigning Names To V-Tracks (Track Name)
Changing the V-Track to be written to an (Track Name) audio CD (the Final Mastering Track) Names can be assigned to any or all of the BR-1600CD’s 256 When in Mastering mode, the symbol [ ] will be V-Tracks. Although a name corresponding to the Input Select automatically placed on the right of the V-Track from Track (i.e., Track Name) used for a V-Track is assigned...
Page 48: Placing Markers In Your Song (Marker)
Placing markers in your song (Marker) Basic marker operations The BR-1600CD’s Marker function allows you to place markers at the required points in a song. You can then jump quickly to any registered marker position by simply Positioning a marker indicating its number.
Page 49: Editing Markers
Placing markers in your song (Marker) Editing markers Naming a marker A name (Marker Name) can be assigned to any marker from the Marker screen. Moving markers 1. On the Marker screen, move the cursor to “No.” and 1. Press [UTILITY]. then use the TIME/VALUE dial to select the number of The Utility Menu screen will appear.
Page 50: Changing Scenes Assigned To Markers
CD is being created. fig.12-13d Changing scenes assigned to markers The BR-1600CD allows you to assign scenes to markers so that they can be recalled automatically during playback. This operation is referred to as Auto Scene. 3. Move the cursor to “Marker Stop” and select “ON”...
Page 51: Registering And Recalling Mixer Settings (Scene)
Registering and recalling mixer settings (Scene) The BR-1600CD allows you to register up to 100 batches of To delete: mixer and effect settings per song. Each of these batches of Press [F2] (DELETE). settings is referred to as a Scene, and they can be quickly and The asterisk (*) indicating a registered scene will easily recalled whenever needed.
Page 52: Recalling Scenes Automatically During Recording Or Playback (Auto Scene)
Recalling scenes automatically during recording or playback (Auto Scene) The BR-1600CD allows you to assign scenes to markers so * Settings can be made to indicate whether or not EQ and effect that they can be recalled automatically when recording or parameters will be restored by Auto Scene (p.
Page 53: Disabling Auto Scene
Recalling scenes automatically during recording or playback (Auto Scene) Disabling Auto Scene Setting Auto Scene control of effects and track EQ Auto Scene can actually hinder your work in certain situations if settings are automatically restored while you are Use the following procedure to allow or forbid the control of manually operating track faders and the like.
Page 54: Finding The Start Or End Of A Section Of Audio (Scrub/Preview)
1. Hold down [STOP] and press [PLAY]. the BR-1600CD provides a convenient Scrub function that [PLAY] will start flashing and scrubbing will begin. you can use to locate these positions.
Page 55: Changing The Scrubbing Direction
Enabling Preview Use the following procedure to change this scrubbing direction. You must first of all set up the BR-1600CD to use the Preview fig.14-02 function. 1. Press [UTILITY]. 2. Move the cursor to the SCRUB/PRV. icon and press [ENTER/YES].
Page 56: Editing A Recorded Performance (Track Edit)
Remember to always save your song if you want to store the track Example 2: Copying to a different track twice edits that you have made. In the BR-1600CD, edited track data is fig.15-02 only temporarily stored on the hard disk, and unless the corresponding song is saved, it will be lost when the power is turned off or a new song is loaded.
Page 57 Editing a recorded performance (Track Edit) COPY + INS (insert) If you want to cancel the copy for a specific track, turn the fig.15-07d TIME/VALUE dial counterclockwise until a question mark (?) is displayed. Copying will not be performed for any line containing one or more question marks.
Page 58: Moving Audio Data (Track Move)
The Track Menu screen will appear. data with this destination point. The BR-1600CD allows you fig.15-05d to move data in this way using the “FROM” parameter.
Page 59 Editing a recorded performance (Track Edit) Example 4: Moving audio data with MOVE + INS 6. Move the cursor to the right half of the screen and fig.15-29 specify the move range and destination positions. fig.15-32d A' A' Pressing [F1] (DISP.FMT.) at this time will allow you to select how positions will be specified (i.e., by measure, time, or marker).
Page 60: Exchanging Audio Data (Track Exchange)
Editing a recorded performance (Track Edit) Exchanging audio data 4. Use [CURSOR] and the TIME/VALUE dial to choose the tracks and V-Tracks between which you want to (Track Exchange) exchange audio data. If a name has been assigned to the selected track, it will The Track Exchange function allows you to exchange the all be displayed at this time.
Page 61: Inserting A Blank Space Between Audio Data (Track Insert)
Editing a recorded performance (Track Edit) Inserting a blank space between fig.15-43d audio data (Track Insert) The Track Insert function allows you to insert a blank space at a specific location. If you want to add a new phrase to the middle of a section of audio data, use this function to add a 5.
Page 62: Deleting Audio Data And Closing The Resulting Gap (Track Cut)
Editing a recorded performance (Track Edit) 3. Move the cursor to the CUT icon and press [ENTER/YES]. Alternatively, you can press [F4] (CUT) if the CUT icon If a time value is used to specify the Start point and you is currently displayed.
Page 63: Erasing Audio Data (Track Erase)
Editing a recorded performance (Track Edit) Erasing audio data (Track Erase) fig.15-52d The Track Erase function allows you to erase audio data from a specified range; however, when audio data is erased in this way, the section of audio data positioned behind it is not moved forwards to fill the resulting gap.
Page 64 Editing a recorded performance (Track Edit) 4. Use [CURSOR] and the TIME/VALUE dial to choose The following parameters should now be set. the track and V-Track containing the unwanted audio START (Start point): data. This parameter is used to specify the start point of the If a name has been assigned to the selected track, it will audio data to be erased.
Page 65: Maximizing The Volume Levels Of Data Recorded To The Tracks (Normalize)
Maximizing the volume levels of data recorded to the tracks (Normalize) 1. Press [UTILITY] The Normalize function raises the volume of prerecorded track data to the highest level possible. The Utility Menu screen will appear. fig.12-12d What Normalize does: The maximum values for wave data handled in digital recording are predetermined.
Page 66 8. Save the song to store the results of the normalization mind. in memory (p. 72). • If after normalization you load another song or turn off the BR-1600CD without saving the current song, the results of normalization will be lost.
Page 67: Organizing Your Songs
Organizing your songs Displaying song details 3. Move the cursor to the INFO icon and press [ENTER/ YES]. (Song Information) Alternatively, you can press [F1] (INFO) if the INFO icon is currently displayed. Use Song Information to display the following information The Song Information screen will appear.
Page 68: Copying Songs (Song Copy)
Organizing your songs Copying songs (Song Copy) 4. Move the cursor to the song to be copied and press [F4] (GO). The message “Sure?” will appear. Songs that you have saved on your hard disk can be copied fig.16-09d to create new songs. fig.16-05 5.
Page 69: Erasing Songs (Song Erase)
Organizing your songs Erasing songs (Song Erase) 4. Move the cursor to the song to be erased and press [F4] (GO). Use this function to erase songs from your hard disk. The message “Erase Song OK?” will appear. fig.16-13d fig.16-05 5.
Page 70: Making The Most Of Hard Disk Capacity (Song Optimize)
BR-1600CD’s hard disk. In certain cases, the amount of hard disk space used to store this unneeded audio data may become quite large, and you will not be able to record as much new audio data as you would expect.
Page 71: Protecting A Song (Song Protect)
Organizing your songs Protecting a song (Song Protect) fig.16-03d Even if you have saved an important song to the BR-1600CD’s hard disk, there is always a possibility that you can accidentally overwrite audio data and loose irreplaceable recordings. However, you can use the Song Protect function to 3.
Page 72: Naming A Song (Song Name)
Naming a song (Song Name) 5. Press [EXIT/NO] several times to return to the top screen. When you create a new song, the BR-1600CD will automatically name it “SONG 001” or something similar. If all songs are named in Saving your song (Song Save) this way, however, it will be difficult to tell them apart.
Page 73: Section 2 Using Effects
Section 2 Section 2 Using Effects Using Effects...
Page 74: Makeup Of Br-1600Cd Effects
Makeup of BR-1600CD effects The BR-1600CD contains the following types of effects. What is COSM (Composite Object Sound Modeling)? ● Insert effects (p. 76) Technology that virtually reconstructs an actually existing structure or material using a different means is Insert effects are applied to input audio and are capable of called “modeling”...
Page 75 Delay: A delay is a little bit like an echo. It can add a sense of The BR-1600CD’s Mastering Tool Kit is used during the spaciousness and depth to the sound. In addition, when this creation of an audio CD to improve the quality of the effect is applied to instruments that play melodies, it can finished songs by balancing volumes and compression levels.
