Roland Fantom G8 User Manual page 177

Roland fantom g8: user guide
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54: LONG TIME CTRL DELAY
A delay in which the delay time can be varied smoothly, and
allowing an extended delay to be produced.
fig.MFX-54
L in
Balance D
Time Control Delay
Feedback
R in
Balance D
Parameter
Value
Description
Delay Time #
0–2600 ms,
Adjusts the time until the delay is heard.
note
Acceleration
0–15
Adjusts the time over which the Delay
Time changes from the current setting to
a specified new setting.
Feedback #
-98– +98 %
Adjusts the amount of the delay that's
fed back into the effect. Negative (-) set-
tings invert the phase.
HF Damp
200–8000 Hz,
Adjusts the frequency above which
BYPASS
sound fed back to the effect is filtered
out. If you do not want to filter out any
high frequencies, set this parameter to
BYPASS.
Pan #
L64–63R
Stereo location of the delay
Low Gain
-15– +15 dB
Gain of the low frequency range
High Gain
-15– +15 dB
Gain of the high frequency range
Balance #
D100:0W–
Volume balance between the direct
D0:100W
sound (D) and the delay sound (W)
Level
0–127
Output level
55: TAPE ECHO
A virtual tape echo that produces a realistic tape delay sound. This
simulates the tape echo section of a Roland RE-201 Space Echo.
fig.MFX-55
L in
Direct Level
Tape Echo
R in
Direct Level
Parameter
Value
Mode
S, M, L,
S+M, S+L,
M+L,
S+M+L
Repeat Rate #
0–127
Intensity #
0–127
Bass
-15– +15 dB
Treble
-15– +15 dB
Head S Pan
L64–63R
Head M Pan
Head L Pan
Tape Distor-
0–5
tion
2-Band
L out
EQ
Balance W
Balance W
2-Band
R out
EQ
The rate of change for the Delay Time
directly affects the rate of pitch
change.
L out
Echo Level
Echo Level
R out
Description
Combination of playback heads to use
Select from three different heads with
different delay times.
S: short M: middle L: long
Tape speed
Increasing this value will shorten the
spacing of the delayed sounds.
Amount of delay repeats
Boost/cut for the lower range of the echo
sound
Boost/cut for the upper range of the echo
sound
Independent panning for the short, mid-
dle, and long playback heads
Amount of tape-dependent distortion to
be added
This simulates the slight tonal changes
that can be detected by signal-analysis
equipment. Increasing this value will
increase the distortion.
Parameter
Value
Wow/Flutter
0–127
Rate
Wow/Flutter
0–127
Depth
Echo Level #
0–127
Direct Level #
0–127
Level
0–127
56: LOFI NOISE
In addition to a lo-fi effect, this adds various types of noise such as
white noise and disc noise.
fig.MFX-56
L in
Lo-Fi
Noise Gen.
Lo-Fi
R in
Parameter
Value
Description
LoFi Type
1–9
Degrades the sound quality. The sound
quality grows poorer as this value is in-
creased.
Post Filter
OFF, LPF,
Type of filter
Type
HPF
Post Filter
200–8000 Hz
Center frequency of the filter
Cutoff
W/P Noise
WHITE,
Switch between white noise and pink
Type
PINK
noise.
W/P Noise
200–8000 Hz,
Center frequency of the low pass filter
LPF
BYPASS
applied to the white/pink noise (BY-
PASS: no cut)
W/P Noise
0–127
Volume of the white/pink noise
Level #
Disc Noise
LP, EP, SP,
Type of record noise
Type
RND
Disc Noise
200–8000 Hz,
Adjusts the cutoff frequency of the low
LPF
BYPASS
pass filter applied to the record noise. If
you don't want to filter out any high fre-
quencies, set this parameter to BYPASS.
Disc Noise
0–127
Volume of the record noise
Level #
Hum Noise
50 Hz, 60 Hz
Frequency of the hum noise
Type
Hum Noise
200–8000 Hz,
Center frequency of the low pass filter
LPF
BYPASS
applied to the hum noise (BYPASS: no
cut)
Hum Noise
0–127
Volume of the hum noise
Level #
Low Gain
-15– +15 dB
Gain of the low range
High Gain
-15– +15 dB
Gain of the high range
Balance #
D100:0W–
Volume balance between the direct
D0:100W
sound (D) and the effect sound (W)
Level
0–127
Output level
Effects List
Description
Speed of wow/flutter (complex variation
in pitch caused by tape wear and rota-
tional irregularity)
Depth of wow/flutter
Volume of the echo sound
Volume of the original sound
Output level
2-Band
L out
EQ
2-Band
R out
EQ
OFF: no filter is used
LPF: cuts the frequency range above
the Cutoff
HPF: cuts the frequency range below
the Cutoff
The frequency at which the noise is
heard depends on the selected type.
177

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