Page 76: Using Insert Effects
U001 through U100 Rather than being restricted to usage only during recording, MIC bank U001 through U050 the BR-1600CD’s insert effects can also be used with a Simul bank U001 through U050 specific track during playback or with the mix created from...
Page 77: Makeup Of Effect Patches
4. Move the cursor to the effect block you want to edit. fig.31-02ad EQ1-8: Three-Band Equalizers In total, the BR-1600CD contains 18 such algorithms. If the TIME/VALUE dial is turned counterclockwise at this time, the solid lines indicating the effect block at the current cursor position will switch to dotted lines, indicating that the corresponding effect has been turned off.
Page 78: Changing The Sound Of Insert Effects Using The Value Knobs
VALUE knobs. as “TMP.” If you select a different patch, load a different song, or turn off the BR-1600CD while “TMP” is being 1. Press [EFFECTS]. displayed, all of the patch settings will return to their The Effects Patch screen will appear.
Page 79: Changing Effect Block Connections
Using insert effects 4. Using [CURSOR], move the “▲” to the new connection position. fig.31-53d The parameters that can be assigned will depend on the selected effect algorithm. For more detailed information, refer to “Effect parameters assigned to VALUE knobs” (p. 137). If you want to cancel the operation, press [EXIT/NO] or [F1] (CANCEL).
Page 80: Switching Compressors, Equalizers, And Low-Cut Filters Between Stereo And Mono
INPUT 1 and INPUT 2, or INPUT 3 and INPUT 4) to stereo operation (Stereo Link). As a result, the BR-1600CD allows you to apply exactly the same effect to stereo sounds that are input on a left and right 6.
Page 81: Saving Insert Effect Settings (Effect Patch Write)
Using insert effects Saving insert effect settings This field sets the effect patch to which your new settings (Effect Patch Write) are to be written. Whenever you call up the Effects Patch Write/Copy screen, the cursor will be automatically Modified effect settings are saved by writing them together positioned here.
Page 82: Copying Insert Effect Settings (Effect Patch Copy)
5. Press [EXIT/NO] several times to return to the top screen. If you load another song or turn off the BR-1600CD without saving the current song, your changes will be It is important to remember that the destination patch lost.
Page 83 Using insert effects About insert effect connections INPUT 1/2 (NORMAL) You can select any of the following connection patterns for INPUT 1/2 (REC DRY) the insert effects. [SIMUL] Only CH1 and CH2 are connected to INPUT 1 and INPUT 2, respectively, in the case of the 8CH INPUT 1–INPUT 8, INPUT 1-8, INPUT MIX (NORMAL): COMP EQ algorithm.
Page 84: Using An Expression Pedal
Using insert effects Using an expression pedal When you connect an expression pedal (such as the Roland EV-5 or BOSS FV-300L) to the rear panel’s EXP PEDAL jack, you will be able control certain effect parameters using your feet. fig.53-00...
Page 85: Insert Effect Algorithm List
This multi-effect is used with electric guitars. Utilizing COSM Modulation Amplifier Modeling and COSM Overdrive/Distortion as - Flanger featured on the BOSS GT-6, this effect allows you to recreate a - Chorus host of distortion and guitar amplifier sounds. In addition, the - Phaser...
Page 86: Cosm Comp Guitar Amp
Insert effect algorithm list 4. COSM COMP GUITAR AMP 6. BASS MULTI This is a multi-effect designed for bass, and it is suitable for This is a multi-effect designed for electric guitars. In addition creating standard bass sounds. to a COSM compressor/limiter, it uses a preamp and speaker fig.31-17 simulator to produce characteristic amp sounds.
Page 87: Cosm Comp Bass Amp
Insert effect algorithm list 8. COSM COMP BASS AMP 10. VOICE TRANSFORMER This is a multi-effect designed for bass. This is a multi-effect designed for vocals. It allows you to produce unique effects using a voice transformer. In addition to a COSM compressor/limiter, it uses a preamp fig.31-21 and speaker simulator to produce characteristic amp sounds.
Page 88: 12. Mic Modeling
Insert effect algorithm list 12. MIC MODELING 14. LO-FI BOX This modifies the sound recorded using a conventional This allows you to simulate the sound of audio being played dynamic mic, lapel mic, or direct line, making it sound as on an AM radio, the sound of old records played on an old- though it had been recorded using an expensive condenser fashioned gramophone, and even extreme sound...
Page 89: Vo+Ac.sim
Insert effect algorithm list 16. VO+AC.SIM BANK: MULTI-CHANNEL This algorithm is for use when simultaneously recording a vocal part and electric guitar. 18. 8CH COMP EQ It allows you to make the electric guitar sound like an This algorithm is used when recording up to 8 microphones acoustic guitar.
Page 90: Insert Effect Parameter Functions
Said companies are not situation. affiliated with BOSS and have neither licensed nor PIEZO: authorized the BOSS BR-1600CD. Their trademarks are Simulates the sound you would get from a pickup installed on an used solely to identify equipment whose sound is electric-acoustic guitar.
Page 91: Band Equalizer
Insert effect parameter functions 3 Band Equalizer 4 Band Equalizer This is the 3-band equalizer. This is the 4-band equalizer. * This effect can be used when “8CH COMP EQ” algorithm is selected. * This effect can be used in the “COSM OD GUITAR AMP,” “BASS MULTI,”...
Page 92: Bass Simulator
Insert effect parameter functions ■ When “COSM OD GUITAR AMP” Bass Simulator algorithm is selected This simulates the sound of a bass guitar. You can use it to Mode MONO, STEREO recreate the sound of a bass guitar while playing an electric Selection for the chorus mode.
Page 93: Compressor
Insert effect parameter functions High Rate 0–100 Knee SOFT, MEDIUM, HARD This adjusts the speed of the chorus effect for the high frequency This parameter affects the way in which compression is applied (i.e., range. the knee) in the vicinity of the threshold. SOFT: High Depth 0–100...
Page 94: Cosm Comp/Limiter(Cosm Compressor/Limiter)
The BR-1600CD uses COSM technology to model four types Tone -50–+50 of compressor/limiter effects, which combine the functions (Active when BOSSCmp is selected.)
Page 95: Cosm Preamp&Speaker
Insert effect parameter functions Treble -50–+50 This models a MESA/Boogie Rectifier with RF VNTG VINTAGE SW on. Adjusts the tone for the high frequency range. SLDN This models a Soldano SLO-100. Level 0–100 DRV STK This is a drive sound with high gain. LEADSTK This is a lead sound with high gain.
Page 96: De-Esser
Insert effect parameter functions De-esser Speaker Type This is a compact open-back speaker This effect is useful for reducing sibilance (or harsh ‘S’ 1x10” cabinet with one 10-inch speaker. sounds) produced by vocalists. This is a compact open-back speaker 1x12” cabinet with one 12-inch speaker.
Page 97: Delay
Insert effect parameter functions Delay Distance This effect creates a thicker sound by applying a delayed Microphones often exhibit a boost in the volume of the lower sound to the direct sound. frequencies when they are positioned close to the sound source, and this is referred to as proximity effect.
Page 98: Enhancer
Insert effect parameter functions ■ When “COSM OD GUITAR AMP” Enhancer algorithm is selected By adding sounds that are out-of-phase with the direct Effect Level 0–100 sound, this effect enhances the definition of the sound and This adjusts the volume of the flanger sound. makes it more present in the mix.
Page 99: Limiter
Insert effect parameter functions Limiter Lo-Fi Box A limiter is an effect that prevents distortion by suppressing This effect is used to produce a lo-fi sound. input signals in excess of a specific value (i.e., the threshold). Effect On/Off OFF, ON Effect On/Off OFF, ON This parameter turns the lo-fi box effect on or off.
Page 100: Mic Converter
Insert effect parameter functions Effect Level 0–100 A small condenser microphone used with various instruments and featuring a sparkling high end. Adjusts the overall volume of the lo-fi sound. Sml.Cn This is particularly effective when used with met- Direct Level 0–100 al percussion instruments and acoustic guitars.
Page 101: Pan
Insert effect parameter functions Resonance 0–100 This parameter sets the amount of resonance (or feedback). Increasing the value will emphasize the effect, producing a more With the volume level of the left and right sides alternately unusual sound. changing, when playing sound in stereo, you can get an effect that makes the guitar sound appear to fly back and Step OFF, ON...
Page 102: Pitch Shifter
Insert effect parameter functions Pitch Shifter Direct Level 0–100 This adjusts the volume of the direct sound. This effect moves the pitch of the original sound up or down ■ When algorithm other than “COSM OD within a range of two octaves. GUITAR AMP”...
Page 103: Preamp
Insert effect parameter functions ■ With “COSM BASS AMP” or “COSM Preamp COMP BASS AMP” algorithms This effect is used to adjust the distortion and tone of guitar The vintage sound of an early transistor sounds. amp. * When Bass, Middle, and Treble are all set to 0, certain Amp Type The sound of a large double-stack, vacuum- settings may result in no sound being output.
Page 104: Ring Modulator
This effect simulates the characteristics of various types of sound with the signal from the internal oscillator. The sound speakers. When the output from the BR-1600CD is connected will be unmusical and lack distinctive pitches. directly to a mixer or similar device, this effect can be used to create the sound of your favorite speaker system.
Page 105: Sub Equalizer
Insert effect parameter functions Sub Equalizer Tremolo/Pan This adjusts the tone as a sub equalizer. A parametric type is Tremolo is an effect that creates a cyclic change in volume, adopted for the high-middle and low-middle range. and pan moves the stereo position in a cyclic manner between left and right (when stereo output is used).
Page 106: Vibrato
Insert effect parameter functions Vibrato This effect creates vibrato by slightly modulating the pitch. The wah effect creates a unique tone by changing the frequency response characteristics of a filter. * This effect can be used in the “COSM OD GUITAR AMP” algorithm when FX “FX Select”...
Page 107 Insert effect parameter functions ● When “AW” is selected ■ When algorithm other than “COSM OD GUITAR AMP” is selected The effect will be applied automatically based on the volume of the performance. Alternatively, it is also possible to apply wah in a Wah Type cyclic fashion.
Page 108: Using Track-Specific Compressors And Equalizers
Using track-specific compressors and equalizers Compressors and equalizers Each of the BR-1600CD’s tracks contains its own independent three-band equalizer and compressor, and these effects can be used to adjust the sound of playback from just that track. Compressors: A compressor is used to smooth out volume fluctuations in the track’s playback, thus making it easier to hear at all times.
Page 109: Adjusting The Sound Of Compressors And Equalizers
Using track-specific compressors and equalizers Adjusting the sound of ATTACK 0–100 This parameter adjusts the amount of time it takes for the compressors and equalizers compression ratio set by “Ratio” to be reached once the input level exceeds the set threshold level and compression begins. The smaller the value set here, the more rapidly compression will be applied.
Page 110: Selecting Tracks To Be Compressed
Using track-specific compressors and equalizers Selecting tracks to be compressed Adjusting a three-band equalizer A maximum of 8 different compressors can be used, and For details regarding basic equalizer operations, refer to “Adjusting these can be selected for use on Tracks 1 through 8 or Tracks the sound of each track (Equalizer)”...
Page 111: Switching Equalizers Between Stereo And Mono (Stereo Link)
Using track-specific compressors and equalizers Switching equalizers between HIGH GAIN -20–+20 dB This parameter sets the gain (amount of boost or cut) for the stereo and mono (Stereo Link) high-range equalizer. If you intend to apply an equalizer to a stereo-recorded track, HIGH FREQUENCY 800 Hz–16000 Hz you will need to align the left and right EQ settings in order...
Page 112: Using Loop Effects
(i.e., without the effect) Note that the BR-1600CD can only use one chorus, delay, or will actually be recorded on the track. After recording an doubling effect together with a reverb effect. Accordingly,...
Page 113: Basic Loop Effect Operations
Using loop effects Basic loop effect operations HALL: Simulates the reverberation of a concert hall. PLATE: Adjusting the sound of loop effects Simulates the reverberation of reverb devices using large metal plates that have been constant favorites in professional studios. For more detailed information regarding the setting of send levels for each individual input source or track, refer to TIME...
Page 114: Adjusting Chorus
Using loop effects Adjusting chorus Use the following procedure (Chorus Edit) to make fine Only one set of chorus settings can be saved per song. adjustments to the chorus sound. 1. Press [CHORUS/DELAY]. The Chorus/Delay Send screen will appear. Adjusting delay fig.34-03d Use the following procedure (Delay Edit) to make fine adjustments to the delay sound.
Page 115: Adjusting Doubling
TYPE DOUBLING The BR-1600CD provides you with a doubling-type send effect that allows you to achieve the same effect without This parameter selects the type of effect. Be sure to set this to having to make two separate recordings.
Page 116: Fixing The Pitch Of Vocals/Adding A Backing Chorus To Vocals (Vocal Tool Box)
Even if you have recorded a skilled vocalist, however, applying a backing chorus can further enhance the level of the overall performance. When properly used, the BR-1600CD’s Vocal Tool Box will help to ensure that your vocal tracks will always sound great.
Page 117: Vocal Tool Box Patches
(i.e., preset patches) will be 1. Before using pitch correction, record a solo vocal track stored in the BR-1600CD. In addition, 10 user patches can be to work with. freely set up and used within any song, and 10 song patches can be set up for use within a specific song.
Page 118: Setting The Correction Method For Vocal Pitch (Pitch Correction Edit)
(p. 72). HI.FEML (High Female) Select this setting for a high-pitched, female voice. * If the BR-1600CD is frequently incorrect when detecting the pitch, either change the type setting. In certain cases, this will reduce the number of incorrect detections.
Page 119: Applying A Backing Chorus To Vocals (Harmony Sequence)
The following tracks can be selected at this time: Tracks 1 through 8, or Tracks 9/10 through 15/16 Lets now use the BR-1600CD’s harmony sequence feature to 8. Start playback on the BR-1600CD. apply a backing chorus to a solo vocal performance. A three-...
Page 120: Inserting Rests In A Backing Chorus
Fixing the pitch of vocals/Adding a backing chorus to vocals (Vocal Tool Box) Inserting rests in a backing 3. Press [F3] (=>PRM.). The cursor will jump to the parameter area on the right chorus of the screen, and you will now be able to change the parameter settings.
Page 121: Saving Vocal Tool Box Settings (Patch Write)
Select this setting for a high-pitched, female voice. 1. Press [F1] (NAME) on the Pitch Correction or Harmony * If the BR-1600CD is frequently incorrect when detecting the pitch, Sequence screen. either change the type setting. In certain cases, this will reduce the number of incorrect detections.
Page 122: Copying Vocal Tool Box Settings (Patch Copy)
Fixing the pitch of vocals/Adding a backing chorus to vocals (Vocal Tool Box) Copying Vocal Tool Box settings (Patch Copy) The BR-1600CD’s function for copying patches proves extremely useful when you want to create a number of effect patches with slightly different settings.
Page 123: Recreating The Characteristics Of Different Monitor Speakers (Speaker Modeling)
Speaker Modeling. Using this function, you can hear how your songs will sound on different To obtain the best results using the BR-1600CD’s Speaker monitoring systems; furthermore, by comparing these Modeling feature, it is recommended that you used digitally different sounds as you search for the best balance, you can connected Roland DS-30A/50A/90A monitor speakers.
Page 124: Speaker Modeling Patches
Recreating the characteristics of different monitor speakers (Speaker Modeling) Speaker Modeling patches Modifying Speaker Modeling settings At the time of purchase, the BR-1600CD’s Speaker Modeling Each of the effect blocks that make up the Speaker Modeling already contains 33 preset patches that cannot be overwritten feature can be fine-tuned by making the appropriate settings.
Page 125: Saving Speaker Modeling Settings (Patch Write)
“*TMP.” If you select a different patch, This field should be left unchanged at load a different song, or turn off the BR-1600CD while “*TMP(CURRENT).” If a different message is displayed, “*TMP” is being displayed, all of the patch settings will however, move the cursor to this field and turn the return to their original condition.
Page 126: Copying Speaker Modeling Settings (Patch Copy)
(Patch Copy) “Complete!” appears, it indicates that copying has been completed. The BR-1600CD’s function for copying patches proves 5. Press [EXIT/NO] several times to return to the top extremely useful when you want to create a number of effect patches with slightly different settings.
Page 127: Speaker Modeling Parameter Functions
Speaker Modeling is adjusted to ensure that the best results compact televisions or portable radios. can be obtained when you use Roland DS-90A, DS-50A, or fig.37-13d DS-30A powered monitors (sold separately) as the output speakers for the BR-1600CD. On/Off OFF, ON Turns speaker modeling on or off. SP Modeling...
Page 128: Bass Cut Filter
Speaker Modeling parameter functions Bass Cut Filter Limiter This filter cuts out vocal pop and other unwanted low-band A limiter reduces loud input levels to prevent distortion. noise. On/Off OFF, ON On/Off OFF, ON Switches the limiter on or off. This setting turns the Bass Cut Filter on or off.
Page 129: Using The Mastering Tool Kit
Audio CDs can be created without using the Mastering Tool Kit, and you can choose whether or not to use it. If you are new to the BR-1600CD’s Mastering Tool Kit, refer first of all to “Adjusting volume and compression for CD writing (Mastering Tool Kit)”...
Page 130: Modifying Mastering Tool Kit Settings (Edit)
(Edit) be displayed as “TMP.” If you select a different patch, load a different song, or turn off the BR-1600CD while Each of the effect blocks that make up the Mastering Tool Kit “TMP” is being displayed, all of the patch settings will can be fine-tuned by making the appropriate settings.
Page 131: Saving Mastering Tool Kit Settings (Patch Write)
Copying Mastering Tool Kit settings (Patch Copy) The BR-1600CD’s function for copying patches proves 2. Move the cursor to the characters in the patch name you extremely useful when you want to create a number of effect want to change and select new characters using the patches with slightly different settings.
Page 132: Performing Automatic Fade-In And Fade-Out (Auto Fade In/Out)
When the current position is in front of the START point, you will not be able to hear the BR-1600CD’s playback as the volume will be set to zero. The volume will start to The Auto Fade In/Out function can only be used in increase little by little when the current position reaches Mastering mode.
Page 133: Performing Automatic Fade-Out (Auto Fade Out)
• When the current position is after the point corresponding to START + LENGTH, you will not be able to hear the BR-1600CD’s playback as the volume will be set to zero. CURVE: This parameter sets the shape of the volume reduction curve during fade-out.
Page 134: Mastering Tool Kit Parameter Functions
Mastering Tool Kit parameter functions Equalizer This is a compressor effect that controls the volume level for each frequency range (lower range, midrange, and upper range) separately in order to even out the differences Effect On/Off OFF, ON between them. This parameter turns the equalizer effect on or off.
Page 135: Bass Cut Filter
Mastering Tool Kit parameter functions Bass Cut Filter Expander This filter cuts out vocal pop and other unwanted low-band This effect expands the dynamic range at a fixed ratio. noise. Effect On/Off OFF, ON Effect On/Off OFF, ON This setting turns the expander on or off. This setting turns the Bass Cut Filter on or off.
Page 136: Compressor
Mastering Tool Kit parameter functions Compressor Mixer This effect is used to compress the overall output signal The mixer is used to adjust the volume of each frequency when the input level exceeds a set value. band. Effect On/Off OFF, ON Low Level -80–+6 dB This setting turns the compressor on or off.
Page 137: Effect Parameters Assigned To Value Knobs
Effect parameters assigned to VALUE knobs When the effect patch selection screen is displayed, you can assign parameters you wish to control to value knobs VALUE 1 through VALUE 4. When the effect patch selection screen is displayed, you can assign parameters you wish to control to value knobs VALUE 1 through VALUE 4.
Page 138 Effect parameters assigned to VALUE knobs Effect Block Parameter Abbreviation Effect Block Parameter Abbreviation Wave Shape PAN WAVE On/Off NS ON/OFF Rate PAN RATE Noise Suppressor Threshold NS THRESH. Depth PAN DEPTH Release NS REL. Type VIBRATO TYPE Foot Volume On/Off FOOT ON/OFF Vibrato...
Page 139 Effect parameters assigned to VALUE knobs Algorithm: ACOUSTIC GUITAR Effect Block Parameter Abbreviation P.Shift Type P.SHIFT TYPE Effect Block Parameter Abbreviation Pitch P.SHIFT PITCH Pitch Shifter On/Off AC ON/OFF D:E Balance P.SHIFT D:E Body AC BODY Separation P.SHIFT SEP Acoustic Processor Mic Distance AC MIC DIST Delay Time...
Page 140 Effect parameters assigned to VALUE knobs Effect Block Parameter Abbreviation Effect Block Parameter Abbreviation On/Off MOD ON/OFF On/Off NS ON/OFF Modulation Effect Type MOD TYPE Noise Suppressor Threshold NS THRESH. Rate FLANGER RATE Release NS REL. Depth FLANGER DEPTH Foot Volume On/Off FOOT ON/OFF Flanger...
Page 141 Effect parameters assigned to VALUE knobs Effect Block Parameter Abbreviation Effect Block Parameter Abbreviation Low Gain EQ LOW P.Shift Type P.SHIFT TYPE Low-Mid Gain EQ L.MID G Pitch P.SHIFT PITCH Pitch Shifter Low-Mid Freq EQ L.MID F D:E Balance P.SHIFT D:E Low-Mid Q EQ L.MID Q Separation...
Page 142 Effect parameters assigned to VALUE knobs Algorithm: COSM VOCAL COMP Algorithm: STEREO MULTI Effect Block Parameter Abbreviation Effect Block Parameter Abbreviation On/Off CMP/LM ON/OFF On/Off COMP ON/OFF Type CMP/LM TYPE Sustain COMP SUST Compressor Attack CMP/LM ATTACK Attack COMP ATTACK Sustain CMP/LM SUST Level...
Page 143 Effect parameters assigned to VALUE knobs Algorithm: LO-FI BOX Effect Block Parameter Abbreviation On/Off E:NS ON/OFF Effect Block Parameter Abbreviation Noise Suppressor (Guitar) Threshold E:NS THRESH. On/Off LO-FI ON/OFF Release E:NS REL. Effect Type LO-FI TYPE On/Off E:DELAY ON/OFF Tuning LO-FI TUNING Delay Time E:DELAY TIME...
Page 144 Effect parameters assigned to VALUE knobs ■ Vocal Tool Box Algorithm: VO+ACOUSTIC Effect Block Parameter Abbreviation Algorithm: HARMONY SEQUENCE On/Off M:COMP ON/OFF Sustain M:COMP SUST Effect Block Parameter Abbreviation Compressor (Mic) Attack M:COMP ATTACK Input Type COMMON IN.TYPE Level M:COMP LEVEL Balance COMMON BALANCE On/Off...
Page 145: Section 3 Using Rhythm
Section 3 Section 3 Using Rhythm Using Rhythm...
Page 146: Makeup Of Drum/Bass/Loop Phrase
Bass On the BR-1600CD, tracks 13/14 are designated as the bass tracks, and can be used to automatically play bass parts. By selecting realistic bass sounds from the internal PCM bass samples and by setting a suitable tempo, you can have the BR-1600CD automatically play bass parts that are perfect for making demo songs.
Page 147: Loop Phrases
CD-ROMs The BR-1600CD can store 400 user Loop Phrases (in banks A through H) for use in any song and 50 song Loop Phrases that are saved together with a specific song. User Loop Phrases and song Loop Phrases can be overwritten.
Page 148: Rhythm Arrangements
To use rhythm arrangements, press PROGRAMMABLE RHYTHM [ARRANGEMENT/PATTERN], so the button’s indicator is lighted. With this, Arrange mode is activated, and you will be able to use the BR-1600CD’s rhythm arrangement feature. In this mode, patterns and Loop Phrases arranged to form a rhythm arrangement will provide accompaniment whenever you start playback.
Page 149: Using Drums
No drum sounds will be played. The Track Type Select screen will appear. Flashing: fig.20-003d Drum sounds will be played only when the BR-1600CD is recording or performing playback. Drum sounds will be played even when the BR-1600CD is stopped.
Page 150: Selecting A Drum Kit
The user drum patterns and song drum patterns process to select the kit that gives the best sound for your contained in the BR-1600CD at the time of purchase song. are empty; you won’t hear anything if you select one of them.
Page 151: Changing The Drum Pattern Tempo
Using drums Changing the drum pattern tempo 1. Make sure that PROGRAMMABLE RHYTHM [ARRANGEMENT/PATTERN] is extinguished (you’re in Pattern mode). If this button’s indicator is lit (meaning you’re in Arrange mode), press PROGRAMMABLE RHYTHM [ARRANGEMENT/PATTERN] to turn it off. 2. Press PROGRAMMABLE RHYTHM [EDIT]. The Pattern Selection screen will appear.
Page 152: Creating Drum Patterns
The user drum patterns and song drum patterns was in immediately after editing. This allows you to contained in the BR-1600CD at the time of purchase are avoid inadvertently erasing data you have edited. empty; you won’t hear anything if you select one of •...
Page 153: Creating Drum Patterns Using Real-Time Recording
Creating drum patterns Creating drum patterns Track button Drum sound Note number using real-time recording Kick 1 C 2 (36) Snare 1 D 2 (38) Closed hi-hat F#2 (42) Open hi-hat A#2 (46) When a MIDI keyboard is connected to the MIDI IN Tom 1 (high) F 2 (41) Tom 2 (mid)
Page 154: Practicing Before Recording (Rehearsal)
This data will also be lost if you turn off the BR-1600CD before saving. Practicing before recording (Rehearsal) 2. Select a quantization setting using the TIME/VALUE Whenever rehearsal is turned on, you will be able to play dial.
Page 155: Creating Drum Patterns Using Step Recording
Creating drum patterns Creating drum patterns As the degree of grid magnification changes, the resolution indicated by “RES” changes as follows. using step recording RES: 1. After carrying out the steps described in “Preparing for Allows input in quarter-note units. recording,”...
Page 156 This data will also occurring in one minute.) be lost if you turn off the BR-1600CD before saving. Note that the tempo set here is used only for checking that the drum pattern is as required. In other words, this tempo will not be saved with the drum pattern.
Page 157: Correcting Drum Patterns (Microscope)
Gate Time setting may be left at “1.” To move an item of performance data: • When the BR-1600CD is playing drum sounds by 1) Press [F2] (MOVE). transmitting MIDI data to an external drum machine fig.20-026ed...
Page 158 This data will also be lost if you turn off the BR-1600CD before saving. The selected item of performance data will be deleted. To insert a new item of performance data: Press [F1] (INSERT).
Page 159: Changing The Drum Pattern's Groove (Swing)
This setting will also be 51%–100%: lost if you turn off the BR-1600CD before saving. Swing will be generated in accord with the specified value. A setting of 100% delays the weak beats by the...
Page 160: Changing A Drum Pattern's Name
This name will also be lost if you should be taken to ensure that important patterns turn off the BR-1600CD before saving. are not accidentally overwritten in this way.
Page 161: Deleting Drum Patterns
CD-R/RW drive (SMF Import) 1. Press [F4] (WRITE/COPY/DEL) on the Drum Pattern Edit screen. The BR-1600CD allows you to read Standard MIDI Files (or The Write/Copy/Delete screen for drum patterns will SMFs) from CD-R/RW discs into user drum patterns and appear.
Page 162 Creating drum patterns 4. Press [F3] (SMF). The SMF screen will appear. In the case of SMFs supporting the GM, GS, or XG fig.20-041d standards, drum-type performance data is generally assigned to MIDI channel 10. By setting the MIDI channel to 10 in such a case, you can ensure that only the drum data will be extracted from the SMF.
Page 163: Using Bass
→ Off. Off: No bass sounds will be played. Flashing: Bass sounds will be played only when the BR-1600CD is recording or performing playback. Bass sounds will be played even when the BR-1600CD is 1. Press [TRACK TYPE SELECT]. stopped.
Page 164: Selecting Bass Sounds
If you want to hear bass immediately after setting up the BR-1600CD for the first time, select a preset bass pattern. Although playback may stop for a period of 1 to 2 seconds when the bass sound is changed, this is normal and is not the result of a malfunction.
Page 165: Specifying Bass Pattern Chords
Using bass Specifying bass pattern chords 5. Press [EXIT/NO] several times to return to the top screen. You can specify bass pattern chords as described below to 6. If you wish to store the chord specification, save the hear how the bass pattern will sound playing different current song (p.
Page 166: Creating Bass Patterns
The user bass patterns and song bass patterns contained in the BR-1600CD at the time of purchase are empty; you won’t hear anything if you select one of them. 5. Use [CURSOR] and the TIME/VALUE dial to set the number of beats and measures in the bass pattern.
Page 167: Creating Bass Patterns Using Real-Time Recording
Creating bass patterns Creating bass patterns using The relationship between track buttons and bass notes is as follows. real-time recording Track button Note number C 1 (24) 1. After carrying out the steps described in “Preparing for C#1 (28) recording,” press [F1] (REALTIME). D 1 (29) D#1 (30) The Real-Time Recording standby screen will appear...
Page 168: Practicing Before Recording (Rehearsal)
This data will also be lost if you turn off the BR-1600CD before saving. Practicing before recording QTZ: (Rehearsal) Moves bass notes to the nearest quarter note.
Page 169: Creating Bass Patterns Using Step Recording
Creating bass patterns Creating bass patterns using 3. Move the cursor to “GATE” and select the duration of the note to be input (i.e., the gate time) as a percentage step recording using the TIME/VALUE dial. GATE (gate time): 10% to 95% When the value is lowered, the more staccato the performance will become.
Page 170: Correcting Bass Patterns (Microscope)
1) Move the cursor to “NOTE” field. newly recorded data will be lost. This data will also fig.20-069ad be lost if you turn off the BR-1600CD before saving. 2) Select a new note number using the TIME/VALUE dial. The performance data will be updated with this new note setting.
Page 171 This data will also be lost 2) Use the TIME/VALUE dial to select the time position if you turn off the BR-1600CD before saving. to which the performance data is to be moved. 3) Press [ENTER/YES].
Page 172: Changing The Bass Pattern's Groove (Swing)
This setting will also be 50%: lost if you turn off the BR-1600CD before saving. No swing will be applied. Weaker beats will be played exactly halfway between the stronger beats. 51%–100%:...
Page 173: Changing A Bass Pattern's Name
If you select a different bass pattern or load a new song without saving the current pattern, the new name setting will be lost. This name will also be lost if you turn off the BR-1600CD before saving.
Page 174: Deleting Bass Patterns
CD-R/RW drive (SMF Import) 1. Press [F4] (WRITE/COPY/DEL) on the Bass Pattern Edit screen. The BR-1600CD allows you to read Standard MIDI Files (or The Write/Copy/Delete screen for bass patterns will SMFs) from CD-R/RW discs into user bass patterns and song appear.
Page 175 Creating bass patterns 5. Press [F1] (IMPORT). 8. Move the cursor to “Type” and use the TIME/VALUE dial to select “BASS.” The SMF Import screen will appear, displaying a list of fig.20-084bd the SMFs contained on the CD-R/RW. fig.20-083d 9. Move the cursor to “Pattern” and use the TIME/VALUE If files are grouped into different folders on the current dial to select the bass pattern to which the data is to be CD-R/RW, the folder names will be displayed together...
Page 176: Using Loop Phrases
The track will be used to play a Loop Phrase. The BR-1600CD supports this type of song creation method and allows you to freely arrange and play Loop Phrases You should select “LOOP PHRASE” here.
Page 177: Selecting A Loop Phrase
Selecting a Loop Phrase A number of different Loop Phrases will have already been stored on the BR-1600CD at the time of purchase. Let’s now • The song Loop Phrases contained in the BR-1600CD select one of these phrases to work with.
Page 178: Changing The Loop Phrase Tempo
Using Loop Phrases Changing the Loop Phrase tempo Setting the tempo using [TAP] In addition to setting the tempo using [CURSOR] and the 1. Make sure that PROGRAMMABLE RHYTHM TIME/VALUE dial, you can also set it by tapping your finger [ARRANGEMENT/PATTERN] is extinguished (you’re on [TAP] at the desired tempo.
Page 179: Creating Loop Phrases
Creating Loop Phrases Using a portion of an audio track Although the BR-1600CD already contains a number of Loop Phrases at the time of purchase, you can also create your own original Loop Phrases using portions of recorded audio A portion of any one of the current song’s tracks can be used tracks or by importing audio data from commercially to create a Loop Phrase.
Page 180: Using Wave Data On A Cd-Rom/R/Rw Disc (Loop Phrase Import)
Current?” may be displayed during the above 1. Insert a CD-ROM, CD-R, or CD-RW containing audio procedure. If you want to store your audio data and data in WAV or AIFF format into the BR-1600CD’s CD- settings, press [ENTER/YES]. If this will not be R/RW drive.
Page 181: Reading All Files At Once
MIDI sequencer, refer to its user’s manual. transmission. 2. Using a MIDI cable, connect the BR-1600CD to the OFF: MIDI sequencer as shown in the following diagram. No synchronization signal will be transmitted.
Page 182: Specifying And Modifying The Source Loop Phrase (Time Modify)
MTC type using the TIME/VALUE dial. of MTC format - namely, drop and non-drop. You will need to match the BR-1600CD’s MTC type to that Whereas frames are continuous with the non-drop used on the external MIDI sequencer. For more information...
Page 183: Modifying Loop Phrase Settings
MIDI sequencer or the TIME field. rhythm machine on the BR-1600CD, to detect the tempos of 1. On the Sync Parameter screen, move the cursor to the the MIDI device’s playback, and to automatically create “Time Display Format”...
Page 184: Assigning Loop Phrases To Track Buttons
MIDI sequencer MIDI OUT 5. Start playback on the MIDI sequencer or rhythm machine. The BR-1600CD will start to record MIDI timing clock signals. Note that it will not be possible to perform playback or recording while these signals are being recorded. In addition, it will also not be possible to play back rhythm 3.
Page 185: Erasing Loop Phrases
6. Move the cursor to “Sync Generator” and select “MIDI The Utility Menu screen will appear. CLOCK” using the TIME/VALUE dial. fig.12-12d The BR-1600CD will now be set up to transmit MIDI timing clock signals. 7. Press [EXIT/NO] several times to return to the top screen.
Page 186: Using Rhythm Arrangements
MMC Mode with MMC and MTC. This parameter is used to set the BR-1600CD’s MMC In this type of setup, the BR-1600CD will act as master for operation mode. both MMC and MTC, and therefore, you will be able to OFF: No MMC signals will be transmitted.
Page 187: Setting The Tempo Using [Tap]
MIDI sequencer, need to turn this function on if you intend to use it. you will be able to carry out remote control of BR-1600CD 1. Press [UTILITY]. mix-downs and other procedures.
Page 188: Creating Rhythm Arrangements
The MIDI channel setting will be maintained when At the time of purchase, the following MIDI channels will be the BR-1600CD is turned off. Note, however, that if initially assigned to the BR-1600CD’s faders and expression you fail to turn the BR-1600CD off in accordance pedal.
Page 189: Inserting Patterns
Inputting drum and bass patterns from a MIDI keyboard (MIDI Recording) Although the BR-1600CD’s track buttons and faders can be used to input drum and bass patterns, the input procedure can be simplified and note volumes can be controlled much more precisely if you use an external MIDI keyboard for this purpose.
Page 190: Changing And Moving Chords
What can V-LINK do? 1, 3 If, for example, you were to combine the BR-1600CD with an Edirol DV-7PR using V-LINK, you would be able to carry out the following operations from the BR-1600CD: ●...
Page 191: Assembling Loop Phrases
3. Use [CURSOR] and the TIME/VALUE dial to change VALUE-knob function assignments. The following functions can be assigned to VALUE knobs. The BR-1600CD allows you to freely modify the clip numbers assigned to track buttons and the control MIDI message...
Page 192: Canceling Loop Phrase Allocations
[PLAY]. control video in sync with the BR-1600CD’s playback. The playback of recorded V-LINK control operations will start as the BR-1600CD begins playback, and the Recording control operations video device will be controlled automatically. Although you will be able to perform control operations With V-LINK turned on, carry out the following procedure.
Page 193 MEMO...
Page 194: Modifying All Of The Loop Phrases In The Current Rhythm Arrangement (Arrange Modify)
Section 6 Section 6 Using USB Using USB...
Page 195: Naming And Saving Rhythm Arrangements
Before Using USB (Overview) Operations that can be The BR-1600CD is equipped with a USB connector, which allows you to connect the BR-1600CD directly to a computer, performed via USB making it easy to back up your important song data and exchange files between the BR-1600CD and the computer.
Page 196: Deleting A Rhythm Arrangement
When you double-click the BR-1600CD icon or the “Removable Disk (*:)” icon in Windows, or double-click the BR-1600CD icon in Mac OS, all of the files and folders Use the USB cable to connect the BR-1600CD to your computer. contained in the BR-1600CD’s hard disk will be displayed on- Purchase USB cables at computer stores or other retailers.
Page 197: Setting Tempos And Beats For Individual Measures (Tempo Map/Beat Map)
Backing up the BR-1600CD’s data With Windows 5. Double-click the “BR-1600CD” (or “Removable Disk (*:)”) icon. 1. Connect your computer and the BR-1600CD with a USB The files and folders from the BR-1600CD’s hard disk cable. will be displayed on the PC monitor.
Page 198: Setting Beats For Individual Measures (Beat Map)
Backing up the BR-1600CD’s data With Macintosh With Windows 2000/Me 1) In My Computer, right-click on the “BR-1600CD” icon 1. Connect your computer and the BR-1600CD with a USB (or “Removable Disk (*:)” icon) to “Eject” the disk. cable. 2) Click the icon in the task tray, then click the 2.
Page 199 [EXIT/NO]. Remember that 5. Double-click the “BR-1600CD.” if you do not save a modified song at this time, all The files and folders from the BR-1600CD’s hard disk newly recorded audio data, edited data, modified will be displayed on the PC monitor.
Page 200: Reading Backup Data Back Into The Br-1600Cd From The Pc (Recover)
Reading backup data back into the BR-1600CD from the PC (Recover) With Windows Shortly after the connection has been established, the BR- 1600CD icon or the “Removable Disk (*:)” icon will appear on-screen. 1. Initialize the BR-1600CD’s hard disk. (p. 270) fig.52-07...
Page 201: With Macintosh
Reading backup data back into the BR-1600CD from the PC (Recover) With Macintosh 2) Click [OK] in the “Safe To Remove Hardware” dialog box that appears. 1. Initialize the BR-1600CD’s hard disk. (p. 270) With Windows 2000/Me 1) In My Computer, right-click on the “BR-1600CD” icon (or “Removable Disk (*:)”...
Page 202 Reading backup data back into the BR-1600CD from the PC (Recover) Shortly after the connection has been established, the BR- 1600CD icon will appear on-screen. If you press [EXIT/NO] without quitting the connection fig.52-07a to the computer, “Disconnect USB, OK?” appear. In this (Ex.)
Page 203: Saving Br-1600Cd Track Data In Wav/Aiff Format (Wav/Aiff Export)
Saving BR-1600CD track data in WAV/AIFF format (WAV/AIFF Export) When saving in stereo You can convert the BR-1600CD’s track data into WAV or AIFF files and save these on your computer. After converting Select the track combination 1/2 –15/16. your mastered tracks to WAV or AIFF files, you can easily fig.52-16d...
Page 204 Saving BR-1600CD track data in WAV/AIFF format (WAV/AIFF Export) 9. Click the USB folder. fig.52-19 • If you are using an OS other than Windows Me, the BR- 1600CD will automatically return to the USB screen when “Remove Hardware” is carried out.
Page 205: With Macintosh
Saving BR-1600CD track data in WAV/AIFF format (WAV/AIFF Export) With Macintosh 6. Use [CURSOR] and the TIME/VALUE dial to select the file format. 1. Connect your computer and the BR-1600CD with a USB WAV: This is an audio format used primarily with cable.
Page 206 Saving BR-1600CD track data in WAV/AIFF format (WAV/AIFF Export) 10. Drag the WAV or AIFF file to the computer’s folder and drop it in the folder. 11. Quit the connection to the computer. Drug the “BR-1600CD” icon to the Trash.
Page 207: Loading Wav/Aiff Files In Br-1600Cd Tracks (Wav/Aiff Import)
(Ex.) BR-1600CD Removable Disk (*:) 8. Click the BR-1600CD icon or the “Removable Disk (*:)” icon. 4. Move the cursor to the IMPORT icon and press The files and folders from the BR-1600CD’s hard disk [ENTER/YES]. will be displayed on the PC monitor.
Page 208: With Macintosh
“Stop USB Disk-drive (*:)” message displayed there. fig.52-100 With Macintosh 1. Connect your computer and the BR-1600CD with a USB Task bar Task tray cable. 2) Click [OK] in the “Safe To Remove Hardware” dialog 2.
Page 209 4. Move the cursor to the IMPORT icon and press 8. Double-click the BR-1600CD icon. [ENTER/YES]. The files and folders from the BR-1600CD's hard disk Alternatively, you can press [F3] (IMPORT). will be displayed on the PC monitor. The USB Import screen will appear.
Page 210: Section 7 Other Convenient Functions
Section 7 Section 7 Other Convenient Functions Other Convenient Functions...
Page 211: Tuning Instruments (Tuner)
This pitch is used to define the frequency for A4 (i.e., A above middle C on a piano keyboard). At the time of purchase, a frequency of 440 Hz is set for A4 in the BR-1600CD, and if this is Tuning suitable, there will be no need to change the setting.
Page 212 Tuning instruments (Tuner) 5. While monitoring the tuning guides, fine-tune each string in such a way that both of these guides turn on when the string is played. Precautions for tuner usage When the difference between the played note and the •...
Page 213: Automatically Adjusting The Input Volume Balance (Level Calibration)
5. When all of the instruments have been played, press drums will make it seem as if they are at different volumes. [F4] (CALCULATE). In this and other similar cases, you can use the BR-1600CD’s When this process has finished, the message Level Calibration function to automatically adjust the “Complete!”...
Page 214: Manually Adjusting The Input Volume Balance
At 0, the volume is reduced to the minimum level; at 100, the audio source is input to the BR-1600CD without its 4. To carry out automatic adjustment once again, repeat volume being changed; and at 127, the input volume is the procedure described in “Automatically adjusting...
Page 215: Muting Individual Inputs
4. Press [EXIT/NO] several times to return to the top screen. These settings for muting will be lost when the BR- 1600CD is turned off. Muting for all tracks will be initially off when the BR-1600CD is turned on again.
Page 216: Inputting Audio With No Loss Of Quality (Digital In Assign)
IN connector. You can use this connector to input audio OFF: signals as is from a BOSS GT-6, a CD player, an MD player, Digital signals coming from the DIGITAL IN connector or any other type of digital device that features a coaxial- will be ignored and will not be input.
Page 217: Creating A Master Tape Protected From Digital Copying
1600CD to a DAT recorder or another similar digital device, you can use the following procedure to prohibit the creation 5. Mix down your song(s) from the BR-1600CD to a DAT of digital copies from the mix-down tape. recorder or another similar digital device.
Page 218: Changing The Content Of The Level Meter Display (Pre/Post Fader)
Changing the content of the level meter display (Pre/Post Fader) 1. Press [UTILITY]. Normally, the level meters for the tracks, which are displayed on the top screen, will indicate the levels that the The Utility screen will appear. various signals have after they have passed through the fig.12-12d corresponding faders (i.e., the post-fader volumes).
Page 219: Using Condenser Microphones (Phantom Power)
Most condenser microphones need a supply of power known fig.53-17 as phantom power in order to operate. 1, 5 Accordingly, the BR-1600CD can supply phantom power at +48 V to condenser microphones connected to any of the 3, 4 XLR-type connectors for INPUT 1 through INPUT 8.
Page 220 INPUT 1 through INPUT 8 or to the GUITAR/BASS jack. • The phantom power setting reverts to “OFF” whenever the BR-1600CD is turned on. Remember, therefore, to turn on this power supply whenever it is needed. • A supply of phantom power is not needed for certain types of condenser microphone (i.e.,...
Page 221: Mixing Audio-Device Output With The Br-1600Cd's Output (Audio Sub Mix)
Mixing audio-device output with the BR-1600CD’s output (Audio Sub Mix) 1. Press [UTILITY]. The Audio Sub Mix function treats the audio sources for INPUT 7 and INPUT 8 as a stereo input and allows this input The Utility screen will appear.
Page 222: Initializing All Br-1600Cd Settings (Initialize)
Initializing all BR-1600CD settings (Initialize) The Initialize function allows you to return all of the fig.53-28 following BR-1600CD parameters to their original settings. ● Global Parameters 2, 3 • Reference Pitch in Tuner parameters • System parameters 2, 3, • Sync parameters 4, 5 •...
Page 223 EFFECTS icon fig.53-32d 5. Press [ENTER/YES] once again. When this icon is selected, The BR-1600CD will start the initialization process. • User patches from all insert effect banks When this process has finished, the message • Vocal Tool Box user patches “Complete!”...
Page 224: Performing Hard Disk Operations
The currently selected partition is indicated by an asterisk (“*”). The BR-1600CD is set with one partition at the factory, so only one partition will appear in the display. 4. If you want to switch the partition being used, move the cursor to the partition you want to use, then press [ENTER/YES].
Page 225: Initializing The Hard Disk (Disk Initialize)
The message “FORMAT MODE: NORMAL” appears. fig.54-04d The appropriate settings for the internal hard disk were made before the BR-1600CD left the factory, so it is ready for immediate use. If for any reason the hard disk can no longer be written to or read from, or if you immediately want to delete all data from the disk, you can carry out Disk Initialize.
Page 226: Initializing Only One Of Multiple Partitions
The state of progress of the initialization will be shown on the display, and you should not turn off the BR-1600CD until this procedure has been completed. Failure to observe this precaution could considerably reduce the life span of the hard disk or could result in it being permanently damaged.
Page 227 MEMO...
Page 228: Appendices
Appendices Appendices...
Page 229: Troubleshooting
Troubleshooting ❍ Is the V-Track setting for a different V-Track? If the BR-1600CD does not function as you expect, please check the following points before assuming that a malfunction has ❍ Has the track type been set correctly? occurred. If this does not resolve the problem, contact a nearby ❍...
Page 230: Hard Disk
In such cases, drive? connect the mic via a mic preamp to the BR-1600CD, so ❍ Is the disc correctly placed in the CD-R/RW drive? that they can be boosted to line level before recording.
Page 231: Problems With Usb
MIDI sequencer, the BR-1600CD must be the master device. correctly ❍ Is the MIDI cable connected correctly? It is possible that the power of the BR-1600CD was turned off ❍ Is the MIDI cable broken? without using the POWER switch. The lost data cannot be ❍...
Page 232: Error Messages
Error Messages Blank Disc! Data Too Short! Cause: Disc in the CD-R/RW drive contains no data. Cause 1: You attempted to load a waveform file lasting 0.5 seconds or less. Action: Load a CD-R/RW disc that has data written on it. Action 1: Prepare the waveform file so that it is longer than 0.5 seconds.
Page 233: Hdd Full
Error Messages Event Memory Full! Marker Memory Full! Cause: The BR-1600CD has used up all the events that Cause: The BR-1600CD has used up all the marker can be handled by one song. memory (100 markers) that can be handled by one song.
Page 234: Set Location
Error Messages Not Blank Disc! Sync Track Full! Cause: The CD-R/RW disc already has data written to it. Cause: All of the remaining memory was used up during the Sync Track recording process. Action: Place a CD-R/RW disc with no data written to it (a blank disc) in the CD-R/RW drive.If using a CD- Action: No further recording will be possible.
Page 235: What Can V-Link Do
In addition, two tracks will be simultaneously selected as the The following section describes the action of the BR-1600CD recording tracks. (However, if a single track was previously for various input source selections.
Page 236: Internal Connection Diagrams For Each Input Select Condition
Operation of the INPUT SELECT buttons Internal connection diagrams for each INPUT SELECT condition The internal connections for input audio signals change as described below in response to the current INPUT SELECT condition. When [GUITAR/BASS] is selected When the recording track is mono fig.92-01 Input 1 Reverb...
Page 237: When [Vocal] Is Selected
Operation of the INPUT SELECT buttons When [VOCAL] is selected When the recording track is mono fig.92-03 Input 2 Reverb PEAK Reverb Send INPUT Insert INPUT INPUT 2 / MIC 2 Recording track (mono) SENS 2 LEVEL Effects LINE OUT Input 2 &...
Page 238: When [Multi-Tracks] Is Selected
Operation of the INPUT SELECT buttons When [MULTI-TRACKS] is selected fig.92-05 PEAK Impedance GUITAR / Input 1 BASS Conversion Reverb send INPUT Recording track 1 or 9 SENS 1 INPUT 1 / MIC 1 Input 1 pan If an instrument is connected to the GUITAR/BASS jack, the Input 1 INPUT 1/MIC 1 jack will be...
Page 239: When [Stereo Tracks] Is Selected
Operation of the INPUT SELECT buttons When [STEREO TRACKS] is selected fig.92-06 PEAK Impedance GUITAR / BASS Conversion INPUT Input 1 Pan SENS 1 INPUT 1 / MIC 1 PEAK If an instrument is connected to the GUITAR/BASS jack, the INPUT 1/MIC 1 jack will be deactivated.
Page 240: Before Using Usb (Overview)
V-Track on Track 9/10. This V-Track is marked as the final mastering track so that it may BR-1600CD operations in the various modes are as follows: be easily recognized and selected when the mastered audio is to be written to a music CD later on.
Page 241: Internal Connection Diagrams For Each Recording Mode
REC MODE (Recording Mode) Operations Internal connection diagrams for each recording mode The internal connections for audio tracks change as described below in response to the current REC MODE condition. When INPUT or BOUNCE is selected fig.93-01 Level Meter Level Meter (Pre Fader) (Post Fader) Insert...
Page 242: When Mastering Is Selected
REC MODE (Recording Mode) Operations When MASTERING is selected fig.93-02 V-Track on Track 9/10 V-Track on Track 9/10 where Level Meter to be subjected to Level Meter the mastered audio will be (Post Fader) mastering (Pre Fader) recorded LINE OUT Track 9 Mastering Track9/10...
Page 243: Midi Implementation
DIGITAL RECORDING STUDIO Date: Oct. 1, 2003 MIDI Implementation Model: BR-1600CD Version: 1.00 ■Channel Mode Messages 1. Receive data ❍All Sound OFF (Controller number 120) ■Channel Voice Messages Status 2nd byte 3rd byte n = MIDI channel number: 0H - FH (ch.1 - ch.16) ●Note off...
Page 244: Polyphonic Key Pressure
Status 2nd byte 3rd byte * Only a device ID of 7FH or message matching the BR-1600CD’s device ID is received. * When this message is received, Identity Reply message (p. 292) will be transmitted. n = MIDI channel number: 0H - FH (ch.1 - ch.16)
Page 245 MIDI Implementation ❍Foot Type (Controller number 4) ❍Legato Foot Switch (Controller number 68) Status 2nd byte 3rd byte Status 2nd byte 3rd byte n = MIDI channel number: 0H - FH (ch.1 - ch.16) n = MIDI channel number: 0H - FH (ch.1 - ch.16) vv = Control value: 00H - 7FH (0 - 127) vv = Control value:...
Page 246: Program Change
* If the Sync parameter “Sync Generator” is set to “MTC,” quarter frame messages of the time code type specified by “MTC Type” will be transmitted when the BR-1600CD is * Transmitted according to the content of the SMF during playback of SMFs.
Page 247: System Exclusive Messages
MIDI Implementation * The time code types defined by the MIDI specification correspond to the BR-1600CD ❍MIDI Machine Control Command Sync parameter “MTC Type” as follows. Status Data byte Status 7FH, Dev, 06H, aaH, ..., bbH MIDI specification setting “MTC Type” setting...
Page 248 41 | 29H || 73 | 49H || 105 | 69H | * If the efficient Maker of the locate switch is pressed or when moved, the BR-1600CD 10 | 0AH || 42 | 2AH || 74 | 4AH ||...
Page 249: Midi Implementation Chart
MIDI Implementation MIDI Implementation Chart DIGITAL RECORDING STUDIO Date : Oct. 1, 2003 MIDI Implementation Chart Model BR-1600CD Version : 1.00 Transmitted Recognized Function... Remarks Basic Default 1–16 1–16 Memorized Channel Changed 1–16 1–16 Default Mode Messages Altered ************** Note 0–127...
Page 250: Specifications
Specifications ● Nominal Output Level BR-1600CD: Digital Recording Studio LINE OUT jack: -10 dBu ● Tracks ● Output Impedance Track: 16 V-Track: 256 (16 V-Tracks per each Track) LINE OUT jack: 2 kΩ * Up to 8 tracks can be recorded simultaneously, and up to 16 100 Ω...
Page 251: Power Consumption
Specifications ● Power Supply DC 12 V; Supply AC Adaptor (Roland PSB-3U) ● Power Consumption ● Dimensions 494 (W) x 339 (D) x 99 (H) mm 19-1/2 (W) x 13-3/8 (D) x 3-15/16 (H) inches ● Weight 4.9 kg / 10 lbs 13 oz (Excluding AC Adaptor) ●...
Page 252: Index
Index Symbols ALL ................ ALL icon ................. *TMP ..................Amb Density ................*TMP(CURRENT) ......– – Amb HF Damp ................ + ............– Amb Level ................=>COPY ................. Amb Pre-Dly ................=>DELETE ............Amb Size ................... =>PRM............Ambience .................. Numerics AMERCAN ................
Page 253 BOTTOM ................CmpH Thres ................BOUNCE ................CmpL Attack ................BPF .................. CmpL Ratio ................BPM ............CmpL Release ................ BR-1600CD icon ..............CmpL Thres ................BRIGHT ................CmpM Attack ................. Bright ................CmpM Ratio ................BRIGHTNESS ................. CmpM Release ...............
Page 254 Index COLOR CR ................DELAY ..................Color Cr ................... Delay .............. – Color difference signal ............Delay Time ............. COMMON ................Delay time ................COMP button ..............DELAY TYPE ................. Compatible OS ............... DELETE ......... Delete Compressor ........– Bass pattern ..............Compressor Edit screen ............
Page 255 Index DUAL STREAM ..............EXP PEDAL jack ............... Dual stream ................Expander ................. DV-7PR ................... ExpH Attack ................Dynamic microphone ............ExpH Ratio ................ExpH Release ................. ExpH Thres ................EDIT ................... ExpL Attack ................EDIT button ................ExpL Ratio ................EDITED ..................
Page 256 Index Front Panel ................HIGH TYPE ................FULLRNG ................. High Type ................ FUNCTION buttons ..............High-speed writing ............– FV-300L ..................Hi-Mid Freq ............FX ....................Hi-Mid Gain ............Hi-Mid Q ..............Hour ..................Gain ..............HPF ..................Gain SW ..................HU .....................
Page 257 Index Low Mix Level ................. Low Pre-Dly ................Jacks ................... LOW Q ..................JAZZCMB ................. Low Q ................JC-120 ..............– Low Rate ................... JUMBO ..................LOW TYPE ................Low Type .................. KNEE ..................Low-Cut Filter ................Knee ................... Low-Mid Freq ............Low-Mid Gain ............
Page 258 Index METRO.LVL ................MMC Mode ................METRO.LVL................Mode ..............METRONOME ............. – Model ..................Metronome ................Modify Filter ................Output ................Modulation ................ – Sound ................MONO ..................Metronome icon ............... MOVE ..............METRONOME ONLY ..........– MOVE + INS icon ..............MIC bank ..................
Page 259 Index PIC ................... Pickup Simulator ............OCT FUZ .................. Pickup Type ................Octave ................PIEZO ..................Octave Level ................Pitch ..................OD-1 ..................PITCH CORRECTION ............OD-2 ..................Pitch Correction ............. – ON/OFF ................. Pitch Correction Edit screen ..........On/Off ............–...
Page 260 Index Punch In/Out ................Reverb Send screen ............... Punch out .................. REW button ................Pwd. BLK ................RF ORNG .................. Pwd. E-B ................. RF RED ..................Pwd. MAC ................RF VNTG .................. Rhythm arrangement ........... Rhythm machine ..............QTZ ................. Ring Modulator ............
Page 261 Index SMALL ..................Steady red ................. SmallTV ................... STEP ................SMF ..............– Step ..................SMF import ..............STEP BACK ................SMF Import screen ............Step Rate ................. SMF player ................Step recording ..........Sml.Cn ..................STEREO ..................Sml.Dy ..................Stereo bank ................
Page 262 Index Time ..................Tremolo/Pan ............– Time Display Format ............TRM/PAN ................Time Offset ................TRM-SQR ................TIME/VALUE dial ............TRM-TRI ................. TIMES (copy time) ..............Troubleshooting ..............TMP .................. TSCREAM ................. TO ..........– – – Tuner ..................TO (To point) ..............TUNER ON/OFF ..............
Page 263 Index VALUE 1/PAN, VALUE 2, VALUE 3, and VALUE 4 knobs ..WAH ..................VALUE knobs ..............Wah ................– VB ..................... Wah pedal ................. VFX1 ..................Wah Type ................VFX2 ..................WAV .............. VFX3 ..................WAV file ................. VFX4 ..................WAV/AIFF export ............
Page 264 MEMO...
Page 265 MEMO...
Page 266 For EU Countries This product complies with the requirements of European Directive 89/336/EEC. For the USA FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENT This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules.
Page 267 03343912 ‘03-12-2N...

Boss BR-1600CD Owner's Manual

1 Cosm Od Guitar Amp

2 Acoustic Sim

3 Bass Sim

6 Bass Multi

7 Cosm Bass Amp

4 Cosm Comp Guitar Amp

5 Acoustic Guitar

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